How a modern poem embodies his mood 5

What is the value of Xiang Wuhua's poem "Spring Night"? One is that the author's self-expression posture is obvious when he tells a night in spring, it is like a person telling the story of a night he experienced in front of you, the author's expression posture is standing in the foreground, unlike most poems, the language is routine and has no personality, self-expression is rare or does not see any gesture, the self is hidden behind the scenes, my character and mood are rarely expressed, and the language of the poem tends to imitate the formula, so there is less self-owe personality.

The second feature of the poem "Spring Night" is that the author deliberately closes the image in the poem, which has certain commonalities with that image, and the reader is easy to associate with and contrast, and easy to combine into a picture. In the nature of society, some of this picture and that picture can contrast with each other, some cannot contrast with each other, some contrast more with each other, and some with less contrast.

The first picture of the poem "Spring Night" is: the black heads of people in the field, the flowers are blooming, and they are not visible. This screen is blurry, and then the next screen is:

Only the river and the fragrance of the flowers together** The moonlight is wider and paler than the screen. The inaudible crowd is like some moonlight and some screens, blurry and some like pale.

And the plot of the movie is: the snowy station with tears in my eyes. The snowy station is blurry and pale, and the eyes are full of tears, all of which are blurred and pale by the addition of other things.

The language of the poem is best expressed vividly, using pictures to express people and things and one's own mood, especially through the contrast between this picture and the other picture, to produce new scenery and new interest.

1.Reach. Be sure to make sure the reader understands what you're saying.

2.The perspective is unique. It's logical, it makes sense, and it's acceptable to most people.

3.Self-cultivation. It reflects the author's healthy and positive sentiments, which can make people fall in love at first sight.

Modern Chinese poets generally do not fail to recognize the aesthetic charm of poetic imagery, but the most powerful emphasis on poetic imagery is still the poet with obvious modernist tendencies, and it is the writer who is full of modernist feelings like Shi Tingcun who directly arouses the enthusiasm for advocating "imagery lyric poetry". In addition to the encouragement and liberation of human imagination by modernism mentioned above, the inevitable connection between specific modernist art methods and imagery is also an important reason. At least, synaesthesia, which has been widely used since symbolism, is an important mechanism for the creation of poetic imagery, and synaesthesia art has created batches of sensory images of strange alarms on the basis of opening up people's sense of perception, which has greatly broadened the idea of poets' image creation.

Some genius poets in ancient times also occasionally used synaesthesia, such as Li He's famous sentence "The sound of Xi and knocking on the glass of the sun", which appealed to the sense of hearing to create the image of "sun", giving people a unique sense of novelty and deep impression. However, ancient poets like Li He did not have enough consciousness of this artistic treatment, so it was only occasionally done in ancient poetry creation, and in modern times, synaesthesia has become a normal image design path, and many poets with symbolist tendencies often use this means to make poetry expression imagery and make image expression singular. Dai Wangshu has the sentence "I lie here, chewing the fragrance of the sun" in "To the Fireflies"; Li Jinfa wrote in "The Illusion of a Cold Night" that "the night outside the window dyes the heart of a lonely guest", and in "The Poet's Gaze", he writes about the lamb in his mind:

Their cries are like wet light yarns", these are successful examples of poems that create unique imagery through synaesthesia. It should be pointed out that modern poets do not use synaesthesia to complete a peculiar metaphor,—— which is an important difference between them and ancient poets,—— they strive to achieve the sensory sense of imagery, that is, the realm of "full sense or super-sense of officiality" as Dai Wangshu said. Xu Zhimo's "Plum Snow Fighting for Spring-Commemorating March 18" sings that "the remnants of plum calyx petals are pickled in the snow", which goes beyond the mere sense of sight or hearing, and enters the image level of "full feeling".

Hello. Dandelion, dandelion.

A small wild flower that is soft.

Tough personality.

Ordinary and tenacious life.

I don't envy the beauty of roses.

I don't envy the grace and luxury of peonies.

