Who is the author of Old Horse? What does the ending look like for the old horse?

Old Horse is a poem written by the modern poet Zang Kejia in April 1932.

Original text of the work. Old horses.

It had to ask the cart to be loaded enough, it didn't say a word, the pressure on its back was buckled into the flesh, and it hung its head heavily!

At this moment, it didn't know the fate of the next moment, it had tears and only swallowed it in its heart, and a whip shadow floated in its eyes, and it raised its head to look ahead.

The poem was written in April 1932. The author once said: "After the defeat of the Great Revolution in 1927, I completely rejected the Chiang Kai-shek regime, and felt that the future of the revolution was very slim.

Life is painful, and the mood is gloomy and sad. At this time, the thoughts and emotions are in common with the oppressed and suffering peasants, and the same is true for the old horse who 'puts the pressure on his back into the flesh'. Therefore, I wrote about the old horse.

On the surface, the poem is about an old horse that is under heavy weight, in great pain, and has to struggle forward under the whip, but in fact it is about a peasant in the old society who is suffering. This poem stands in the long river of history with its serious and persistent attitude towards life and its dignified, simple and meaningful style, laying the foundation and opening the way for the poet's realist creation, and also for the continuous development of China's new poetry.

It was written by Zang Kejia.

Zang Kejia was born in Zhucheng, Shandong Province in 1905. He loved classical poetry since he was a child, and lived in the countryside until he was 18 years old, so he knew more about the miserable situation of farmers. This rural life became the foundation of his later works.

In 1923, he entered the First Normal School of Shandong Province in Jinan and began to write poetry. In the autumn of 1926, he participated in the Northern Expedition and fled after the defeat of the Great Revolution. From 1930 to 1934, he studied at Shandong University, where he received encouragement and help from Wen Yiduo in the creation of new poems.

The first collection of poems published in 1933, "Imprint", was mostly based on rural life, with infinite sympathy for the tragic fate of the peasants, and the art had the characteristics of simplicity, rigor, subtlety, and condensation, and was well received by Mao Dun, Wen Yiduo and others. Mao Dun once asserted: "Among the current young poets, the author of "Imprint" may be the best one.

Old Horse" is an excerpt from this collection of poems. Before the Anti-Japanese War, the poet also had poetry collections such as "The Evil **" and "A Portrait of Myself". During the Anti-Japanese War, he published poetry collections such as "From the Army" and "Song of the Soil".

After the Anti-Japanese War, there were more than a dozen poetry collections of political satire "Baby", "Zero Degree of Life", "Winter" and other poetry collections.

The author of Lao Ma is Zang Kejia, and Lao Ma's poem is ostensibly written about Lao Ma, but in fact it is about the suffering peasants of the old society.

The author of the horse is Zang Kejia, whose pen name is Shaoming Hejia, born in 1905.

Both the pony and the old pony died.

The pony fell ill and died in the arms of the old horse; The old horse was forced to change careers, and spent the rest of his life in desolation.

Lao Ma is a rickshaw driver in "Camel Xiangzi", which was in the midst of the May Fourth Movement and the situation. Shoko first met him on a snowy night, when the fifty-five-year-old horse and his grandson Pony were pulling a cart together, they were hungry and cold, and the old horse fainted immediately after entering the teahouse. Seeing this, many people came to the rescue, and Shoko was one of them.

You can go and see this movie.

According to the narrative in **, the ending of the old horse and the pony is more tragic, the pony finally died in the arms of the old horse because he had to ** because he had no money**, and after the pony died, the old horse was forced to change careers and spent the rest of his life lonely and desolate.

In fact, whether it is an old horse or a pony in **, they are all secondary characters, they are all representatives of the working people at the bottom of the society at that time, mainly to set off the social background at that time, and their preservation and cultivation are in order to deepen the theme of the article, and it is also a powerful supplement to the character image of the protagonist Xiangzi. It is worth mentioning that the tragic ending of Lao Ma favorably supported the tragic fate of Xiangzi, and also exposed the miserable life of the working people at the bottom of the feudal society.

The fate of the old horse and the pony:

Both the pony and the old pony died. The pony eventually died of illness in the arms of the old horse because he had no money. Without the help of the pony, the old horse could not pull the cart, so he had to set up a stall to sell tea and baked cakes.

Lao Ma has a good heart and is a warm-hearted person, but he has been tormented by the corrupt society at that time, he is at the bottom of the society, he does not dare to have much hope for life, he can only be at the mercy of fate, and live his miserable life in poverty.

The role of the old horse character image:

1. The character of Lao Ma reveals the common fate of hard-working laborers who cannot meet the basic needs of life.

2. It exposes the dark social reality that does not allow good people to have a way out.

The author of "Ma Shuo" is Han Yu.

