About Shakespeare s short play The Merchant of Venice Where is the Chinese translation of the court

The main contradiction and conflict in Shakespeare's The Merchant of Venice is that Antonio, a merchant of Venice, borrowed 3,000 gold coins from the Jewish usurer Shylock in order to help his friend Bassanio get married. If you sign a contract to cut a pound of flesh if you can't do it.

Shylock insulted Antonio because he lent money to others without interest, which affected his business, so he took the opportunity to take revenge, and jokingly said in the loan that he would not pay the money at the end of three months, so he cut off a pound of flesh from Antonio to pay off the debt. Antonio was unable to repay the money on time due to a shipwreck, so Sherlock filed a lawsuit to demand that Antonio fulfill the loan agreement. Of course, the ending did not go as Sherlock had hoped.

Most of Shakespeare's works do not have obvious moral tendencies, and it is difficult to clearly say who is the good guy and who is the bad guy.

An important reason why Shakespeare's plays can endure is that the author himself is hidden, neither praising nor criticizing anything, allowing the characters to speak to themselves according to their actual situation and develop an independent life

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The whole thing is so complicated, there must be one true and one false in 2 and 3, and the question stem says that at most only one is true, so only 1 can be false, so the portrait must be in the gold box.

You take a look. I've also looked at other people's.

Suppose the gold box: the portrait is not in this box as A; Silver box: The portrait is B in a lead box; Lead box:

The portrait is not C in this box. (1) A is true, B and C are false. Then the portrait is certainly not in a gold box, it must be in a silver box or a lead box.

But B and C contradict each other, B says that the portrait is false in the lead box, then the portrait is certainly not in the lead box, and C says that the portrait is not false in the lead box, that is, the portrait is definitely in the lead box. So, this answer doesn't exist. (2) B is true, A and C are false.

A says that the portrait is not in this box and is fake, that is, the portrait is in the gold box of A; And C says that the portrait is not in this box and is fake, that is, the portrait is in C, that is, in the lead box. The two contradict each other, so the result does not exist. (3) C is true, A and B are false.

A says that the portrait is not in this box and is fake, that is, the portrait is in the gold box of A; B says that the portrait is false in the lead box, that is, the portrait is not in the lead box; C says that the portrait is not true in this box, and there is no conflict with A and B. So, the portrait is in a gold box. (4) A, B, and C are all false.

According to the inference of (2), A and C cannot be the same and false, so the result of this situation does not exist. To sum up, the portrait is in a gold box.

In a gold box.

So the gold box lies.

The silver box lies.

Lead box truth.

At most, only one sentence is true.

That's what it says in the lead box book.

Love is all I can confess. 'confess' and 'love' had been the very sum of my confession.

From: The Merchant of Venice: Act 3, Scene 2 Scene 2 Belmont. A room in Baucia's home.

Let me choose; I am now so worried that I will suffer as if I were being tortured.

Baucia: Torture, Bassanio! So you confessed to me, what treacherous plot is hidden in your love?

Bassanio: There's nothing treacherous, I'm just a little suspicious and afraid, but I'm afraid my infatuation will be in vain; The love between the conspiracy and me is as incompatible as ice coals.

Baucia: Well, but I'm afraid you said this because you couldn't stand the pain of torture. When a person is tied to a torture bed, doesn't he want him to say whatever he wants?

Bassanio: If you promise to pardon me for my death, I will be willing to take my heart for it.

Baucia: Okay, pardon your death, confess.

Bassanio: "Love" is all I can recognize. Thank you, my judge, for teaching me how to exonerate myself! But let me take a look at the boxes and try my luck.

.Original: bassanio: promise me life, and i'll confess the truth.

portia: well then, confess, and live.

bassanio: 'confess' and 'love' had been the very sum of my confession.

Acknowledgment and love. In my reflections and repentance.