Who can summarize the method of singing high notes in plain language!?

Okay, I'll try to use it in the most plain language possible. (I've asked this question n many times, but I have to answer it differently every time, tired).

Singing should be sung with "air", do not use a lot of force to sing the high notes at the beginning, otherwise it will lead to the problem of wheezing and vibrato in the back.

It is not safe to find someone to teach on the Internet, it is best to find a professional teacher to guide it, so as not to go astray, will not damage the vocal cords, and pay attention to singing Do not use your own vocal cords, otherwise it will make the vocal cords calloused. Also, increasing lung capacity can make you sing high notes better.

Exercise Lung Capacity Method:

1. Regularly do some freehand exercises such as chest expansion exercises and arm vibrating (this is super useful, I just do this all the time, and now I can soar high notes).

2. Endurance running exercises, pay attention to persistence, running and breathing coordination, appropriate distance, and intensity should not be large.

3. Practice diving or swimming (the fastest and most effective way to do it).

Artists such as Zhang Shaohan will gently press their stomachs with their hands when they sing at the high notes, so that the "qi" in the body can come out, and the high notes can be released.

And the last time I watched TV, Liang Jingru said that she could stretch her limbs when she sang to the high notes, so some celebrities waved their hands around when singing, just to let the high notes come out comfortably.

It's simple enough, I won't be able to ...... it no matter how simple it is）

Singing high notes is mainly a matter of natural vocal lines. For example, Zhang Jie, Sun Nan, Man Wenjun, Zhang Liangying, and Vitas have different trebles because their voices are different. But their voices are all very good!

I admire it, although I can also be high-pitched, but I don't think it's as good as them, hehe.

If you have a good voice, put the breath in your throat and feel it. If it's easy to get dumb, then your voice isn't very good, so try to transfer your breath to your throat and nose. But it definitely can't make the treble like the above ones, but it's also very good.

This method is practiced on your own, and the "larynx and nose area" is only an approximate location. The specific parts have to be explored by themselves.

1.Native voice condition.

2.There is a proper way to practice vocal music.

3.Good vocal teacher.

4. Practice hard.

The question of the soprano skills of popular singing was raised, and it can be seen that the landlord's friend has a certain foundation.

The personal profile should start from the following aspects:

1. Test your own sound area, the range of natural sound from bass to treble;

2. Learn a certain knowledge of vocal methods, bel canto, national singing, and popular singing do not need to care about the difference between sects, as long as there is a systematic study of scientific vocal methods, resonance, breath, etc., on this basis, long-term unremitting vocal practice, your past vocal area will definitely be able to be broken through.

3. In addition, when singing specifically, emotion is a very important factor, and when practicing voice or performing formally, the voice is full of emotion, and it will get twice the result with half the effort.

As for the high note, not everyone can sing it, if you are a tenor, you can sing it, if it is a baritone high note, it is very hard work! No matter what kind of singing method is to sing the high note, it is necessary to support the breath, if the breath is not enough, it is difficult to get on, and the high note should not be shouted with the voice, but with the resonance of the head cavity Shouting will shout bad throat!!

Falsetto · Unless your true voice can reach that range, you generally use a mixture of true and false voices, and the trick is to say it, for example, if you drink coffee, you want to drink bitter, he wants to drink sweet, and everyone mixes it differently. It's the same with the treble, the true voice is coffee, the falsetto is sugar, and everyone's situation is different. So ask a teacher to help you adjust until you are comfortable, everyone's statement is different, I can only explain it like this.

It's not that hard to solve the treble. If you sing about the sea, no matter how high it is, it will break, it may be a problem with your method. Is there too much shouting?

It would be good if you could practice the conversion between the true and false vocal areas, so that your true and false voices can transition more perfectly, but in European and American singing, there is a kind of sudden transformation of true and false voices, which changes a lot, but the sense of interaction with the audience when singing is relatively strong. So, what you should solve now might be the problem of conversion. The vocal range of the sea should not appear in your vocal change area, if you can sing well with the correct breath, larynx, and position when you reach A, even if you go to HC, it should be no problem.

If there is a situation where you can't go up, you have to consider whether you have a problem.

The breath should be steady and heavy, but not stiff, it must flow. You can't shout with your throat, pop songs don't want you to use too loud sounds, because we have microphones, so don't use all your strength to shout the sound, that's unscientific. Singing is like driving a car, your breath is your oil and motivation, and it must be enough to ensure that you sing well for a long time.

It is recommended that you practice more, and you know it, praise 1 8 degrees of practice, and you can grasp the conversion of true and false voices, and I believe you should know how to sing is right and easy. The exercises are about the evenness of your breath, the height of your eyebrows, and the relaxation of your throat. Foreign countries emphasize this, if you practice hard, you will succeed.

The treble depends on the method of singing, whether the gas is right, and the other depends on how your vocal range is, some people are born with a wide vocal range and singing the treble will be more labor-saving, and some people are born with a narrow vocal range, all can not sing the high note, but the vocal range can be expanded through the correct scientific method, but it is not as simple as you think, it is not a matter of a few days, it is a gradual process, so there are so many students who graduated from the academy have studied systematically and professionally for many years, and none of them have become singers.

