Drunken Man s Pavilion exercises, classic exam questions of Drunken Man s Pavilion

1. Read classical Chinese.

All around Chu are mountains. Its southwest peaks, the forest gully is particularly beautiful, and the one who looks at it is blue and deep and beautiful, Langya also. The mountain travels six or seven miles, and gradually hears the sound of water gurgling and pouring out between the two peaks, brewing springs.

The peak turns around, there is a pavilion wings on the spring, and the drunkard pavilion is also. Who is the pavilion maker? The monk of the mountain is also wise.

Who is the name? Too shou calls himself also. Taishou and guests come to drink here, drink less and get drunk, and the year is the highest, so he calls himself a drunkard.

The drunkard's meaning is not false, the world is in the wine, and he cares about the mountains and rivers. The joy of mountains and rivers, the heart and the wine of the house.

If the sun rises and Lin Fei rejuvenates, the clouds return and the caves are twilight, the obscure changers, and the morning and twilight in the mountains. The wild fragrance is fragrant, the beautiful wood is beautiful and the shade is prosperous, the wind and frost are noble, the water falls and the stone goes on a business trip, and the four times in the mountains are also. Towards the beginning, returning at dusk, the scenery of the four seasons is different, and the joy is endless.

The author of "The Drunkard Pavilion Lacks or Remembers" is the Tang Dynasty writer Ouyang Xiu.

Ouyang Xiu (1007-1072), known as Yongshu, known as Drunkard and Dongli, was a famous writer and politician in the literary history of the Northern Song Dynasty, and was known as the "Eight Masters of the Tang and Song Dynasties" together with Su Shi, Wang Anshi, Huang Tingjian, and Zeng Gong, and his literary achievements had a great influence on the Tang and Song dynasties. Ouyang Xiu served as an assistant to the prime minister in his early years, and later served as a secretary of the Ministry of Officials and a secretary of the Ministry of Rites.

Ouyang Xiu lost his father at the age of four, and his family was poor and studious. In the eighth year of the Emperor of Song Renzong (1030), he was a Jinshi and the first. Ouyang Xiu's literary works involve many literary categories such as poems, lyrics, essays, fu, and notes.

Among them, "The Legend of the Drunken Man's Pavilion" is considered to be one of Ouyang Xiu's masterpieces, and is known as the originator of the couplet, the pioneering work of historical notes, and the pinnacle of the pun. Ouyang Xiu's life likes to reward the backwards, Zeng Gong, Wang Anshi, Su Xun father and son with Lu are all praised by him. He has made great achievements in literature and history.

He led the Northern Song Dynasty Poetry and Literature Reform Movement, inheriting and developing Han Yu's ancient literary theory. The high degree of his prose creation complements his correct ancient literary theory, thus creating a generation of literary style, and can be ranked as one of the "Eight Great Masters of the Tang and Song Dynasties", and is known as the "Four Great Masters of Ancient Writing" with Han Yu, Liu Zongyuan, and Su Shi. While Ouyang Xiu changed the style of writing, he also innovated the style of poetry and words.

In terms of historiography, he majored in "New Tang Dynasty Book" and wrote "New Five Dynasties History". There is "Ouyang Wenzhong Public Collection" handed down.

Introduction to the Drunkard Pavilion

The Story of the Drunken Man's Pavilion describes Ouyang Xiu coming to a small pavilion in the bamboo forest alone, drinking wine and admiring the flowers, reveling in his forgetfulness, singing generously and sadly, and also recalling his academic career and encounters. His writing is free and natural, with many ups and downs, expressing the author's heroic and uninhibited temperament and infectious outlook on life, leaving a literary masterpiece full of ideas and sensibility for future generations.

The Legend of the Drunkard Pavilion" is selected from "Ouyang Wenzhong's Official Document Collection". "The Story of the Drunkard Pavilion Bureau" is an article written by the Song Dynasty writer Ouyang Xiu. In order to let Song Renzong Qingli five years (1045), Fan Zhongyan, the governor of the political affairs, and others were slandered and resigned, and Ouyang Xiu wrote to defend them, and was demoted to Chuzhou as the governor for two years.

After taking office, he was depressed in his heart, but he was still able to play the style of "being lenient and simple without disturbing" and achieved some political achievements.

The Tale of the Drunkard Pavilion is a beautiful piece of prose. This prose is poetic and picturesque, and has a unique and beautiful style, which is indeed rare in ancient Chinese literature. In the spring of the fifth year of Qingli, Ou Tong socks were reprimanded again because of their solidarity with Fan Zhongyan and others, and he went out of Chuzhou, and this article was written in the second year of Chuzhou.

The failure of the "Qingli New Deal" made him feel depressed; The release can get rid of the party strife in the imperial court, which is also a comfort to him. The article shows the author's mixed feelings.

The drunkard's intention is not to drink and come out.

Show the feelings of being too thin and having fun with the people.

What are the idioms from this article? What kind of thoughts does the author express?

1.Mr. Wuliu is "making and drinking, and he will get drunk." After being drunk and retreating, he did not hesitate to stay.

Drink to your heart's content. His character is also leisurely and self-satisfied, and he doesn't care much about the people's suffering, while Ouyang Xiu is "drunk less", and he doesn't drink more than people, but he is happy with the people.

2.The former means "the morning is from the dark to the light, the twilight is from the light and the dark, or dark or bright, the change is different, this is the morning and evening scenery in the mountains" The latter is". Morning or evening, sunny in the morning and cloudy in the evening, the scene is ever-changing. Personally, I think two is...

3.The drunkard's intention is not to drink: it turns out that the author said that he really did not mean to drink in the pavilion, but to enjoy the scenery in the mountains. The latter is used to indicate that the original intention is not in this but in other aspects.

1.One is drunk by dry drinkers, and the other is drunk by drinking less2