How to practice the vibrato of singing? Singing is a vibrato, how to practice it.

First of all, listen to the singers you admire, listen to how their trills are sung, focus on their elongated notes, and try to imitate and feel. Secondly, when practicing, you need to throw away all the theoretical knowledge of vibrato that you talked about before, and practice the elongated notes in the first step. Start by singing the most straightforward slow version, then slowly find the feeling of the elongated note, then speed up, then increase the intensity of the vibrato, and slowly repeat the cycle, and you will get a vibrato that will make you very satisfied.

1. To tremble, you must first have a certain excellent breath skills, and the breath module belongs to one of the three basic modules of our popular singing, and the breath skills we commonly talk about refer to the breath skills (breath control ability), so this problem has also changed to how to practice, there are many methods, today I recommend one of the simplest: counting numbers to practice the breath method.

Take a deep breath and, as above, exhale softly and say "12345....Count the numbers, count until the end of one breath, each number carries your breath, so the more you count, the better the breath control, this is its principle and method.

2. Vibrato is the vibrato of the sound by controlling the breath through the diaphragm (the organ that controls the breath), which is the essential principle of vibrato technology, therefore, the primary vibrato learner first finds the position of your diaphragm, and then pokes it with his fingers, and at the same time pronounces a random sound, then you will magically find that your vibrato comes out.

For the vibrato of singing, first of all, it is necessary to control the breath, train the breath, and use the ups and downs of the breath to achieve the effect of vibrato.

Hello subject! To perform breath trembling, you must first have a certain strong breath skills, and the breath module belongs to one of the three basic modules of our popular singing method, and the breath skills we commonly talk about refer to the breath skills (breath control ability), so this question has changed to how to practice. ‍

Position the membrane, then poke it with your finger while pronouncing a random sound, and you will magically find that your trills come out.

If you want to practice the vibrato of singing, you must find a professional instructor to guide you to practice. So that the driver can receive professional guidance, not blindly go to practice on their own, this.

When we learn to sing vibrato, we can collect and transcribe some songs that often have vibrato, understand how the singer produces the vibrato in the song, and which word is used to modify the vibrato and express feelings, so as to persist in transcribing this kind of song for a long time, and cultivate a "good vibrato feeling" for ourselves.

Practice more breath: When we strive to explore the mystery of "vibrato", we can't leave behind our own breath practice, a stable and strong breath foundation is the premise of all singing skills, I.

For beginners, the first thing to do is to open your voice and slowly practice your voice thoroughly. When singing, relax the muscles in your throat to produce a natural vibrato.

The vibrato is actually very easy, because it is mainly about making your own volume not to be forcefully pronounced and slightly more turns.

You can exercise yourself to deserve up and down fluctuations, you must first slow down, not too fast, because this vibrato is like that, you have to practice from slow to fast.

First of all, you must find a professional teacher to teach you, then practice for a long time every day, and then exercise your cardiorespiratory capacity.

The main reason for the vibrato is that the breath must be used, and secondly, you can quickly try to press the diaphragm to feel the feeling of trembling.

Contact tremolo can try to connect while running, or connect while jumping!

You can practice in the studio, or with a professional instructor helping you practice, or with water in your mouth.

You have to find some more professional ** people, so that you can practice it, and it will be very effective Singing will also sound good.

Vibrato is the vibrillation of the voice by controlling the breath through the diaphragm (the organ that controls the breath), which is the essential principle of the vibrato technique, so the beginner vibrato learner first finds you diaphragm.

You should consult those who have experience, and you must know how to control the frustration.

In singing, we often use some techniques to modify our voices and make them sound better. Today we're going to learn the vibrato technique.

Andy Lau's concert will tell you that the cold ice rain is shooting indiscriminately on your face, and you really need a vibrato to infect the scene, which is natural, as if you are there.

How is the vibrato pronounced and how is it practiced?

Vibrato technique practice in singing technique.

Nasal vibrato of Rong Zhongerjia.

