If there is a sound on the harp, why not sound it in the box If the sound is on the finger, why not

If there is a sound on the piano, why does it not sound when it is placed in the box; So if the sound is coming from the fingers, why don't people listen to it?

The original poem is: If there is a sound on the qin, why not sound it in the box. If the words are on the fingers, why not listen to them on the fingers.

Meaning: If the sound of the piano comes from the piano, why is it placed in the piano case but there is no noise? If the sound of the piano comes from the fingers, why don't you listen to it with the fingers? The poem is about revealing the cause and effect of things.

It is said that things are universally connected. The piano and people are the cause, the sound of the piano is the effect, and the piano can only have the sound of the piano when it is played. Got it?

If there is a sound on the piano, why not sound it in the box? If the voice is on the fingers, why not listen to the fingers? From the ancient poem "Qin Poems" by the Tang Dynasty poet Su Shi:

If there is a sound on the piano, why not sound it in the box? If the voice is on the fingers, why not listen to the fingers? This means that if the sound of the piano comes from the harp, then why can't the piano in the box make a sound?

If the sound of the piano comes from the fingers that play it, why not listen to it on your fingers?

This is a well-known and typical poem of reason. From the philosophical aspect, the beautiful sound of the piano comes not only from the qin, but also from the exquisite playing skills of Chunqin and the player, which is the organic combination of the piano and the player, and the two are interdependent, interacting, and influencing each other, just like the two wheels of a car and the two wings of a bird, both of which are indispensable. The beautiful sound of the piano is a high degree of democratic unity of subjectivity and objectivity between the piano and the fingers, and there will be no beautiful piano sound without the objective existence of the envy pants and the sharp piano; Without the virtuosity of the piano player and the superb performance skills, without the active play of his subjective initiative, there will also be no exquisite **.

The poet Brother Chen uses the qin as a metaphor to illustrate that the production of all superb art is the result of the interaction between the person as the subject and the object as the object. This poem enlightens us: no matter who wants to make a performance in his career, in addition to objectively having certain conditions as the foundation, he also needs to be subjective and enterprising, and hard work can create a bright and beautiful life.

This is the embodiment of the unity of subjectivity and objectivity. Xi Shi is a beauty, and she has the objective fact of beauty, so our subjective Yankuan will think that she is beautiful. Then Dong Shi objectively does not have the conditions for beauty, and if we have to think how beautiful she is, it violates the law of the jujube brothers, which is contradictory.

Su Shi uses the sound of the piano to express a kind of subjective and objective unity, which is in fact consistent.

Original text: If there is a sound on the piano, why not sound it in the box? If the voice is on the fingers, why not listen to the fingers?

Vernacular translation: If the sound of the piano comes from the piano, why doesn't it sound when you put it in the box? If the sound of the piano comes from your hands, why can't you hear the sound in your hands?

The poem embodies the unity of subjectivity and objectivity.

A beautiful piece of music is an organic whole, and the whole is composed of a number of bad parts and elements that influence and restrict each other.

In the music and piano sound, the fingers, the piano, the player's thoughts and feelings, performance skills and other parts and elements are interdependent and indispensable, and they are mutually influencing and restricting each other, and there is a close relationship between them.

Materialist dialectics holds that the fundamental content of universal connection is the connection between the two sides of the contradiction within and between things, that is, the unity of subjectivity and objectivity.

If there is a sound on the piano, what age is it in the box? If the voice is on the fingers, why not listen to the fingers?

1."If there is a sound on the piano, why not sound it in the box? "( If there is a sound on the piano, then why put it in the box and not make a sound? ).

2."If the voice is on the head of the hungry ant, why not listen to it on the finger of the king? "Ho means: ( Why).

The meaning of this sentence is: (If the sound is on the fingers, then why not listen directly to the sound of your fingers.)

3.The question that Su Shi ponders in this poem is: (Where does the sound of the qin come from), can you use your scientific knowledge to give him one?

Many things complement each other, just as the base water and the stone are still lifes, but when they come together, they can make sounds.