1. What is the Seven Rings, the Seven Absolute Rules?

17 orders, a total of four bodies:

17 Ling: Monotonous fifty-five words, thirteen sentences, seven flat rhymes.

Bai Juyi. Poem.

Ping [rhyme] beautiful. Oblique. Wonderful.

Pingping [rhyme] moonlit night.

Flat. When the flowers fall.

仄平平 [rhyme].

It can help you laugh. Flat.

It is also sad to part. Ping [rhyme].

Reconcile the grievances of the golden stone.

It's mediocre. Groaning bitterly and sorrowfully.

仄仄平平 [rhyme].

The world should only be loved by me.

It's a good match.

Only the king knows in the world.

平仄平平 [rhyme].

Since the Captain Beisu sentence.

Oblique. went to Sikong to send a white speech.

Ping [rhyme].

Another monotonous fifty-five words, thirteen sentences, seven rhymes.

Wei Shi. Bamboo.

仄 [rhyme] near the pool. Flat. Like jade.

仄 [rhyme] 裛露静.

and smoky green.

Ping Qian [rhyme].

Hold the festival and rather change. It's a good match.

Chastity is self-restrained. Ping Ping Qian [rhyme].

There are many kinds of Weiqu.

Pingping. The Wang family is under-sighted.

Ping Ping [rhyme].

The immortal battle is turning into a dragon.

平仄 平仄 [rhyme].

Meishi should be familiar with the phoenix.

仄平平仄仄 [rhyme].

Only sorrow blows the sound of parting.

Peaceful, mediocre.

Look back at the speed of the dance.

平仄仄平 仄仄 [rhyme].

Another monotonous fifty-six characters, fourteen sentences and seven flat rhymes, and a stack of rhymes.

Zhang Nanshi. Flower.

Flat [rhyme] flowers.

Flat (stacked) depth.

Flat. Fen Bao.

Pingping [rhyme] condenses into snow.

Plain. Mistake for Kasumi.

仄平平 [rhyme].

Warblers and butterflies to. It's mediocre.

Yuan occupies the palace cover. 仄仄平平 [rhyme].

Jingu Road has been lost.

It's a lot of peace.

Frequently stationed in jade cars.

Ping 仄仄平平 [rhyme].

The grass wants to be fragrant trees.

Peaceful, peaceful.

The east is half the west.

Ping Ping Ping [rhyme].

May the spring breeze accompany you.

It's mediocre.

Climb and fold to the end of the world.

Ping Ping Ping [rhyme].

Another monotonous fifty-six characters, fourteen sentences and seven rhymes, and a stack of rhymes Zhang Nanshi.

Bamboo. 仄 [rhyme].

Bamboo. 仄 (stacked).

By the mountain. Pingping.

Liangu. Ping Qian [rhyme].

Out of the southeast. It's mediocre.

Plants and trees. Ping 仄仄 [rhyme].

The leaves are thin and strong. It's a good match.

Frost stops sleeping in the open. Ping Ping Qian [rhyme].

Forests are everywhere.

It's mediocre.

Draw bamboo shoots every year.

平仄平平仄 [rhyme].

The wind is suddenly fighting.

It's mediocre.

The pond water is greener.

Ping Ping [rhyme].

But he looked for Yu Xin in the small garden.

It's a lot of peace.

Idle logarithms are self-sufficient.

Ping Ping [rhyme].

Don't have a seven-word card grid?

1. Meet.

One, two, and four sentences rhyme flat.

Ping) Ping (仄) 仄仄平, (仄) 仄平平仄平.

仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

2. Meet.

The second and fourth sentences rhyme flat, and the beginning of the sentence does not rhyme. Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

3. Meet.

One, two, and four sentences rhyme flat.

仄) 仄平平仄仄平, (平) 平 (仄) 仄仄平平.

Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

4. Meet.

The second and fourth sentences rhyme flat, and the beginning of the sentence does not rhyme. 仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

Poetic style. The seven-character quatrain belongs to the close style poems with relatively strict rhythmic requirements. The first is the fixed length.

The whole poem has four sentences, each sentence is seven words, a total of twenty-eight words. The second is the strict rhyme, which is usually only rhymed flat and cannot rhyme. It is also necessary to pay attention to the level, that is, to conform to the law of leveling, that is, under normal circumstances, two syllables (two words) are used as a sound step, and the balance is arranged interactively.

According to the level of the first two words of the first sentence, the seven-character quatrain is divided into two categories: flat and qi. Among them, there are two types of flat type:

1. Equal and even, the first sentence rhymes.

Second, the first sentence does not rhyme.

There are also two types of Qi Qi styles:

First, the first sentence rhymes.

Second, the first sentence does not rhyme.

The list of the rhythms of the seven-line poems is as follows:

Data Extension:

Seven-character poetry is a genre of traditional Chinese poetry, referred to as seven-law, which belongs to the category of near-style poetry. It originated in the new style poems of Shen Yue and other new styles of poetry that paid attention to sound rhythm and duality during the Qi Yongming period of the Southern Dynasty, and further developed and stereotyped in the early Tang Dynasty and Song Zhiwen, and matured in the hands of Du Fu in the prosperous Tang Dynasty.

The seven-word rhythm poem is strict, requiring the number of words in the poem to be uniform, composed of eight sentences, each sentence has seven good words, every two sentences are a couplet, a total of four couplets, divided into the first couplet, the jaw couplet, the neck couplet and the tail couplet, and the middle two couplets require the battle to clear the lead. Representative works include Cui Hao's "Yellow Crane Tower", Du Fu's "Ascending", Li Shangyin's "Anding City Tower" and so on.

