50 points A book about Milan Kundera who is familiar with him please enter 100

That is to live elsewhere.

Laughing and forgetting"? "The Unbearable Lightness of Life"?

Is it his new work "Nature"?

Best answer:

The Unbearable Lightness of Life (Milan Kundera) scanned version [pdf].

Milan Kundera, "The Unbearable Lightness of Life", "Slow".

11.Simone de Beauvoir: "The Second Sex".

12.Cher Heidi: "Sexology Report."

13.Dirk Schuberry: "The Little Prince."

Chapter 1 Assume Love 14

What are the masterpieces of world literature?

The Complete Book of World Literature (108 volumes).

Table of Contents of the Book. 1 Greek Mythology [Ancient Greece].

2 The unbearable lightness of life [Czech].

Milan Kundera.

48 For farewell.

When he was a teenager, he began to browse the world's literary and artistic masterpieces extensively. In youth, wrote. The Unbearable Lightness of Life is Milan Kundera's most prestigious. It's not too late, I'll be one other person, one I don't know what.

Milan Kundera.

Written a famous book. What are the 10

Satisfied with the answer: Qinggu Youlan.

Name: Milan Kundera, foreign name: Milan

Kundera Country.

Born in France, April 1, 1929....

Anyone who sees the inscription may be almost all of them, and this is a translation of a sentence once spoken by Milan Kundera, and also a sentence from the old Hebrew aphorism: people 1

There is also a more serious question: is Milan Kundera a man or a woman?

When I was a teenager, I began to be wide.

Milan Kundera, a Czech family, was born in Brno, Czech Republic. His father is a pianist.

46, Milan Kundera, "The Unbearable Lightness of Life" 47, Qian Zhongshu "The Siege" 48, Margaret ...

Please write down the world famous works and the nationality of their authors.

What are the world's famous books? 2009⑴1⑵2

Questioner: Hand in hand.

And the writers, the more. The Adventures of the Good Soldier Shuaike Hasek 002"The Unbearable Lightness of Life" Milan Kundera 003....

-），**。

When he was a teenager, he began to browse the world's literary and artistic masterpieces extensively. Rice.

By "existing," Kundera is essentially an exploration of what exists in our lives, in our lives, in the world at large, and even in our history (the history of individuals) without being discovered. That's what Kundera said: "Only ** can say something."

It can be summed up as the essence of things. In "The Veil", Kundera once borrowed Flaubert's ** as an example to explain the mission of "entering the soul of things" as a **family, that is, to explore the problem of "being". Because in the soul of things there is a hidden existence.

For example, in "Curtain", there was a mention of a **, which tells that in the early days of the universal use of automobiles, a person who hid around because of the noise of the car was finally drowned in the sea of noise, and today's people are still completely integrated with the ocean of noise, and noise, as a painful thing, has become a fact that is not discovered and perceived, a hidden existence, the essence of art, is to explore such an existence.

This is just one example and does not encapsulate all aspects of existence, and it is not helpful to say more, so I suggest you read The Veil, The Betrayed Testament and The Encounter.

These are Kundera's three essays after the art of the arts, which better interpret the various aspects of the art of the art.

I have mainly read about kitsch, and I don't know much about the words of existence, just to give two examples, in order to prove the reality of his "existence", Wang Er in the ** era returned to the absurd kitsch world in which he played from the mountain and Chen Qingyang's peaceful life.

Unable to bear the lightness, Teresa and Thomas, fearing that their existence will be re-remembered by the empty kitsch world outside, escape kitsch and come to a place that can be called a paradise.

In short, I thought it was a ** home (he was mainly talking about Kafka, right?) The focus is on the independence of the individual, his personality from the external world (the world of kitsch, the world of totalitarianism, etc.), and not in the midst of the great harmony, that is, in the human being, which is similar to the brave new world.

Love, death, joy, sorrow, these common theme sails can be found in various situations and all kinds of ** in our daily life. Milan Kundera explores each of these themes profoundly by constructing a deep spiritual connection between his characters and his readers. Kundera often places himself in the middle of the **, interacting with his own creations; In the same way, he invites us, the readers, to participate in the process and connect with his characters.