Ma Shuo is a discourse written by the Tang Dynasty writer Han Yu. Through repeated arguments on the question of whether there are thousands of horses in the world, this allegorical essay boils down to the fact that there is no thousand horses, but that there is a lack of horse-knowing Bole, thus effectively exposing the phenomenon of feudal rulers not knowing people and burying talents, and expressing the emotion and grief of the lack of intellectuals in feudal society.

This article is full of moral support, borrowing the story of Bole Soma, using metaphors, to illustrate the truth in a twisting way, with exquisite ideas and vivid images. The language of the whole text is concise, long and short sentences alternate, the tone has statements, questions, and sighs, and the writing is full of changes, which achieves the effect of profound reasoning and powerful argumentation.

Introduction to Han Yu

Han Yu (768 December 25, 824), the word retreated, Yinwen Henan River blocked Yang (now Mengzhou, Henan) people, a Huaizhou Xiuwu (now Henan Xiuwu) people, self-proclaimed "County Wang Changli", known as "Han Changli", "Mr. Changli".

Han Yu was an advocate of the ancient literary movement in the Tang Dynasty, and was respected by later generations as the head of the "Eight Masters of the Tang and Song Dynasties". Later generations called it together with Liu Zongyuan, Ouyang Xiu and Su Shi as the "Four Great Masters of Ancient Articles". The prose writing theories he put forward, such as "the unity of literature and Taoism", "vigorous speech", "pragmatic statement", and "text follows the word order", are of great guiding significance to future generations.

There is "Han Chang Li Ji" handed down.

The above content refers to Encyclopedia-Ma said.

The author of "Ma Shuo" is Han Yu.

Han Yu, the word retreats, a native of Heyang, Henan (now Mengzhou, Henan), a native of Huaizhou Xiuwu (now Xiuwu, Henan), called himself "County Wangchangli (now Yixian County, Liaoning)", known as "Han Changli" and "Mr. Changli". In the middle of the Tang Dynasty, he was a writer, thinker, philosopher, politician, and educator.

In the eighth year of Zhenyuan (792), Han Yu ascended to the Jinshidi, two terms of the festival degree of the official, tired of the official to supervise the imperial history. Later, he was demoted to Yangshan because of his discussions, and he served as the first foreign lang in the capital, the history museum repairer, and the Chinese scholar. In the twelfth year of Yuanhe (817), he served as the marching Sima of the prime minister Pei Du and participated in the pacification of the "Huaixi Rebellion".

Later, he was demoted to Chaozhou because of the matter of welcoming the Buddha's bones.

In his later years, he was an official to the Ministry of Officials, known as the "Han Ministry of Officials". In the fourth year of Changqing (824), Han Yu died of illness at the age of fifty-seven, and posthumously presented the book of the Ministry of Gifts, nicknamed "Wen", so he was called "Han Wengong". In the first year of Yuanfeng (1078), he posthumously sealed Chang Libo and worshiped Confucius Temple.

Han Yu's writings:

Han Yu's works are very numerous, and there are more than 700 existing poems, including nearly 400 prose. His works of various genres, such as fu, poems, treatises, sayings, biographies, notes, odes, praises, books, prefaces, lamentations and matches, sacrificial texts, inscriptions, forms, tables, essays, etc., have made outstanding achievements. Li Han, a doorman, once compiled his posthumous text as "Han Yu Ji" 40 volumes, and now there is "Han Chang Li Ji" handed down.

Curved arguments. The ancient book of Han Yu's Anthology, with the Southern Song Dynasty Wei Huaizhong's "Five Hundred Sounds Distinguishing Mr. Changli's Anthology" and "Outer Collection" as the most appealing good; Liao Ying's Zhongshitang book "Mr. Changli's Collection", "Outer Collection" and "Last Words" (Ming Xu's Dongyatang translation) is the most popular. In the Qing Dynasty, Gu Sili and Fang Shiju each had a single line of poetry collections.

The Han collections that have been annotated by today's people include Ma Tongbo's "Proofreading of Han Changli's Anthology", Qian Zhonglian's "Interpretation of Han Changli's Poetry Year", and Tong Dide's "Hanji Schoolquan". In addition, those who made proofreadings or supplements for Han Ji without listing the text include Song Fangsongqing, Zhu Xi, Qing Chen Jingyun, Wang Yuanqi, Shen Qinhan, Fang Cheng and Xu Zhen.

The poems of the Tang Dynasty are compiled into 10 volumes, and the poems of the Tang Dynasty are supplemented by 12 poems.