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Liu Liangcheng was born in 1962 in a small village in Shawan County, on the edge of the Gurbantunggut Desert in Xinjiang. Write some words after work. Most of them write about a village where they have lived for many years.
In this village of people and animals, the houses are worn out by the wind, the sun is drying people and livestock old, and everything is stretched out according to the will of nature. The author is unhurried and narrates a kind of natural existence that human beings have not seen for a long time.
He is the author of a collection of essays "One Man's Village" and "The Courtyard Gate in the Wind" (Shanghai Literature and Art Publishing House). After the collection of essays "One Man's Village" was published in Xinjiang People's Publishing House in 1998, it attracted the keen attention of Xinjiang's literary circles, and many critics wrote articles to discuss his creation. Then, in October 1999, "Liu Liangcheng's Prose" was published at the top of the title of Tianya magazine, which is well-known in the domestic literary circles, and recommended articles by famous critics and writers such as Li Rui, Li Tuo, Fang Fang, Nan Fan, and Jiang Zidan were distributed.
For a time, the domestic literary circles were in an uproar. Hubei "Today's Celebrities" magazine immediately conducted a long interview with Liu Liangcheng; **The TV station "Reading Time" interviewed him with the title of "Liu Liangcheng and His Village"; "Book Review Weekly", "Writer's Digest", "Xinhua Digest", "Jiangnan" and other newspapers and periodicals have also published Liu Liangcheng's essays and commentaries; Thousands of copies of Liu Liangcheng's prose collection "One Man's Village", which has been in Xinjiang for more than a year, were also sold out in a month. In April 2001, he won the Literary Newcomer Award of the 2nd Feng Mu Literary Award.
It is known as the last literary landscape of the 20th century.
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Liu Liangcheng has a total of 24 works, namely:
A Chinese Bird's Village", "In Xinjiang", "Empty Land", "Life Under a Leaf", "In Xinjiang", "Liu Liangcheng's Prose Anthology", "Distant Village: Liu Liangcheng's Prose Intensive Reading", "Chiseling the Void", "Liu Liangcheng's Prose (II)", Liu Liangcheng's Prose (I), "The Wind Blows People Crooked", "Distant Village", "Distant Village: Liu Liangcheng's Prose Intensive Reading", "Apricot Blossom Turtle", "The Sun Basking in the Yellow Sand Beam", "The Turtle Rolling on the Donkey Cart", "One Man's Village", "Void Land", " Dust on the Edge of the Sky", "Kuqa Travel", "Courtyard Gate in the Wind", "Standing on the Edge of the Yellow Sand Beam", "Noon Field", "One Man's Village".
Life experience: Liu Liangcheng, born in 1962, is a native of Shawan County, Yujiang Province. Write some words in your spare time, almost all of which are written about a village where I have lived for many years.
In this village, the houses are worn out by the wind, the sun burns the old age, and all the trees bear leaves and branches according to the will of nature. The author strives to approach a natural existence without hurrying. After the first edition of "One Man's Village", it caused great repercussions across the country, and was hailed as the last essayist and rural philosopher in China in the 20th century.
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1. Liu Liangcheng Lu, a writer, was born in 1962 in a small village on the edge of the Gurbantunggut Desert in Xinjiang. He is the author of a collection of poems "The Tai Funny Xiyang of the Yellow Sand Beam", a collection of essays "One Man's Village", "In Xinjiang", "Life Under a Leaf", etc., ** "Empty Land", "Chiseling the Hollow" and "Piggyback". He is known as "the last essayist in China in the 20th century" and "rural philosopher".
In June, he won the Prose Award of the 16th Hundred Flowers Literature Award.
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Liu Liangcheng, a writer, was born in 1962 in a small village on the edge of the Gurbantunggut Desert in Xinjiang. He is the author of a collection of poems "The Sun of the Yellow Sand Beam", a collection of essays "Void Land", "One Man's Village" and "In Xinjiang". He is known as "the last Chinese writer in the 20th century" and "rural philosopher".
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Liu Liangcheng is the last Chinese essayist of the twentieth century, and his works are full of sunshine, reminiscent of Gauguin's Tahiti, but without that primitive romantic mood, where there is a kind of hardship, a crisis, a kind of helplessness, joy and happiness in destiny. - Kenji Hayashi.
It's really rare to read such a simple, quiet, yet broad, rich text. I was amazed at how the author was able to experience life and language so deeply in the sandy wilderness. In this garbage-ridden, spiritually corrupt, and mutually reproducing desert, when it comes to this set of essays by farmer Liu Liangcheng, there is really the joy and comfort of coming to the oasis.
—Li Rui. Liu Liangcheng's talent lies in the fact that he seems to be able to put the words into a clear and transparent river to wash them, and wash every word cleanly, but there is a kind of heaviness in the words that wash the lead Hua. Holding it in his hand, each word is so heavy that it seems to be taken off. —Li Tuo.
The little things around you can be put into the text, the movement in the village can be turned into a poem, and the kind of calm and elegant self-confidence revealed in the prose is the talent that many modern people have been missing for a long time, unfamiliar, and can't find back even if they have stayed up in the dark and the night is short. This is, of course, a philosophy of discovery, a philosophy of sorrow and joy, and a philosophy of the living being's enlightenment. —Jiang Zidan.
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Liu Liang, male, professor, master's supervisor, vice dean, has been engaged in the research and application of boiler and combustion theory and technology for a long time, and has mainly carried out research on the pyrolysis characteristics of biomass (sludge, straw) and its mixed coal combustion, boiler high-efficiency and low-pollution combustion technology, boiler combustion testing technology and energy-saving and emission reduction technology in recent years. In 2003, Professor Liu Liang was identified as a young backbone teacher training object in Hunan Provincial Colleges and Universities, and is a member of the Chinese Power Engineering Society, a member of the Chinese Society of Electrical Engineering, a member of the Hunan Engineering Thermophysics Society, the deputy director of the Hunan Provincial Key Laboratory of "Renewable Energy Power Generation Technology", the deputy director of the Provincial Key Laboratory of "Energy Efficient and Clean Utilization", and a special reviewer of the journal "Journal of Fuel Chemistry and Machinery".
Please tell the landlord what he is doing, okay, I'll come back later.
As soon as I turned around, the grass behind me was all blooming. A large piece, as if someone told a joke and made a puddle of grass laugh. >>>More
I think the injury is definitely injured, and it is very serious, so serious that it can be judged that it is impossible to participate, and it is not announced until the day of the competition to show that he will withdraw from the competition directly, because he is afraid of affecting the sales of Olympic tickets and the attendance rate on the day of the 110-meter hurdles competition, and then withdraw after fooling everyone to the bird's nest, the ticket income is not lost at all, the attendance rate is also high, Rogge is also happy, and his face is good-looking, but Liu Xiang has a black cauldron.
First of all, the temperature must be controlled, that is, the fire must be controlled, and the fire must not be large, otherwise it will easily paste the pot and turn black. And keep stirring to avoid unevenness in some places, some places will become darker, and some places will be lighter. Then when they are all melted, we have to turn off the heat and use the residual heat to paint it.
Hello, how many phones do you have? Can you talk about it?