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Sir, what do you mean by being specific.
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Summary. There are many detailed descriptions. Jia Pingwa wrote "Qin Cavity", not only about the generation, changes, and characteristics of a local drama, but more importantly, about the joys, sorrows, weddings, funerals, and other customs of the people living on the land of Qinchuan, and their vigorous vitality.
Because of the author's love for the yellow land where he was born and grew up, this prose is full of flesh and blood, adding an amorous, poetic and beautiful description to the description, and consciously filtering out the ignorant, ugly and backward elements that may exist at the same time, and highlighting the beauty of the customs and human feelings of the yellow earth farmers.
You bend well, dear I am a little secretary of life, good at solving and analyzing any problems, is a round and boring cumulative consulting services of 10,000 people, immediately answer this question for you, is sorting out the information, you only need to wait patiently for a minute, the answer will reply to you immediately, please don't be anxious!
Good. Hello, metaphor, symbol, metaphor. The work that expresses the hometown is the memory of the vanished hometown, which not only has made great achievements in literary value, but also is the catharsis of the author's hometown.
**Adopting the author's good language style, a large number of Yingchong Hall uses dialects and ancient words, a large number of character dialogues seem to be the reproduction of Liang Jing in the life scene, and the dramatic art throughout the whole text echoes the theme, and the decline of the Qin dialect is also a symbol of the end in the transformation of the local society, and the sad singing voice roars out the last roar of the traditional society.
No, no, no, it's not this, Jia Ping's concave code guessing high Qin dialect excerpt in the university text is not this late ruler. At the beginning of the text, there is no difference in the mountains and rivers, so the customs are different, and the customs are different, and the drama is different. is the method of this article.
Through the depiction of the joys, sorrows, sorrows and other customs of the people on the land of Qinchuan, it shows their enthusiastic and vigorous vitality.
Are you a college student<>
This is different, that is, what techniques are used to express the love of Qinchuan people for Qin, and then dig and analyze the source. The Qin dialect fragment you chose is a middle and high school text, and hail core is not an article at all.
There are several versions <> college textbooks
Kiss I used it for school.
What about this <>
<> university is also a freshman to learn Chinese, you can directly search for the answers to the post-class questions.
I was in a whole book, and the answers came out.
Alas, no, it's not Li Changpei is the answer to the exercise question after the class, this is the question asked by the teacher, I just said that it is the one that starts quickly: the mountains and rivers are different, the customs are different, the customs are different, and the drama is different.
Good drops, I'll read it in the afternoon.
There are many detailed descriptions. Jia Pingwa wrote "Qin Cavity", not only about the generation, changes, and characteristics of a local drama, but more importantly, about the joys, sorrows, weddings, funerals, and other customs of the people living on the land of Qinchuan, and their vigorous vitality. Because of the author's love for the loess where he was born and grew up, the prose of this shouting is full of flesh and blood, adding a wild and permeating feeling, poetry and brightness to the description, and consciously filtering out the ignorance, ugliness and backwardness that may exist at the same time, and highlighting the beauty of the yellow earth peasants' love and human feelings.
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The main role of the environmental description in the third paragraph of "Qin Cavity" is as follows:
1.Rendering the atmosphere of Celery: The description of the environment can render the strong atmosphere in the work, so that the reader can feel the unique charm of this atmosphere.
2.Accentuate the mood of the characters: The description of the environment can also bring out the mood of the characters in the work, so that the reader can better understand the inner feelings of the characters.
3.Move the plot forward: The depiction of the environment can also provide the necessary setting and stage for the development of the plot, thus moving the plot forward.
4.Enhance the artistic appeal of the work: The description of the environment can make the work more vivid and vivid, enhance the artistic appeal of the work, and make the reader more engaged.
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Engage readers. 1. The third paragraph of the Qin dialect uses the rhetorical technique of ranking.
Form a strong momentum for the following, attract readers, and pave the way for the following.
2, "Qin Cavity" bridge loss.
It depicts the natural environment and human ecology of the people living in Qingfeng Street. "Qingfeng Street is the most famous old street on the side of the Zhou River. "There are theaters, Kuixing Pavilion, and Qingfeng Temple, and in addition to the theater, it is still playing its due role.
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Summary. The five to nine paragraphs of Qin Cavity are typical passages in which the author uses scene description techniques to express the theme of the work.
Analysis of the five to nine paragraphs of the Qin Cavity. Scene description experience. The author's writing technique and its expressive role.