Bloom leisurely.

With your own desires.

Giving birth to a new life.

Achieve your own unique scenery.

Dandelion, dandelion.

A weed that no one cares about.

Free soul.

Vibrant little flowers.

He has big ambitions.

By the power of the wind.

Realize your dream of traveling the world.

On the wings of a bird.

For the dreamy yearning in my heart.

Seeds that will fly.

Sprinkled in all directions of the world.

Even if the future is unpredictable, the storm will quietly lead to a storm.

The view of the scenery through the transport gear.

With its own flower language: love that can't be stopped.

Looking for the direction of flowering, start again ......Thank you.

When I look up at the stars.

Awareness is a strange satisfaction.

Consciousness is a spiritual river.

Bright light is reflected in my mind.

The living do not see the flaws of the sky.

It is like a stone unfamiliar with killing.

But I can't feel the joy of inheriting life.

The last moment of the day is like a peeled orange peel.

Scattered on the horizon.

Bright lowered his head and stared at the world.

The laughter of labor is like the rainbow of dusk.

Slowly and serenely approaching the night.

In another city.

I've come a long way and still want to go.

Night covers the land.

Staring at me like a language that doesn't speak.

room'utensils, pedestrians on the road.

The roaring engine on the car.

All branded as a foreign land.

I tried to get close to them.

Try to minimize their very different feelings about me.

But I don't dare to say more.

Everything here averts me passionately.

I stepped forward to approach them.

Because I can't express myself without them.

I can't wait to put all the solace.

Get it all. It's okay, this world.

Don't allow grief to be all I have.

I looked up at the sky, and I watched the impulse.

Occasionally undercover in a metaphorical verse.

It's not so much about exploring the spiritual direction of various metaphors.

It's better to thank you for the company of the scenery along the way.

Whenever you see the earth.

Images that suddenly disappear on the horizon.

Always in tears for this.

Who locked the Chongtian and Dharma Realms here?

They never drank a glass of boiling water.

Eat a cooked meal.

When the shadows of the clouds swept over the earth.

I hesitated.

The grievances and grievances of the world and the rights and wrongs.

I don't know if it's going to take me to heaven or hell.

I often feel it. There is no point in writing poetry.

You can't make a contribution fee for publishing.

Nor can it prove anything.

And it's a waste.

Should have been pragmatic.

things. time.

How I am. Stupidity.

Wrote so much.

Ethereal gibberish.

No one resonates, no one stops.

It seems that the more it is written.

The more you stray into a lonely dead end.

They call for companionship.

But I often share my fingers with the darkness.

Thankfully, it was an eternal silence.

Listen to pop music.

Let the mood precipitate and solidify.

The years are gradually revealing their stubble.

The world remains chaotic.

Full of hope. Me and my Psalms.

It is possible to escape impetuousness.

Even for a moment. Here it is.

The pure meaning of writing poetry.

No one else. Just for the pleasure of what I understand.

1. The Imagery of Modern Poetry: "Image" is the basic unit of poetry, a composite body of the fusion of imagery and imagery, and a concrete expression of the condensation of the author's subjective mind and objective objects.

The categories of imagery vary depending on the criteria for classification. From the perspective of creative methods, imagery can be divided into the following three categories: 1

Figurative imagery Metaphor is one of the most basic methods of expression in poetry, and the main task of metaphor is to visualize poetic works. In poetry, imagery used as a metaphor can be called figurative imagery.

2.Symbolic imagery Symbolism refers to the artistic technique of conveying a certain profound thought of a writer or expressing a certain matter of special significance with the help of the external characteristics of things.

3.Descriptive imagery Writing poetry cannot be metaphorical and symbolic everywhere, so in addition to figurative imagery and symbolic imagery, poets use descriptive imagery the most.

Spring is coming.

The kite should be flown too.

Go, go, go.

My friend. We're all in this together.

Forget the sorrow that you shouldn't have.

With the joy of childhood.

Let's go and fly.