Let s talk about the realist significance of the Book of Songs, and the significance of the Book of

The Book of Songs is of great cultural significance to contemporary society, and the following is for reference only. Part 1: OverviewThe Book of Songs is the first collection of poetry in China, and it is also one of the "six arts" of Confucianism, formerly known as "Poems", or "Three Hundred Poems", with a total of 305 articles, and another 6 sheng poems, with eyes and no words.

It was finally compiled into a book, around the 6th century BC. The area was roughly equivalent to present-day Shaanxi, Shanxi, Henan, Hebei, Shandong, and northern Hubei, and the authors included people from all walks of life, from nobles to commoners. The Book of Songs is the earliest poem full of realistic spirit in China, which has laid the tradition of facing reality in China's poetry.

The book mainly collects works from the early Zhou Dynasty to the middle of the Spring and Autumn Period for more than 500 years, and the content is very extensive, profoundly reflecting all aspects of social life during the Yin and Zhou dynasties, especially from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period. The Book of Songs can be said to be a huge scroll, in which the politics, economy, military, culture, world, human conditions, folk customs, etc., are vividly expressed. Part II:

Specific culture and significance 1: The "poems" of ritual music culture were originally music songs, and the three categories of wind, elegance and song in the "Book of Songs" have their own characteristics. The wind is the first tune, and the national style is the music of each region.

Mao's poem preface" cloud: "Wind, wind, teaching." The wind moves it, and the teaching transforms it.

Another cloud: "The upper is weathered, and the lower is pierced by the wind, and the main text is admonished, and those who say it are not guilty, and those who hear it are enough to quit, so it is called wind." It can be seen that the influence of ritual culture on social life and politics at that time was far-reaching.

Zhu Xi also said: "The wind, the poetry of folk songs." The one who is called the wind has words with his words, and his words are enough to touch.

It is explained that the wind is the local folk music that expresses the folk life of each region. Ya is positive, referring to the music of the imperial court, the music of Wang Ji of the Western Zhou Dynasty, "Mao's Poetry Preface" believes that "the elegant one, the right also, the reason for the abolition of the king's government."

Ya is divided into large and small, and the reason for this is that there are different opinions. "Preface to Mao's Poems" believes: "There are big and small politics, so there are small and big Yayan."

Later generations believed: "Big and small Erya, should be treated differently, not by the size of the government." In short, people have noticed the relationship between the big and the small and the ** at that time.

Song is the music of the temple sacrifices, and many of them are dance music, which may be more soothing. The ode can be divided into two categories in terms of content, such as "Xuanniao" and "Liezu" are obviously sacrificial songs, mainly writing songs and dances to entertain the gods and praise the ancestors, while "Long Hair" and "Yin Wu" may be ode poems, mainly writing about the historical legends and myths of the Shang tribe. In this regard, "Mao's Preface" is in favor of it:

The praiser, the adjective of virtue and virtue, is also known to the gods for its success. The ritual music culture of "poetry" had a profound impact on people's lives, politics and economy at that time, but with the loss of ancient music later, future generations could not deeply understand their respective characteristics. Two:

The poems that love culture reflects the love life of marriage occupy a large proportion in the "Book of Songs", not only in large quantities, but also very rich in content: There are love songs that reflect the admiration and love of men and women, such as "Zhou Nan Guan Ju" is to write about the love of men for women, and this kind of love develops into a mutual pleasure between the two loves, and there is a secret covenant in the tryst, such as "Shao Feng Jing Girl" passed.

As the "Yuan Canon" of Chinese culture, the Book of Songs contains a rich cultural spirit and plays an important historical reference role in building a harmonious social and cultural construction today.

The Book of Songs has the important cultural value of inheriting tradition, inheriting civilization and promoting the national spirit. Its rich content is considered an encyclopedia of ancient societies. The works in the Book of Songs include the politics, economy, military, world conditions, folk customs and other aspects of the time.

Chinese poetry has advanced along the path of lyrical speech opened up by the Book of Songs, and lyric poetry has become the main form of Chinese poetry. The enthusiasm for paying attention to reality, strong political and moral awareness, and positive attitude towards life shown in the Book of Songs were summarized by later generations as the spirit of "elegance", which directly influenced the creation of later poets. The use of the "Book of Songs" in the technique of comparison is also very prominent, such as "Guan Guan Ju dove" in "Guan Ju, in the river island."

