The introduction of Zhen Shiyin in The Red Chamber and his role throughout the book.

The origin of the opening and closing book.

It does not matter.

Zhen Shiyin is a character in "Dream of Red Mansions", surnamed Zhen, name Fei, homonym "waste", the word Shiyin. "Zhen Shiyin" takes the rubber file, which means "the real thing is hidden". In the book, there is "Because after experiencing a dream, the real thing is hidden."

One sentence. Just as Jia Yucun is a "fake village dialect". Zhen Shiyin wrote in contrast to Jia Yucun, and the author made it clear in the first paragraph of the opening book that he wrote the meaning of these two names.

The purpose of writing Zhen Shiyin is to write about a character who has experienced the separation of flesh and blood, the fire at home, and the ups and downs of the second half of his life. He may be a shadow of the author himself, and at the same time a clue that binds the theme of the book.

Zhen Shiyin and Jia Yucun were written in contrast to Liang Tang's chaos, and the author understands the meaning of Wu Heng's writing of these two names in the first paragraph of the book: True Thing Hidden (Hide the True Thing) and False Language Village (Fake Language Village Dialect). Through the two of them, the author first introduced the four major families and the two mansions of Rongning from the outside, which is the role of foreshadowing, and also hints at the tragic ending of the story, which sets a tone for the whole book and lays the groundwork.

The purpose of writing Zhen Shiyin is to write about a character who has experienced the separation of flesh and blood, the fire at home, and the ups and downs of the second half of his life. He may be a shadow of the author himself, and at the same time a clue that binds the theme of the book.

Relationship:

In "Dream of Red Mansions".

In it, "Zhen Shiyin" homonym "true things hidden", was originally a large family in Suzhou, took in Jia Yu Village when he was down, and later his home was burned down due to fire, and his daughter was abducted, so he followed the lame monk to leave Suzhou, and became the early person of the tour party.

His significance in the book "Dream of Red Mansions" is that he introduces the character of Jia Yucun, and then connects with Lin Daiyu.

Due to the death of his mother, the plot of abandoning his family and going to Jiafu paves the way for the content of the whole book. Maybe it is not ruled out in the sequel that Zhen Shiyin will have an impact on the development of the plot, but Cao Gong.

We may not be able to understand the original intention, this is just a guess.

"Dream of Red Mansions", an ancient Chinese chapter hui style long story**, one of the four great classics of Chinese classics, is generally considered to be a writer of the Qing DynastyCao XueqinClosed Travel. **With the rise and fall of the four major families of Jia, Shi, Wang, and Xue as the background, with the rich and noble sonsJia BaoyuAs a perspective, with Jia Baoyu and Lin DaiyuXue Baochai's love and marriage tragedy is the main line, depicting the life of a group of boudoir beauties whose manners and insights come from the eyebrows.

It shows the true beauty of human nature and tragedy, and can be said to be an epic work that shows the beauty of women and the various aspects of ancient Chinese society from all angles.

The Dream of Red Mansions version has two systems: 120 "Cheng Ben" and 80 "Fat Ben". The Cheng book is a typeset copy by Cheng Weiyuan, and the lipo copy is an early manuscript copied and commented by Yan Zhai at different times. The fat book is the base of the Cheng book.