Running through Kundera is an important theme that he speaks out: life is nothing but where you go and where you come from. In several of his works, Kundera addresses the subject from several different directions; Through Kundera's philosophically oriented approach, these interpretive processes touch on the conceptual question of human life.

The reason why he was able to describe the themes and characters so deeply in each of them, and why he was able to use such profound knowledge in the writing process, was because of his own personal experience. The best example of his personal experience of his characters is in his ** "Ignorance". Kundera, like Irena and Joseph, left his native Czech Republic, and like Irena, he moved to France and lived there for about 30 years.

His personal experiences are woven into his and his deep connection to the characters in the book, which helps make the situations in his stories more believable to the reader. As a writer who was deeply influenced by others, Kundera also drew inspiration from places outside of his personal life; He wrote works around the ideas of the Austrian writer Robert Muzier and the German philosopher Friedrich Nietzsche, among others. Muzier's most famous ** Man Without Personality has similarities with some of Kundera's works.

The Man Without Personality examines the moral and intellectual decline of society and observes the psychological and spiritual lives of numerous characters. Nietzsche focused on eternal reincarnation and the theory of the "heaviest burden", which is also an important theme of The Unbearable Lightness of Life. This external influence, combined with the influence of his own life, further adds depth to the subject matter of Kundera's work.

Milan Kundera, born in Brno, Czechoslovakia, has been based in France since 1975. The novels "Joke", "Life Elsewhere", "Farewell Waltz", "Laughter and Forgetfulness", "The Unbearable Lightness of Life" and "Immortality" are in the author's native Czech. His novels "Slow", "Identity" and "Ignorance", as well as his essay collections "The Art of **", "The Betrayed Testament", Pi Bo's "Curtain" and his new work "Encounter" are written in French.

Jacques and His Master is the author's masterpiece of drama.

Milan Kundera was born on April 1, 1929, in Brno, the second largest city in Czechoslovakia. His father was a pianist, a professor, and the dean of the college.

Kundera spent a considerable part of his childhood in his father's study. Here, he often quietly listened to his father give lectures to his students; His father personally taught him to play the piano and led him step by step into the world; Browse my father's extensive collection of books. As a teenager, he read a large number of literary classics, both Czech and foreign.

At the age of thirteen or fourteen, during the Second World War, he studied composition with Paul Haas, one of the best Czech composers. Later, Mr. Haas was imprisoned in a concentration camp and never came out. Kundera always regarded him as "one of my personal temples".

The first poem he wrote was "In Memory of Paul Haas."

In 1947, at the age of 18, Milan Kundera joined the Czech Communist Party. He was first fascinated by the plastic arts, intending to be a sculptor and painter. He became a well-known painter in his hometown for a time, and he painted many illustrations for theaters and publishing houses.

After that, I fell in love with ** feverishly. While being infatuated, Kundera also devoted himself to a passion for writing poetry.

Milan Kundera pays great attention to the choice of story perspective and time perspective. Traditional narratives are generally no more than first-person and third-person narration, and even if there is occasional second-person narration, it is just a variation of the first two types of narration. Milan Kundera is indistinguishable from others in her choice of narrator.

However, Milan Kundera is able to create a very special effect when telling a story in the first or third person. The occurrence of the story is synchronized with the author's writing and the reader's reading, and the two constitute a synchronic state, so that the work acquires a sense of unprecedented realism, a sense of "presence" in the style of "live broadcast".

Milan Kundera was a faithful believer in Toh's "polyphony" and a staunch practitioner of the theory of "polypolygy". "Polyphonic" or "multi-voiced" narrative is a narrative technique that Milan Kundera is very fascinated with and uses very well.

Milan Kundera often brings the stories of different eras and different types of characters into his own **, telling two or even several stories at the same time. In his works, history and reality, reality and fiction are mixed together, which can be disassembled or assembled at will. Taken apart, they are independent stories, and when assembled, they are a poetic "polyphonic"**.