The influence of the Fu on the creation of poetry in the Western Jin Dynasty

The overall development trend of the Eastern Han Dynasty's fu-style literary creation has changed from a large fu to a lyrical small fu.

In the Eastern Han Dynasty, Bangu's "Eastern Capital Fu".

Western Capital Fu", Zhang Heng's "Tokyo Fu".

Xijing Fu is still a brilliant masterpiece in the scattered fu. With the intensification of social contradictions, the empire is no longer strong, and some people of insight have begun to use rhetoric to express their lyricism and stab the times. Zhang Heng's "Returning to the Field", Zhao Yi's "Piercing the World Disease and Evil Fu".

Cai Yong's "Shu Xing Fu" and other masterpieces are masterpieces in this regard. Their creations broke through the original system of the Great Fu, and had a positive impact on the lyrical Xiao Fu in the later Wei and Jin dynasties and the prose Fu in the Tang and Song dynasties.

Characteristics of Eastern Han Fu style literature

From the accession of Emperor Wu of the Han Dynasty to the Eastern Han Dynasty, it was a mature period of Fu literature, and the works were mainly lyrical, and the representative works include Jiang Yan's "Hate Fu".

and "Farewell Fu".

Characteristics of Fu: First, the sentence is to.

Fourth, six-character sentences are the mainstay, and the sentence structure is staggered and pursues couples; the second is to phonetically require harmonic sound rhythm; The third is to pay attention to algae decoration and diction in the text. Fourth, the content focuses on writing scenes, borrowing scenes to be lyrical, and arranging puppets and algae decoration are a major feature of Han Fu.

After a long-term evolutionary process, developed to the Middle and Tang Dynasty, under the influence of the ancient literary movement, there was a trend of scattered culture, not to talk about puppetry, rhythm, uneven sentence structure, rhyme is also relatively free, forming a prose-style fresh and smooth momentum, called "Wenfu".

Pun Wen was greatly influenced by the endowment, and compared with the Eastern Han Dynasty, it matured in the Northern and Southern Dynasties. The extensive use of the form of fu in articles was a common practice among literati in the Han Dynasty. So much so that some articles with the name of the article are regarded as prose. Such as the Southern Dynasty Liu Song Baozhao's "Wucheng Fu".

Xie Huilian's "Snow Fu".

and Xie Zhuang's "Moon Fu", etc.

The most valuable and influential work of the Wei and Jin Cifu is "Luo Shen Fu".

Luo Shen Fu is a rhetoric created by Cao Wei writer Cao Shi during the Three Kingdoms period. The image of Roselle is beautiful, and the love of man and god is ethereal, but it cannot be combined due to the difference between man and god, and finally expresses infinite sadness and melancholy.

The whole article can be roughly divided into six paragraphs: in the first paragraph, when the writer returned to the fiefdom from the burning of Daluoyang, he saw Luo Shen standing on the cliff in a trance; The second paragraph writes about the beauty of Luo Shen's costumes.

In the third paragraph, the writer loves Luo Shen who knows both etiquette and good words, and although he gives and answers to each other, he is worried that the meeting will be blocked; The fourth paragraph describes the circumstances and actions of Luo Shen who felt the sincerity of the "king" and did not come in the future.

In the fifth paragraph, it is written that Luo Shen came and followed many people, and finally left with hatred and hatred; In the sixth paragraph, Pi wrote the deep affection that the author couldn't bear to leave after Luo Shen went. The full rhetoric is gorgeous, the description is delicate, the imagination is rich, the love skin is thoughtful, and there is sustenance.

During the Wei, Jin, Southern and Northern Dynasties, literature gradually got rid of the influence of classics, and gained independent development, and began to enter the era of literary consciousness.

During the Northern and Southern Dynasties, many literati devoted themselves to literary creation, and the main literary styles used were poetry and prose. The poetry of the Southern Dynasties shined in the landscape poems of Xie Lingyun's hands, and then Xie Wei's landscape poems were written fresh and mature, and they were known as "big and small Xie". The poet Bao Zhao came from a humble background, but he was good at expressing cynical feelings in the ancient seven-character poetry style, and his seven-character poems that rhymed in intervals contributed to the development of seven-character poetry.

The Northern Wenyuan is a little lonely, but there is no shortage of famous prose, such as the Northern Wei Dynasty Li Daoyuan's "Water Jing Note", Yang Xuanzhi's "Luoyang Jialanji", and the Northern Qi Yan Zhitui's "Yan's Family Motto". The most accomplished is the writer Yu Xin, who went from the south to the north. His poems are the culmination of literature from the north and the south, combining the exquisite and mature artistic skills of the south with the vigorous and hearty spirit of the north, and became the precursor of the poetic style of the Tang Dynasty.

In general, the Southern Dynasty writers' pursuit of formal rhythm made full preparations for the literature of the Tang Dynasty.

Literary characteristics of the Wei, Jin, Southern and Northern Dynasties:

The folk songs of Yuefu in the Northern and Southern Dynasties are also enough to reflect the poems of Yuefu in the Han Dynasty. The Wu songs and Western songs of the Southern Dynasties are bright and soft, and the ethnic minority songs of the Northern Dynasties are more vigorous and energetic, with different styles, but they are all sincere.