One: Master the vibrato.

Vibrato refers to the wavy movement of the singing voice, also known as sound waves. A trill occurs when the breath is sounded through the vocal cords and the singer consciously vibrates it. When a vibrato is made, the laryngeal muscles will beat violently, especially in men, where the Adam's apple is more prominent and more noticeable.

Two: the effect of vibrato.

The vibrato is easy to grasp and the effect is noteworthy, especially in the treatment of prolonged sound, pure elongation will make the sound straight and rigid, and the use of vibrato can make the sound relaxed, lively and vivid, so that the color of the music is richer, and the timbre is more mellow and pleasant; If it can be combined with the resonance of other cavities, it will produce a moving singing voice that lingers and surrounds the beam for three days.

For singers, vibrato adds great depth to the piece and makes the more mundane phrases stiff, which is a very practical singing technique. There are a few things to be aware of, though:

1. The laryngeal vibration is not the vibration of the lips. As a beginner, you can touch your lips with your fingers to avoid false shaking.

2. Don't take the specious "throat shake" as a vibrato. Shaking is to tighten the throat and use pressure to force the throat muscles to shake, which is very harmful to the vocal cords, so the practice should be relaxed and natural as the main principle, otherwise it will be difficult to correct the mistake as a matter of course.

3. Vocalists will further pay attention to the frequency and amplitude of vibrato, but there is no need to stick to small things, as long as "the singer is natural and the listener is comfortable". Generally speaking, soloists may wish to use more vibrato to enhance the sound texture; When singing in chorus, they should cooperate with each other, and should not vibrate too frequently or too loudly, so as not to annoy the audience.

3. How to master vibrato.

1. Make a long sound and shake your hands actively. Shake your hands gently, loosely, from top to bottom or on both sides. Then shake your hands in a fast and gentle rhythm.

2. Don't shake your hands, continue to make sounds and try to continue the vibrato effect.

3. If the vibrato is lost, shake your hands again to feel it.

Here's how to learn vibrato by singing:

1. Preliminary simulation of vibrato feeling. A standard vibrato transitions between a second and a quarter of a note quickly, beyond which the listener will feel uncomfortable and unnatural. We can't help but shiver when we go out in winter when we feel very cold, so when we shiver, the pronunciation will tend to be very similar to the feeling of vibrato, we can simulate it.

2. The body should not be stiff and moved. We can choose to pronounce a long sound, and the students who can't vibrato at the beginning will definitely sound very stiff, straight and completely inelastic, we can shake our hands at this time, let the sound move, or walk forward, and the consciousness tells ourselves to relax the sound to make it move, and then stop moving.

See if the voice can vibrate, and if it stiffens again, move again. After all, the formation of the tremolo is the two words "relaxation", the body must be relaxed, and the breath can flow.

3. Sound attenuation method. In the case of a random single tone, make it louder and try to make it smaller. Sensationally, the sound is released and then withdrawn.

Because while we control the volume of sound, we are also controlling the breath. The strength of the two should be switched frequently, only by switching frequently can you find the feeling of relaxation, and you can also try this feeling of retraction in the song.

4. Dog panting training. Knowing that the natural vibrato is formed by breath control, it must be indispensable to train the diaphragm. A good training for the diaphragm is to simulate the "puppy panting", we usually see the speed of the puppy panting in summer is very amazing, and it can also prove that the diaphragm beats very strongly, we can spit out the tongue and press the position of the diaphragm in the middle of the rib socket with our hands, and then inhale and exhale quickly, feel the beating of the diaphragm, and often practice the diaphragm strength will be significantly enhanced.

5. Cicada exhalation method. Many fans of vocal music have trained "weak sustain", which is what we call "spitting si", the action is to inhale the breath enough, press down the diaphragm to expand the waist and abdomen, and then slowly pronounce the sound of "si" while maintaining support, the longer the better, the more uniform the airflow, the better, in order to practice the diaphragm's control of breath.