The children rushed to chase the yellow butterflies, flew into the cauliflower and nowhere to find w

Late spring. Southern Song Dynasty Yang Wanli's "Xu Gongdian in Suxin City" appreciation.

Xu Gong store in Suxin City.

Yang Wanli. The hedge is sparse and deep, and the flowers on the trees have not become shaded.

The children hurriedly chased the yellow butterflies and flew into the cauliflower and were nowhere to be found.

Notes] 1 Xinshi Xu Gongdian: place name.

2 Fence: Fence.

Trail 3: Path.

4 Shade: The foliage is lush and thick.

5 Hurrying: Running.

Translation] Beside the sparse hedge, there was a rugged path that stretched into the distance, and the flowers on the trees beside the road had already withered, and the new leaves had not yet formed shade.

The children ran happily, chasing the fluttering yellow butterflies, and the butterflies flew into the yellow cauliflower bushes, and the children were bored and could not find the butterflies again.

Appreciation 1]: A hotel is opened on the outskirts of the new city, with bright doors and windows facing a beautiful field.

The poet 伫 (zhǜ) stands at the window, his eyes cast through the sparse fence to a field path. The path was thin and long, stretching far, far away; On the trees beside the road, the new leaves are shining green, and have not yet grown into a thick shade; Rape flowers are in full bloom, the ground is full of gold, a thriving spring scene.

Suddenly, a child chased a butterfly from the path and hurried to it, and in the blink of an eye, the butterfly flew into the cauliflower. The little guy is looking for it, looking for it, in a piece of yellow cauliflower, how can I not figure out that the butterfly is hidden in **!

Please don't be disappointed, little friend, don't you see that the golden cauliflower on the ground is like thousands of yellow butterflies dancing?

Appreciation 2]: This is a poem describing the rural scenery in late spring, which depicts a picture of a child fluttering butterflies in spring.

The first two sentences "the fence is sparse and the path is deep, and the flowers on the trees are not in the shade" point out the background of children's butterfly hunting. There is a sparse fence and a deep path. There are also a few trees next to the fence, their petals falling from the branches, and the young leaves have not yet become shaded.

Fences and paths, pointing out that this is rural; "The flowers have not fallen into the shade" and the "cauliflower" in the concluding sentence both indicate that this is the twilight spring season.

The last two sentences, "Children rush to chase yellow butterflies, fly into cauliflower and nowhere to be found" turn the colored pen into the center of the picture, depicting the joyful scene of children catching butterflies. "Hurry" and "chase" mean to run and chase quickly. These two verbs are very vivid, and they portray the child's innocence, liveliness, curiosity and competitiveness in a subtle and vivid way.

And "Flying into the Cauliflower and Nowhere to Find" suddenly turns the camera of the event to a static one. The words "nowhere to be found" leave the reader with room for imagination and aftertaste, as if a child who is hesitant and overwhelmed in the face of a golden cauliflower appears in front of us.

This poem uses the technique of white drawing, which is easy and natural, and the image is distinct. Yang Wanli is very familiar with rural life, and his descriptions of nature are truly touching and funny.

About the Author]:

Yang Wanli (1127-1206), (1124-1206), a poet of the Southern Song Dynasty, was a native of Jishui, Jizhou (now Jiangxi). He is one of the writers with the most ancient poems in China. His poems are popular, fresh, smooth and natural, and are known as "Cheng Zhai style".

The content of the poem is mainly about landscapes and natural scenery, so his good friend once humorously joked with him that "mountains and rivers everywhere are afraid to see you".

The reason why the yellow butterfly flies into the cauliflower and is nowhere to be found is: because the cauliflower is the rape flower, the rape flower is yellow, and the yellow butterfly itself is also yellow, and the color of the two is the same.

Children rush to chase yellow butterflies, fly into cauliflower and nowhere to be found" turns the colored pen into the center of the picture, depicting the joyful scene of children catching butterflies. "Rush to hail away" and "chase" mean to run and chase quickly. These two verbs are very vivid, and they vividly portray the child's innocent, lively, curious and competitive demeanor and psychology.

And "Flying into the Cauliflower and Nowhere to Find" suddenly turns the camera of the event to a static one. The words "nowhere to be found" leave the reader with room for imagination and aftertaste, as if a child who is hesitant and overwhelmed in the face of a golden cauliflower has emerged in front of him.

Original:

Xu Gong store in Suxin City.

Author] Yang Wanli [Dynasty] Song.

The hedge is sparse and deep, and the trees are new and green.

Children rush to chase yellow butterflies and fly into cauliflowers.

Translation:

The fence is sparse, a path leads into the distance, and the petals of the trees are falling, but the shade has not yet formed.

The child ran as fast as he could, chasing the yellow butterfly, but the butterfly suddenly flew into the cauliflower bush and was never found again.

Scene: Children are running after the fluttering yellow butterflies, but the yellow butterflies fly into the yellow cauliflower bushes and the children can no longer find them.

Experience the carefree and infinite fun of a child's childhood.

Xu Gong store in Suxin City.

Song Dynasty: Yang Wanli.

篱 (lí) falls sparse (shū) sparse a path deep, and the new green of the tree is not yet shaded. (New green one: flower fall).

A path leads into the distance beside the sparse hedge, and the petals of the trees beside the road are falling, and the new leaves have just grown and have not yet formed the shade.

Fence: Fence. Sparse: Sparse. Path: Path. Shade: The shade of a tree formed by the lush foliage.

The children hurriedly chased the yellow butterflies and flew into the cauliflower and were nowhere to be found.

The child ran fast after the yellow butterfly, but the butterfly flew into the cauliflower bush and was never found again.

Rush to walk: Run. It means to walk, to run.

This is a poem describing the rural scenery in late spring, depicting a scene full of spring.

The first sentence is a static description of a pure scene. The fence and the path point out that this is a rural area, and the "fence" is wide, and the state of it is pointed out with "sparse", and it is obvious that there is a gap in it, so that you can see the mountain road outside the fence. "One path deep" indicates that there is only one mountain road, and it is very long, extending into the distance.

The contrast between the wide hedge and the narrow path, the sparse and the long, contrasted with each other, highlighting the freshness and tranquility of the countryside.

The second sentence is also a static or depiction of a pure scene. On the side of the road, the peach blossoms and plum blossoms on the branches have fallen, but the leaves have not yet grown densely, showing the natural and simple style of the countryside.

The third sentence is a dynamic description of the characters. The combination of "hurrying" and "chasing", the excitement and cheerful scenes of the children fluttering with their hands and stumbling and chasing butterflies with their feet are vivid, reflecting the innocence and liveliness of the children.

In the fourth sentence, the cauliflower is yellow and luxuriant, and a small butterfly flies into this yellow ocean, and it is naturally nowhere to be found. The reader can imagine that the anxious state of the children looking around, and the disappointment of not being able to find it, etc., show the innocence and childishness of the children.

Through the description of the scenery at the turn of the seasons in late spring and early summer, this poem embodies the vitality of all things. The scenery captured in the poem is extremely plain, and the activities of the characters depicted are also extremely ordinary, but due to the combination of scenery and characters, and the writing technique of intermingling movement and stillness, it successfully depicts the tranquil and natural, quiet and fresh twilight of the rural village.