Seven-character poetry refers to poems with seven words and eight sentences that conform to the norms of rhythmic poetry, referred to as "seven-law", which is a kind of rhythmic poetry. Lyric poetry belongs to the category of near-body poetry, hence its name because of its strict rhythm. The rise of seven-character poetry is later than that of five-character poetry.

It originated in the Northern and Southern Dynasties, sprouted in Qi Liang's new style poems, and was stereotyped in the early Tang Dynasty.

In the early Tang Dynasty, Shen Yan, Song Zhiwen, Du Xianyan, and Li Qiao began to write articles, and in the prosperous Tang Dynasty, Wang Wei, Li Ji, Cen Shen, and Jia Zhi deliberately tempered it to achieve proficiency in the system, while Cui Hao and Li Bai still have works that are mixed and half-ancient and half-law.

Although the seven-character poems of this period also have high-quality and beautiful famous poems, most of the content belongs to the system and remuneration, which is more narrow than the five-character poems. At the same time, the seven laws of poets such as Li Bai, Wang Wei, and Gao Shi in the Tang Dynasty were mostly wrong, sticky, and repeated.

It was only when Du Fu arrived that the seven-character poems showed their poetic potential and opened up the world of art. Du Fu has comprehensively opened up the realm of poetry, and the current affairs and political theories, life experience, customs, cultural relics and historic sites are all cast in the strict rhythm, and the value of this poetry is raised to the height of standing side by side with ancient poems and quatrains.

Seven-character poetry is a form of classical Chinese poetry, usually consisting of eight lines and seven characters, with a total of fifty-six characters. The following are the basic rules of the seven-character poem: Word Count:

Each seven-character poem has 8 lines, and each line has 7 words, for a total of 56 words. Pingxuan: Pingqian is the basic syllable of poetry, Pingyin includes Yinping (finals starting with a, o, e) and Yangping (finals starting with i, stool huu, ü), and Yinyin includes Yin, Yang, Shangsheng, and Desheng.

In general, the first of each sentence.

The first, second and fourth characters need to follow one of the four modes of Pingping, Pingping, Pingping, and Pingping, the first nuclear cavity.

There are no strict requirements for three, five, and seven characters. Rhyme: The last word of each sentence of the seven-word poem needs to rhyme, that is, the finals of the last word of every two sentences should be the same. Usually the first.

Rhyme with one or two sentences, first.

Three or four rhymes, first.

Five or six rhymes, seven or eight rhymes. Sentence structure: Each sentence of a seven-character poem consists of two halves, usually the first half of the sentence proposes a theme, and the second half of the sentence is further described or developed.

Battle: Each sentence of the seven-character poem needs to be opposed, that is, the words in the same position in each two sentences need to correspond to the meaning, part of speech, tone, etc. For example, "At the end of the day, the Yellow River flows into the sea."

In these two sentences, "Bairi" and "Yellow River", "Yishan" and "Into the Sea" all form a good battle. Pause: There needs to be a certain pause in the middle of each sentence (that is, after the fourth word) to form a special sense of rhythm.

The above are the basic rules of seven-character poetry, but in actual creation, poets often flexibly use these rules according to their own needs, or even break the rules, in order to express their emotions and artistic conceptions.

The rhythm of the Seven Absolute Rhythms is generally divided into four types: Pingqi, Pingqi first sentence into rhyme, Qi Qi, and Qi Qi first sentence into rhyme.

The seven-character quatrain is also called "seven quatrains". Each poem has four sentences, seven words per sentence, a total of twenty-eight words.

The types of the Seven Absolute Rules.

The first type: Feng.

One, two, and four sentences rhyme flat.

Ping) Ping (仄) 仄仄平, (仄) 仄平平仄平.

仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

The second type: Feng.

The second and fourth sentences rhyme flat, and the beginning of the sentence does not rhyme.

Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

The third type: Feng.

One, two, and four sentences rhyme flat.

仄) 仄平平仄仄平, (平) 平 (仄) 仄仄平平.

Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

Fourth: Feng.

The second and fourth sentences rhyme flat, and the beginning of the sentence does not rhyme.

仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

There are four basic sentence structures in the Seven Laws:

Ping Ping (the last two words are Ping Ping, called Ping Ping's feet);

仄仄平仄平 (the last two words are 仄平, called 仄平foot);

仄仄平平仄仄 (the last two words are 仄仄, called 仄仄feet);

Ping Ping Ping Ping (the last two words are Ping Ping, called Ping Ping Feet).

These four sentence patterns are the basis for the variation of the flat form of the lyric poem, thus constituting the four basic forms of the seven-character rhythmic poem.

The first format: the first sentence is flat and flat.

Ping) Ping (仄) 仄仄平, (仄) 仄平平仄平.

Rhyme.

仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

Rhyme.

Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

Rhyme.

仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

Rhyme.

Description: Indicates flat; It means that it can be done evenly; Indicates 仄; It means that it can be flattened.

The second format: the first sentence is flat and closed.

is the overlap of the second half of the first format.

Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

Rhyme.

仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

Rhyme.

Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

Rhyme.

仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

Rhyme.

The third format: the first sentence is flat.

仄) 仄平平仄仄平, (平) 平 (仄) 仄仄平平.

Rhyme.

Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

Rhyme.

仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

Rhyme.

Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

Rhyme.

The fourth format: the first sentence is a very close style.

is the overlap of the second half of the third format.

仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

Rhyme.

Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

Rhyme.

仄) 仄 (平) 平平仄仄, (平) 平 (仄) 仄仄平.

Rhyme.

Ping) Ping (仄) 仄平仄, (仄) 仄平平仄仄平.

Rhyme.