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"Journey to the West" is a classic masterpiece that everyone loves to read, everyone can get different feelings and inspirations when interpreting it, and some people like its distinct character personality; Some people like its magnificent overall image; Some people like its lively and witty dialogue narration; Some people also study its historical background and social phenomena. But in my opinion, his twists and turns in the plot conceal the longed-for but unattainable ideal of life and the pursuit of human nature, that is, freedom.
After experiencing the days of personality constraints, people in the 21st century are particularly yearning for freedom, yearning for that embodiment of freedom: Monkey King. Sun Wukong broke the ground, "not under the jurisdiction of the unicorn, not subject to the phoenix, and not subject to the constraints of the throne in the world", broke into the Dragon Palace, made trouble in the underworld, and became the king on Huaguo Mountain.
It can be said that it has reached a state where human nature is free from all shackles and completely free. Sun Wukong is actually the embodiment of freedom, the most prominent of his qualities is the yearning for freedom, he has always pursued freedom, and all its struggles are also for freedom. Such a vivid image gives the reader the strength and courage to pursue freedom and pursue freedom.
However, everyone understands that complete freedom is not possible now, even in the future, and that man will always be bound in this way. Although we are surrounded by a constrained world, we can make our hearts as wide and deep as possible, so that it can be boundless and encompassing the world.
However, there are still many people in society who are bound by something of little value, but they are happy and satisfied. After hundreds of years of exploration and development, people's material needs are no longer urgent, but the need for spiritual freedom has been erased for no reason. In short, I think what modern people lack the most is a spirit of openness and enterprising and looking for maximum freedom.
In "Journey to the West", which has been tempered with all its time, it deeply contains the ...... of the free spirit that people crave most in the new centuryI understand why it's survived to this day.
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CHAPTER XIVThe content is summarized as follows:
Liu Siye held a birthday banquet, and there were many people who came, but the more lively it was, the more it aroused the loneliness in Siye's heart. The coachmen made fun of Shoko and almost got into a fight.
The fourth master also noticed Hu Niu's thoughts, and the two accumulated all the hardships and grievances during the day, and quarreled openly, and Hu Niu even took out a "killer feature", saying that she was pregnant with Xiangzi's child, and the atmosphere became extremely tense.
Wonderful appreciation of the fourteenth chapter of "Camel Xiangzi":
His face slowly turned red to white, and he remembered all the grievances he had suffered before, and he was all blocked in his heart. A few days of tolerative silence seem to be unsustainable, like water that has been suffocated and is about to rush out when it encounters an exit.
Appreciation: The description of Xiangzi's demeanor writes that Xiangzi's inner fluctuations after being teased and teased by other coachmen are now on his face, and he will be about to burst into anger.
Suddenly, there was silence, like a bird in the woods, and suddenly saw an eagle. Shoko stood alone, much taller than everyone else, and he felt isolated. But in his heart, he seemed to be convinced that even if they all did it, they were not his opponents.
He nailed: "Is there anyone who dares to go out?" ”
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The writing features of "Camel Xiangzi" are:
The author combines traditional Chinese narrative methods with the arrangement of foreign literary scenes and psychological descriptions to create a series of vivid characters. Among them, the protagonists Xiangzi and Tiger Niu reflect the darkness of the old society, and the tragic color is a major feature of "Camel Xiangzi".
**In China, not only Xiangzi, but also the domineering Liu Siye, the arrogant and spicy tiger girl, and the kind and strong Xiaofuzi have all gone to a desperate situation. Another feature is the delicate and in-depth psychological portrayal of the characters, Xiangzi is taciturn, and the author uses a large psychological description to show his character characteristics and the process of ideological changes.
With the understanding of the lower-class characters in Beiping and the familiarity with the small people, the language of "Camel Xiangzi" is unique in the use of simple language to portray the vivid image of the psychology of the people in the lower class. The author uses the colloquial dialect of Beijing that has been processed and refined to portray the speech and behavior of the lower-class characters in Beiping, so that the work has a strong regional cultural color and market atmosphere.
Background:
In 1936, a friend of Lao She's from Shandong University talked about his experience and experience of hiring a coachman: a coachman bought a "foreign car" and sold it soon after, and so on and so forth, and finally suffered poverty. At that time, Lao She felt that the subject could be written as a **.
Since the birth of new literature, writers such as Hu Shi and Lu Xun have written about rickshaw drivers, but they have expressed sympathy for rickshaw drivers from the perspective of intellectuals, and have not gone deep into their hearts and souls to appreciate the life of rickshaw drivers.
Because Lao She was born in a poor citizen family, he has been in contact with the lower class people since he was a child, and has a deep understanding of the living conditions and psychology of the working people, all of which provided materials for Lao She's creation of "Camel Xiangzi".
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Chapter XXIV:
Xiangzi used all the shady tricks to make money, and in the end he sold his friend Ruan Ming, a villain who was politically opportunistic and proud. Xiangzi no longer pulls the car, what does he do when the money comes, but he never does not contribute, in Xiangzi's heart, everything is "that way", and he can't help but take advantage of it. Shoko finally became an individualistic doom.
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The writing of the second chapter of "Camel Xiangzi" is characterized by a longitudinal structure with clear veins and rich plots, and is good at expressing the ideological character and development changes of the main characters through characteristic portrait descriptions and delicate psychological portrayals. Relying on his understanding of the lower-class characters in Beiping and his familiarity with the little people, the author uses pure and simple language to portray the vivid image of the psychology of the people in the lower class society, and the language of "Camel Xiangzi" is unique. The author uses the processed and refined Beijing colloquial dialect to portray the speech and behavior of the lower-class characters in Beiping, so that the work has a strong cultural color and market atmosphere.
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Camel Shoko. Chapter 2: Good Words and Good Sentences.
1, Xiangzi pulled a monthly package for Mr. Cao, and he was about to scrape together enough money to buy a car, but he was blackmailed by Detective Sun. Shoko shouted in confusion, "Who did I provoke." >>>More
1. Excerpt: He is indeed a bit like a tree, strong, silent, and alive. He has his own plans, some eyes, but he is not good at talking to others. >>>More
The excerpt from the famous sentence of "Camel Xiangzi" is as follows: >>>More
The overall framework of the character's experience.
Shoko's three ups and downs. >>>More