My Fair Lady, Good Gentleman" not only strengthens the image of the work, but also obtains good artistic effects, forming the artistic characteristics of ancient Chinese poetry with subtle and infinite charm.

The Book of Poetry is a glorious starting point of Chinese literature, and its rich ideological content, noble aesthetic sentiments and exquisite artistic techniques are the great achievements made in art by the earliest poetry works in China, which have laid the fine tradition of Chinese poetry, nurtured generations of poets and writers, and had an immeasurable and far-reaching impact on the literary creation of later generations. The Book of Songs is the supreme treasure of Chinese culture

The Book of Songs is one of the Five Classics of Ruyi, the Book of Songs. Zhong, reflecting the living conditions of people at that time, in the way of thinking and imagination, can reflect the Confucian thought everywhere in the world reflects the basic values and ideas in the traditional culture of the Chinese nation, first, the attitude of the Chinese in dealing with people, through the study of the world, retreat, promote contemporary college students, a deeper and deeper understanding of the Chinese nation, can more deeply understand the spirit and soul of the Chinese nation.

Realism is a creative technique in which literary artists focus on revealing the inner characteristics of real life through the true depiction of objective images according to the specific appearance, shape and characteristics of real life. The Book of Songs focuses on the realism of the objects and characters, and gives specific descriptions of the daily lives of peasants and rural women. For example, the contradiction between slaves and all poor laborers and slave owners, the "Book of Songs" profoundly revealed the basic contradictions of China's society at that time in the Western Zhou Dynasty and the early Spring and Autumn Period.

Among them, "The Windy July" specifically describes the hard labor of the slaves in the four seasons and their bitter life, when the labor paid and the remuneration are compared one by one, we can deeply feel and see the cruelty and heavy economic exploitation of Chinese society at that time. "Wei Feng and Tan" uses language to describe a kind of parasitic animal that these slave owners get for nothing, and the essence is like leakage. The cynicism and scolding of the slaves may be a direct and true reflection of economic and social exploitation, and there are also some social exploits of the super-capitalist economy, such as long-term oppression and forced military service, which brought misfortune to the Chinese working people at that time"How sad it is to mourn its misfortunes".

The main characteristics of the content are to face reality, describe reality, expose reality and criticize reality; The main characteristics of art are the simplicity of the literary style, the concise language, the ingenious comparison, the real, natural and vivid characters, and the intimate and touching life pictures. The so-called realistic spirit is the spirit reflected in the works written by realist techniques, and the basic principle of realism is to reproduce life according to the actual style of life, and express the author's thoughts and emotions through the real, concrete, and vivid description of life, and reflect the essence or some aspects of the essence of social life. There are many reproductions of real life in the Book of Songs.

For example, the poem that reflects the ancient agricultural life - "The Wind in July". The whole poem is long, orderly, and well-layered. The structure of the work is arranged according to the changes of the seasons and months, which clearly expresses the creative attitude of the Zhou people towards reality arising from the practice of agricultural production.

The Book of Songs is the art of confronting reality. This is not only manifested in the description of agricultural poems. The attitude towards reality made the Zhou people regard the creation of poems as a reproduction and reflection of the reality of their own lives.

It is the vision of realism that enables the poet to have the most acute observation of social life, enables the poet to grasp various materials of social life, and makes profound hints and descriptions of various life realities. From the country's temple sacrifices, military wars, banquets, and political changes, to the common people's sericulture cultivation, weddings, funerals, and entertainment and tourism, all of which are the objects to be described and expressed in the Book of Songs. The creative attitude of realism makes the Book of Songs have the characteristics of realism and simplicity, and has a sense of intimacy in life, so as to guide people to pay attention to reality, love life, criticize all unreasonable phenomena in society, and stimulate people's unremitting pursuit of ideal life.

The Book of Songs is realism, and the Book of Songs includes wind, elegance, and song. Among them, the wind was the folk song of the vassal states during the Zhou Dynasty. Some expose and satirize the exploitation and oppression of the rulers, while others extol the spirit of resistance and the yearning for a better life of the working people.

The main thing is a description of real life, with a little polish and a focus on realism. Ya is the lyrics of the court music of the Western Zhou Dynasty, and it is also realistic. The song is a lyric with dance music for the temple sacrifice, which is also realistic.