The five to nine paragraphs of Qin Cavity are typical passages in which the author uses scene description techniques to express the theme of the work.
The fifth paragraph: depicts the scene of old farmers in northern Shaanxi hoeing in the rainstorm. The author uses a lot of verbs and adjectives to vividly depict the hardships and perseverance of the old farmer hoeing in the rain. At the same time, through the image of the old farmers, it also shows the industrious and simple spirit of farmers in northern Shaanxi.
The sixth paragraph: describes the scene of the villagers in northern Shaanxi gathering together to sing the Qin dialect during the festival. The author uses adjectives such as "roar", "loud" and "shocking" to express the high-pitched singing voice and enthusiastic character of the people of northern Shaanxi.
At the same time, through the description of the scene, it also shows the spirit of unity and mutual assistance of the people of northern Shaanxi.
The seventh paragraph: Describe the scene of the people of northern Shaanxi listening to the Qin dialect after work. The author uses adjectives such as "intoxicated" and "infatuated" to express the love of the people of northern Shaanxi for the Qin dialect and their enjoyment of life.
At the same time, through the description of the scene, it also shows the spiritual outlook of the people of northern Shaanxi who love traditional culture.
The eighth paragraph: Describe the scene of the people of northern Shaanxi singing the Qin dialect in the red and white ceremonies. The author uses adjectives such as "noisy" and "warm" to express the warmth and grandeur of the emotions expressed by the people of northern Shaanxi on festive occasions.
At the same time, through the description of the scene, it also shows the spirit of unity, mutual assistance and hospitality of the people of northern Shaanxi.
Paragraph 9: Describes the scene of farmers in northern Shaanxi celebrating a good harvest during the harvest season. The author uses adjectives such as "joy" and "jubilation" to express the joy and celebration of the people of northern Shaanxi during the harvest season.
At the same time, through the description of the scene, it also shows the spirit of unity and mutual assistance, diligence and simplicity of the people of northern Shaanxi.
Through the description of various scenes in rural life in northern Shaanxi, the author shows the spirit of industriousness, simplicity, hospitality, unity and mutual assistance of the people of northern Shaanxi. Scene description not only enables readers to have an in-depth understanding of the situation and characters depicted in the work, but also allows readers to feel the emotions and themes that the author wants to express through the atmosphere and rhythm of the scene.
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Summary. Hello, I'm glad to answer for you, the answer to your question is: From the description of the rehearsal scene, the process of building the stage, and the grand occasion when watching the play, the Qin people are obsessed with the Qin cavity.
In what ways does the Qin cavity reflect the Qin people's obsession with the Qin cavity? How is it reflected in the text?
The answer to your question is: From the description of the scene of the arrangement, the process of building the stage, and the grand occasion when watching the play, the Qin dialect shows the Qin people's obsession with the Qin dialect.
In the text, Qingchang mainly uses the following expressions in the description of the acre: the combination of points and faces, both the description of the group and the description of the individual; Mainly describes words and deeds, and combines a variety of descriptions; Use figures of speech such as metaphors, comparisons, and exaggerations.
Qinqiang opera, also known as "Bangzi Cavity" and "Shaanxi Lixin Bangzi", one of the oldest dramas of the Han nationality in China, originated in the Western Zhou Dynasty and originated in Xifu [the core area is Qishan (Xihu Luqi) trouser burying stool and Fengxiang (Yongcheng) in Baoji City, Shaanxi Province]. Matured in Qin.
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Summary. Hello, happy to answer for you, for your question the answer is:1The first level: write the scene of the rehearsal of the drama troupe, highlighting the Qin people's love for the Qin dialect.
In what ways does the Qin cavity reflect the Qin people's obsession with the Qin cavity? How is it reflected in the text?
Hello, happy to answer for you, for your question the answer is:1The first level: write the scene of the rehearsal of the drama troupe, highlighting the Qin people's love for the Qin dialect.
2.The second level: write the scene of watching the drama and acting, highlighting the Qin people's obsession with the Qin dialect.
3.The third level: writing Qin dialect performances is also performing tragicomedy in the life of Qin people.
4.The fourth level: writing about the important position of the Qin dialect in the life of the Qin people. The author Wu Wuran expresses the joys, sorrows, sorrows and sorrows of the people of Qindi and the vigorous vitality that emerges from them with leisurely and beautiful brushstrokes.
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