Information about the Magpie Bridge and the Cowherd and the Weaver Girl

The weight of the Cowherd and the Weaver Girl, divided by the individual weight of the adult magpie, is the answer you want.

Haha, absolutely accurate.

This one is made of thousands of magpies, and you can count how many there are that night.

The granddaughter of the ancient Emperor secretly went down to play, met the Cowherd and fell in love with him, and the two got married privately and lived a life of male ploughing and female weaving. When the Queen Mother found out, she was furious and ordered someone to capture the Weaver Girl back to the Heavenly Palace and order them to separate. Later, because the magpie sympathized with the lover, he used his body to build a colorful bridge across the Tianhe River, so that the two could meet every year on the Chinese Valentine's Day.

Once upon a time, there was an orphan named Cowherd, who was abused by his brother and sister-in-law since he was a child, and was forced to split up and rely on an old cow to plow the fields to support himself.

One day, when the Weaver Girl and her sisters went down to play and bathed in the river, the old cow suddenly opened his mouth to speak, persuaded the cowherd to meet, and told the cowherd that if the fairies could not go back before dawn, they could only stay in the mortal world. So the Cowherd stayed by the river to watch the seven fairies, and he fell in love with the youngest fairy, so he quietly took away the clothes of the little fairy. After the fairies took a bath, they were about to return to heaven, but the little fairy found that the clothes were missing and could only stay, and the cowherd came out at this time and made an encounter with the little fairy.

Soon after, the two of them fell in love, and the little fairy married the Cowherd and no longer wanted to go back to heaven. After getting married, they farmed and weaved, gave birth to a son and a daughter, and lived a very happy life. When the Emperor of Heaven learned of this, he was furious and ordered the Queen Mother to escort the Weaver Girl back to Heaven for trial.

The old cow couldn't bear to let their wives separate, so he cut off the horns on his head and turned it into a small boat, and let the cowherd carry his children to chase after him in a boat. Seeing that she was about to catch up with the Weaver Girl, the Queen Mother suddenly pulled off the golden hairpin on her head and drew a rolling Milky Way in the sky. The Cowherd couldn't cross the river, so he could only look at the Weaver Girl by the river and weep from afar.

Their steadfast love touched the magpies, and countless magpies flew over and used their bodies to build a colorful bridge across the Tianhe, so that the Cowherd and the Weaver Girl could meet on the Tianhe. The Emperor of Heaven had no choice but to allow the Cowherd and Weaver Girl to meet once a year on the Magpie Bridge on July 7, and the magpie would also be by his side. In the future, the Cowherd and the Weaver Girl will meet on July 7 every year.

CowherdThe place where I first met the Weaver Girl isZibo City, Shandong ProvinceNiulang Guanzhuang Village, Yiyuan County.

Legend has it that the ancient Emperor of Heaven's granddaughter, Weaver Girl, was good at weaving cloth and weaving colorful glow to the sky every day. She hated this boring life, so she secretly went down to the mortal world, married the cowherd of Hexi privately, and lived a life of male farmers and female weavers. This incident angered the Emperor of Heaven, who took the Weaver Girl back to the Heavenly Palace, ordered them to separate, and only allowed them to be in Queqiao on the seventh day of the seventh lunar month every year.

The Prime Minister met once. Their steadfast love touched the magpies, and countless magpies flew over and used their bodies to build a magpie bridge across the Tianhe River, so that the Cowherd and the Weaver Girl could meet on the Tianhe.

Records. The earliest record of the Cowherd and the Weaver Girl in ancient books in China is the "Book of Poetry, Xiaoya Dadong", but the text only says that the Weaver Girl and the Morning Glory are two similar stars in the Tianhe, and the two are not related. It was not until the Han Dynasty that these two stars were transformed into concrete characters, Ban Gu said in "Liangdu Fu":

Facing the pool of Kunming, the left morning glory and the right weaver girl, like the endless cloud and Han. It means that there are two stone statues of morning glory and weaver girl by the Kunming pool of the Han Palace.

Hello landlord! In terms of content, it can be compared from the theme and emotional tone; In terms of form, the similarities and differences between them are analyzed from the aspects of writing ideas, artistic techniques, and language styles.

1. Theme: "Morning Glory" chooses Dong Xiao, Xiao Sheng is especially suitable for playing sad and sad songs, and "Morning Glory" expresses the lovesickness and sorrow of the Weaver Girl, and the emotional tone is sad and moving.

2. Emotional tone: "Queqiao Immortal" chooses a guzheng, with a crisp voice, melodious and tactful, writing about the scene and feelings of the Cowherd and the Weaver Girl, and praising its noble and pure love. The tone of affection is soft and tactful.

3. Writing ideas: "Morning Glory" first writes about the distant scene of the Cowherd and the Weaver Girl, then writes about the Weaver Girl and her activities, and finally writes about the Weaver Girl's sad mood. The idea of writing can be said to be from the scene to the person to the matter, and then to the feeling.

4. Artistic techniques: "Morning Glory" is mainly described, mostly using overlapping words and white drawing techniques, which is allegorical in the scene.

Queqiao Immortal comprehensively uses a variety of expressions, mainly symbolism and contrast, and also uses overlapping words and overlapping words, with affection in the scene, scenery in the feeling, and the scene is integrated.

5. Language style: "Morning Glory" comes from "Nineteen Ancient Poems", although it belongs to the literati's five-character poems, it still has a strong folk song flavor. Therefore, the language has the characteristics of both folk songs and literati poetry, which is not only plain and simple, fresh and natural, but also subtle and deep.

"Queqiao Immortal" is from the hand of Qin Guan, a famous master of the Wanyue School, which reflects his consistent language style, graceful and beautiful, and full of interest.

Complete! Thank you!