The meaning of the Book of Songs:

The Book of Songs comprehensively reflects the history of the Western Zhou Dynasty and the Spring and Autumn Period, and records the historical development and current situation of Qiaokong in an all-round and multifaceted way, including almost all aspects of society - politics, economy, military, folk customs, marriage, love, culture, etc. It provides irreplaceable historical materials and value for the study of the life and culture of the ancients by later historians. The Book of Songs has a lofty position and far-reaching influence in the history of Chinese literature, and has established the leading position of Chinese poetry in world culture.

In the Analects, the most complete description of the Book of Songs. Zi said: "Boy He Mo Xuefu "Poetry"?

Poetry", can be excited, can be observed, can be grouped, can be complained. The father of the long thing, the king of the far thing, is more familiar with the name of birds, beasts, grass, mountains and trees. (The Analects of Yang Goods).

Studying the Book of Songs, in the near future, you can know how to serve your parents; From a distance, you can know how to serve the monarch. In addition, you can also widely recognize the names of plants, trees, birds and beasts.

"The Book of Songs" is a literary work, which attaches the most importance to real emotions, and cannot be distorted, pretentious, or simply piled up some words.

The content of the Book of Songs is a manifestation of sincere emotion, and only sincerity can lead to sincerity.

The Book of Songs makes us understand that we should not complain, but should cherish what we have, and we have the opportunity to live this life to the fullest.

Reading the Book of Songs, there is only one thing we should understand the most, that is, what is human beings and what is life.

The practical significance of the Book of Songs is the art of facing reality, which is not only the description of agricultural poems, but also the concept of life oriented to reality, so that the Zhou people regard the creation of poems as a true reproduction of their real life. It is the vision of realism that enables the poet to have the most acute observation ability of social life, so that the poet can grasp all kinds of materials in real life, and make profound hints and descriptions of various life realities.

The Book of Poetry is the beginning of ancient Chinese poetry, the earliest collection of poems, a collection of poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period (11th century BC to the 6th century BC), a total of 311 poems, of which 6 are sheng poems, that is, only titles, no content, called six poems of sheng nayu ("Nanyi", "Baihua", "Hua Huang", "You Geng", "Chongqiu", "You Yi"), reflecting the social outlook of about 500 years from the beginning of the Zhou Dynasty to the late Zhou Dynasty.

Answer]: "The Book of Songs" is the earliest poetry full of realistic spirit in China, which has laid the tradition of China's poetry facing reality. The realistic spirit of the "Book of Songs" is particularly prominent in the national style and "Erya".

Specifically, the spirit of realism in the Book of Songs is mainly manifested in its realistic spirit and simple and natural style.

First of all, the creation of the "Book of Songs" follows the principle of "the hungry sing about their food, and the laborers sing about their work". It is based on the real life of society, without vanity and grotesqueness, and rarely supernatural myths, and it is an image of the political situation, social life, customs and folk feelings of the time. In particular, the works in the national style come from real life, directly express their feelings about real life, and reveal the essence of social life without pretentiousness.

For example, "The Wind in July" describes in detail the entire life of the slaves from the beginning of the year to the end of the year, without strong resentment, and only by laying out a large number of objective realities, it effectively reveals the sorrow and pain of the slaves, outlining a picture of the ancient slave society. In addition, the epic of the Zhou nationality in Daya truly reproduces the history of the occurrence and development of the Zhou nation, and the satirical poems in the Xiaoya in the social background of the decline of the Zhou Dynasty show the poet's strong concern for reality, full of sense of distress and enthusiasm for political intervention. The poets in the troubled times truly recorded the social reality of the decadent, dark, and declining world at that time, and the feelings of worrying about the country and the people expressed in them further strengthened the depth of these works to reflect the reality.

Secondly, the Book of Songs is the natural expression of the thoughts and feelings of the working people, and has the pure beauty of simplicity and nature. It can be said that the works in the national style express the poet's true feelings more about the life of war, conscription, marriage and love, and in the specific description of these aspects of life, the poet's sincere emotions, distinctive personality and positive attitude towards life are expressed.

In short, the realistic spirit and simple natural style of the Book of Songs embody the basic characteristics of realism and lay the foundation for the excellent tradition of ancient poetry creation in China.