From the perspective of the formation and development of the genre in ancient China, the Wei, Jin, Southern and Northern Dynasties was an important stage in which there were strange and anecdotal anecdotes. Among them, Jin Ganbao's "Sou Shen Ji" and Liu Yiqing's "Shishuo Xinyu" in the Liu Song Dynasty of the Southern Dynasty are the most worthy of attention. "The New Language of the World" records the anecdotes and speeches of many upper-class scholars from the Han Dynasty to the Jin Dynasty, and the writing rhyme is vivid, the words are simple and exquisite, and it is the precursor of the notes of later generations.

Due to the gradual self-consciousness of literary consciousness, literary treatises on literary concepts, analysis of the creative process, and criticism of writers' works appeared during this period, such as Cao Pi's "Classics", Lu Ji's "Wenfu", Liu Xian's "Wenxin Carving Dragon", and Zhong Salamander's "Poems". The latter two are epoch-making masterpieces in the history of the development of literary theory in China.

During the Wei, Jin, Southern and Northern Dynasties, Lu Ji had the highest achievement, and it was his "Wen Fu" that marked the pinnacle of the creation of the body.

Wen Fu is one of the representative works of Wei and Jin literature during the Northern and Southern Dynasties, and it is also an important anthology of the Fu of the Chinese Dynasty in the history of ancient Chinese literature. Its author, Lu Ji, whose name is Yishan, was born in the late Eastern Han Dynasty, and served as Jingzhou Thorn History, Taichang Doctor and other positions.

There are three articles in Wenfu, namely "Guangu Sun Feng Chafu", "Shi Chongfu" and "Xijing Fu". Among them, "Guan Gu Fu" depicts the theme of pastoral life, describing the scene of a farmer working hard in the spring, and uses it to criticize the political corruption of the time; "Shi Chongfu" mainly depicts the image of the characters, depicting the image and deeds of Shi Chong, a famous politician and cultural celebrity at that time, and reflecting some ideas and concepts in the society at that time through the praise of Shi Chong; "Xijing Fu" depicts the theme of the capital Luoyang, and through the description of Luoyang's environment and historical and cultural background, it shows Lu Ji's extremely profound historiography and cultural literacy.

Wen Fu is a milestone work in the history of Chinese literature, which not only successfully pushed the body to a new peak, but also has extremely high research value in literature, history, geography and other aspects. The concise and graceful style of the works without losing the profound connotation has become the object of widespread imitation by later generations; Lu Ji pays special attention to the portrayal of characters, as well as the depiction and generalization of landscapes and historical backgrounds, which also makes Wenfu one of the classics in the history of Chinese literary development.

In short, Wen Fu is an important anthology in the history of ancient Chinese literature, which occupies an important position in the history of ancient Chinese literature and has become one of the important materials for the study of Chinese culture and art with its exquisite literary skills, in-depth ideological connotation and multi-faceted research value.

Cao Zhi, "White Horse Chapter", "Luo Shen Fu", "Stage Fu", "Festival Tour Fu", "Jitian Fu", "Shuxing Fu", "Feeling Festival Fu", "Xuan Chang Fu", "Lisi Fu", "Shi Si Fu", "Meditation Fu", "Jing Si Fu", "Gui Si Fu", "Beauty Chapter", "Mengdong Chapter", "Subtle Chapter", "Holy Emperor Chapter", "Lingzhi Chapter", "Da Wei Chapter" (too much, too much).

Tao Yuanming, "Words of Return", "Leisure Fu", "Touching the Scholar Does Not Meet the Fu", "The Biography of Mr. Wuliu", "The Story of the Peach Blossom Spring", "Waiting for the Son", "Painting Praise on the Fan", "Sacrifice to Cheng's Sister Wen", "Sacrifice to Brother Jingyuan", "Self-sacrifice Text", "The Biography of the Ancient Jin Dynasty General Changshi Mengfujun".

Fan Ye, Book of the Later Han Dynasty

Ji Kang, "Guangling San" (this is a tune), "Qin Fu", "Wine Fu", "Silkworm Fu", "Huaixiang Fu", "Sound Without Sorrow", "Theory of Health", "Theory of Answering Difficult Health", "Theory of Interpretation of Privacy", "Theory of Guan Cai", "Theory of Courage", "Theory of Difficult House", "Theory of Solving the House of No Good Luck and Evil Rebirth", "Theory of Difficult Nature and Good Learning".

Ruan Ji, "The Biography of Mr. Big", "Qing Si Fu", "Shouyang Mountain Fu", "Dove Fu" and "Monkey Fu".

Xiang Xiu, "Thinking of the Old Fu", "Difficult Health Theory".

Liu Ling, "Ode to Wine Virtue".

Xie Lingyun, "Mountain Dwelling Fu", "Homecoming Fu", "Hurt Yourself Fu", "Yimin Fu", "Tanlong Master Lai", "Yiling Wang Yizhen Notes".

Wang Bo's "Preface to the Pavilion of King Teng".

Yu Xin "Mourning Jiangnan Fu".