Shouldn t there be too much narration in a psychological drama script?

That is true; When describing the psychological drama of the characters in the script of the film and television drama, it is necessary to reflect the creativity and techniques of the screenwriter! Combined with the director's thinking and application, it can reflect the screenwriter's intentions to the extreme!

For example, when describing the scene of a couple breaking up due to conflicts, being persuaded to resolve misunderstandings, meeting again and reconciling, and both men and women are embarrassed to speak after meeting, it should be described like this-

Example)* A corner of the park.

Zhou Yang saw Wu Li standing at the pre-arranged bridge waiting from afar, he pondered and walked quietly! (How does Zhou Yang meditate here?) It is necessary to give the actors and directors a second and third creative space, and the screenwriter should not describe it too clearly, otherwise it will limit the performance of the director and actors).

Wu Li also saw Zhou Yang walking towards her at this time, but as a girl, she hid her excitement and pretended to wait for Zhou Yang's apology calmly! (As for how Wu Li shows that kind of hypocrisy here, it depends on the potential play of the actor).

Zhou Yang came behind Wu Li to speak and stopped (here it depends on the collaboration of the director and the actors to reflect the ultimate purpose of the scene).

The above is an example for reference!

The screenwriter should not write everything, otherwise the director's thinking will become very narrow, and the actors will be fixed very stiff, but it will not achieve the expected effect. Since they are directors and actors, they can understand the meaning of the screenwriter's words.

Yes, the script of a general psychological drama not only needs to test the narration, but also needs a certain environment and the facial expressions of the characters, if there is too much narration, it will seem to be meaningless, and it will only make people more and more boring to watch.

Clever use, clever use. It is necessary to promote the intensification of contradictions and show the character of the characters. If there are too many, it is easy to dominate the audience and affect the appeal of the script.

Liu Xiaobei (Actor), Luo Tao (Dormitory Manager), Sun Yang (Roommate), Wang Zi (Roommate, Loves Poetry, Nicknamed "Poet"), Li Yue (Roommate), You Ye (Roommate), Teacher Tian (Female) [Psychological Counseling Teacher] Props: A table, five or six stools, a book Act 1 (** onwards, soothing, sad tune) Narrator: What does heaven look like?

I don't know, I just know that my sister is so lonely there. Happiness has long since left me......(with the whistle sound of the train roaring away) Luo Tao appeared on the stage with a solemn expression Luo Tao: Damn!

How? Please describe your problem more specifically and explain it to the teacher in detail, so that the teacher can better help you.

Sunshine behind her Synopsis: Zhao Yu is a poor college student, she has low self-esteem, but she has a strong sense of self-esteem, which makes her appear very high, her heart began to be far away from her true self, becoming indifferent and withdrawn, and her careful roommates gradually noticed her psychology in the process of getting along, and arranged a birthday party to resolve all kinds of misunderstandings between them. Person.