Content from user: Crocodile.

How to practice the treble.

The treble is a problem that is difficult for all people who learn vocal music to solve, and it is necessary to master a certain method through a period of study, unless it is due to the vocal area, it is generally possible to sing the treble. If your voice is high, you will be able to develop a high voice.

The singing soprano voice appears tired and tight"Broken sound"The reason is mainly due to the singer's excessive force, in fact, when learning vocal music, teachers often ask students to sing the middle vocal area first, and then sing the high note with the feeling of the middle vocal area, although you think that the middle vocal area sings very naturally, but in fact, the middle vocal area must be problematic, otherwise the high voice will be solved. Nature does not refer to the singer"usually"status. People have a certain character, generally will be biased to one side, moderate character is rare, naturally refers to a peaceful, neutral state, by no means with a certain personality tendency state.

For example, introverts have a biased personality"Shen", because the state is too lazy, it is easy to not be able to sing high notes. Extroverts have a biased personality"Urgent", because the state is too impatient, it is easy to cause high-pitched tightness and shouting.

The way to practice the high voice is to first find the peace of mind that the middle vocal area is in the singing, and then sing the high vocal area in the same state. Another way is to pay attention to not deliberately deep breathing and force when singing the high notes, especially pay attention to the throat part must be natural, your problem is due to the high note force, so that the throat is tightened, resulting in the higher the tone, the greater the force, the tighter the throat. In addition, pay more attention to the performance of emotions in singing, in fact, many singers nowadays have not learned the vocal method of vocal music, but one of their common characteristics is that they are very engaged in singing, and when the real emotion accumulates to a certain extent, they can coordinate the singing method to a certain extent.

In fact, vocal singing is to express a certain emotion, so using emotional voices can greatly alleviate the problem of vocal methods. The first is the fulcrum formulation: while singing.

Here are a few ways to practice singing:

Treble problem--- First of all, teach you a simple and easy-to-learn, high-pitched technique: hold a toothpick between the corners of your mouth and sing, don't fall off, it's easy to sing high notes. (That is, it is often said to open the inner mouth).

The vibrato --- is mainly through the control of the breath, so that the airflow passes through the throat like a wave, and the vibrato is produced, some people control the airflow through the voice, this kind of singing is very outdated, called vibratogram, the amplitude is very large, unnatural.

Everyone's vocal range is different, some people are born with a high pitch, and pitch is something that needs to be practiced, (but be careful, you can't be too tired and will sing your voice bad,)

In fact, you don't have to be too concerned about pitch, find some songs that suit your vocal range to practice, or a little bit of struggle, but you can still sing high notes.

It is necessary to turn on the voice before singing, and drinking some boiling water can help to turn it on. When the sound is turned on, the throat will not be uncomfortable.

In fact, whether singing is good or not is mainly pitch and rhythm.

With these two points, you can only sing, but feelings are the highest level.

Art is endless, for love is the shore.

Pitch is often the ear, when you sing, in fact, the ear is more important, we often ignore the ear when singing, we must listen carefully to sing out of our own voice, in order to grasp the pitch and emotion (must have heard, people who sing with headphones, ** sound overshadows their own voice, so out of tune).

Then you have to listen to the original song more, and you must also listen carefully to the singer's voice with your ears, the human ear is born with the ability to distinguish, you have to distinguish the accompaniment and vocals from the **, and even to each layer of musical instruments in the future.

Practice your ears first, and then talk about anything else.

1 minute to take you to analyze the high-pitched singing.

Techniques for singing high notes and the correct way to pronounce the voice

1. Both men and women should be trained in the middle vocal area as the basic vocal area. When the sound is up, it should be adulterated and slightly masked, not too open, and the vocal area should be overlapped and mixed, which is conducive to the unity of the sound.

2. There is no limit to the natural good voice and vocal range in theory and practice. Examples of tenors singing middle or bass, and contraltos singing flowery tones, are not uncommon among singers. However, in general, singers should be trained to change their voices according to the division of voices.

3. Those who advocate the division of vocal areas should be based on the results of singing training, and those who advocate the division of vocal areas should be aimed at the process of vocal training, and the goals are the same, but the methods and statements are often different.

4. The vocal area conversion of bel canto singing emphasizes "gradual", that is, most half-true voices-half-true voices-half-falsetto-most falsetto. The transition of the vocal area should be formed by a small, imperceptible, gradual process of sound volume change.

5. In order to obtain a unified vocal area and eliminate the traces of voice change, the most effective measure is to adhere to the singing method with mixed voices as the main body, that is, to use the local vibration of the vocal cords in the middle vocal area as much as possible, that is, to use a controlled and masked voice. Because the male voice speaks on weekdays, it is a real voice, so it is necessary to strengthen the training of light functions. Since the female voice speaks falsetto on weekdays, it is necessary to strengthen the training of heavy functions.

6. If the chest voice has no head sound, if the head voice has no chest sound, its resonance and sound effect will not be beautiful, and the head voice and chest sound should be fused with mixed voice. Only a mixed, masked sound can create a bright, radiant, powerful treble.