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Anonymous users2024-02-06The full text of "The Legend of the Drunkard Pavilion" can be divided into 4 parts, as follows:
1. Paragraph 1: It mainly describes the location and environment of the Drunken Man Pavilion and explains the reason for the naming of the Drunken Man Pavilion.
2. Paragraph 2: Using the passage of time, grasping the characteristics of morning and dusk and the four seasons, it depicts a contrasting obscure change map and a scenery map of the four seasons.
3. Paragraph 3: Taishou is drunk for the scenery;
4. Paragraph 4: It is pointed out that Taishou is not only happy with the landscape, but more importantly, he is happy with the people. It also implicitly indicates the author's political ideals and aspirations.
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Anonymous users2024-02-05The main line of the Drunkard Pavilion runs through the whole text: the drunkard's meaning is not in the wine, but in the mountains and rivers.
Also. Those who are lacking in stools surround the joy of mountains and rivers, the joy of feasting, the joy of tourists, and the joy of the people as their pleasure, layer by layer in chronological order.
Writing landscapes is the joy of expressing the "heart of gain"; Writing about the endless journey of tourists is to express the joy of human feelings; Writing about brewing springs for wine, wild food paved for feasts, and staggered planning is to express "the joy of feasting"; Writing the sound of singing, flying in the forest, is to show the "joy of birds", but also to express the self-absorbed and rough skin of "swimming and fun".
Joy in all things, joy in it, the whole text is happy because of the scene, lyrical because of the music, in this way, the writing is written, written all the way, around a "music", it is not a fragment.
The miscellaneous pieces, but the unified whole, like wearing a thousand pearls and jade embellished in the gold thread.
The Legend of the Drunken Man's Pavilion was written by Song Renzong.
In the fifth year of Qingli (1045 AD), Ouyang was appointed as the Taishou of Chuzhou at that time. The article describes the deep and beautiful natural scenery in Chuzhou and the peaceful and quiet life of the people in Chuzhou, especially the fun of the author in the mountains and forests with the people to enjoy the feast and drink.
Although sometimes the mountains are dewed, sometimes the water flows into the canvas, and sometimes the people are noisy on the paper, it seems to be scattered, but in fact it is not chaotic at all. The first reason is that the author has a gold thread in his hand. This golden thread is the author's subjective feeling - "music", "music" in drunkenness.
Because of this, the beginning, continuation, transfer, and integration of the article are all unified by the ups and downs of the author's subjective feelings and experiences.
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Anonymous users2024-02-04The drunkard's intention is not in the wine, but in the mountains and rivers.
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Anonymous users2024-02-03The expression of argumentation is used.
In the fourth paragraph, write about the scene of the banquet breaking up and everyone returning. "But the birds know the joy of the mountains and forests, but not the joy of the people; People know that they are too happy to swim, but they don't know that they are too happy to be too guarded. The author skillfully uses the joy of birds to set off the joy of tourists, and the joy of tourists to set off the joy of Taishou.
But the joy of Taishou is different, and it is not something that everyone can understand. The author did not show his mind, but only said implicitly: "Drunk can enjoy it, and those who wake up can speak to the text are too guarded." ”
This sentence echoes the name of the Drunkard Pavilion and "The drunkard's intention is not in the wine, but between the mountains and rivers", and is connected with "Churen Tour", "Taishou Banquet", "All Guests", and "Too Shou Drunk" to form a lyrical thread, which expresses the author's complex thoughts and feelings in a tortuous way.
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Anonymous users2024-02-02"The Legend of the Drunken Man's Pavilion" is an extremely beautiful prose, beautiful and colorful, full of poetic feelings.
The second paragraph writes about the morning and dusk in the mountains where the Drunken Man's Pavilion is located.
It is a white drawing technique.
1. Read classical Chinese.
All around Chu are mountains. Its southwest peaks, the forest gully is particularly beautiful, and the one who looks at it is blue and deep and beautiful, Langya also. The mountain travels six or seven miles, and gradually hears the sound of water gurgling and pouring out between the two peaks, brewing springs. >>>More
The city of Chuzhou is surrounded by mountains. Many peaks in its southwest, woods, valleys are particularly beautiful, looking at the woods, deep and beautiful place in the distance, is Langya Mountain. Walking along the mountain road for six or seven miles, I gradually heard the murmuring of water, and from the middle of the two peaks, poured out of the brewing spring. >>>More
Translation of the Tale of the Drunkard Pavilion.
The city of Chuzhou is surrounded by mountains. Many peaks in its southwest, woods, valleys are particularly beautiful, looking at the woods, deep and beautiful place in the distance, is Langya Mountain. Walking along the mountain road for six or seven miles, I gradually heard the murmuring of water, and from the middle of the two peaks, poured out of the brewing spring. >>>More
Through the description of the beautiful scenery of Chuzhou, the ideological context of the Drunken Man's Pavilion is the word "music", the joy in "drunk", which is like a colored line connecting each picture. And "the drunkard's intention is not in the wine", but in the mountains and rivers". Loving the forest and intoxicating the landscape, this is the author's true intention. >>>More
On the one hand, the Drunkard Pavilion is written bai
He loves nature and revels in the joy of mountains and rivers, and on the other hand, dao also embodies his inner life with the people. >>>More