There is an allusion to receiving public opinion , what is it 20

During the Spring and Autumn Period, the State of Chu.

Maniacs take the call. I said that there is a Gushu Immortal Mountain in Beihai, and the immortals on the mountain can make the world's grains abundant. Shouwu thought that the words of receiving public opinion were big and inappropriate, big and unapproachable, so he said to Uncle Lian that receiving public opinion was bragging.

Uncle Lian pondered for a while, and it was not necessarily unreasonable to say to Shou Wu.

接宇 jiē yú, a famous hermit of the Chu State during the Spring and Autumn Period. The surname is Lu, the name is through, and the word is connected. Usually "ploughing to eat", because of dissatisfaction with the society at that time, cut off his hair, and pretend to be crazy, so he is also known as Chu Crazy (for details, see:

Jin Huangfu Mi "Gao Shi Biography Lu Tong").

Allusion: Pick up the song of the phoenix.

He picked up the public and escaped from the world, and once sang to Confucius's car. Confucius is suitable for Chu, and Chu is crazy to take the public opinion and say: 'Feng Xi Feng Xi, what is the decline of virtue?

The past cannot be admonished, but the coming can still be chased! That's it! That's it!

Today's politicians are gone! This is the origin of the allusion to "Receiving the Song of the Phoenix". Tao Yuanming, a poet of the Eastern Jin Dynasty, has the sentence "Realize the past without admonishment, and know that the future can be traced", which is the allusion of borrowing "receiving the song of the phoenix".

There is a similar record in "Zhuangzi: The World". Tang Li Bai has the sentence "I am a madman in Chu, and Feng Ge laughs at Kongqiu".

There are many applications of the allusion to "receiving public opinion". In addition to the above-mentioned "Receiving the Song of the Phoenix", there is also Han Yu's "Song of Peony": "Who is drunk and sings before the flower, the crazy boy Han retreats."

Li Bai's "Lushan Ballad Sent to Lu to Serve the Imperial Void Boat": "I am a Chu madman, Feng Ge laughs at Kongqiu." Liu Yazi, a modern democrat, also has a poem "There are Huaizhang Taiyan and Zou Danwei in prison".

Weeping Lin and the phoenix feigned a madman, fighting the tiger and slaying the dragon revolutionary army. "Wait. Later generations often used the phrase "receiving public opinion and phoenix" as a metaphor for the hopelessness of political corruption, indicating avoidance and arrogance; "Chu madness" is used to refer to wild and uninhibited people; Use "Fengde" to praise good morality.

In addition, there are also sayings such as "Chu Lu Gao Song", "Chu Ren Feng", "Receiving Public Opinion Crazy" and "Phoenix Decline", although their meanings are different, they all originate from "receiving public opinion and singing phoenix".

Receiving public opinion. 接宇 jiē yú, a famous hermit of the Chu State during the Spring and Autumn Period. The surname is Lu, the name is through, and the word is connected.

Usually "ploughing for food", because of dissatisfaction with the society at that time, cut off his hair, and feigned madness, so he is also known as Chu madness. (For details, see: Jin Huangfu Mi's "Gao Shi Biography Lu Tong").

He picked up the public and escaped from the world, and once sang to Confucius's car. Confucius is suitable for Chu, and Chu is crazy to take the public opinion and say: 'Feng Xi Feng Xi, what is the decline of virtue?

The past cannot be admonished, but the coming can still be chased! That's it! That's it!

Today's politicians are gone! This is the origin of the allusion to "Receiving the Song of the Phoenix". Tao Yuanming, a poet of the Eastern Jin Dynasty, has the sentence "Realize the past without admonishment, and know that the future can be traced", which is the allusion of borrowing "receiving the song of the phoenix".

There is a similar record in "Zhuangzi: The World". Tang Li Bai has the sentence "I am a madman in Chu, and Feng Ge laughs at Kongqiu".

It is recorded in the Analects of Weizi:

Chu madness took the song and Confucius said: "Feng Xi Feng Xi! The Decline of Ho De? The past cannot be admonished, but the coming can still be chased! That's it, that's it! Today's politicians are gone! "Your Majesty, I want to talk to you. Tend to dispel it, and do not speak with it.

Translation] The madman of the state of Chu walked past Confucius's car singing a song, and he sang: "Phoenix, phoenix! Why has your virtue declined?

The past can't be reversed, and the future is still too late. Forget it, forget it! Those who are in politics are dangerous now, right?

Confucius got out of the car and wanted to talk to him. Jieyu hurriedly walked away, and Confucius could not talk to him.

Wang Wei's "Rim River Idle Residence Presents Pei Xiucaidi".

The cold mountains turn green, and the autumn water is murmuring.

Leaning on the cane outside the firewood door, listening to the twilight cicadas in the wind.

The sun sets over the ferry, and there is lonely smoke in the ruins.

The complex value is drunk, and the song is in front of the five willows.

Jieyu is the representative of the hermit.

After the cold winter, the mountains became more and more lush, and the small river began to flow slowly.

I leaned on my cane in front of my firewood house, listening to the chirping of cicadas at dusk in the direction of the wind.

The afterglow of the setting sun shone on the ferry, and a wisp of smoke rose from the village chimney.

I ran into Pei Di drunk again, and I went crazy in front of me, who was just like Tao Yuanming.

Appreciation: What this poem wants to express is the autumn scenery of the Rim River. The first and third couplets depict the late autumn evening scenes of the mountains and rivers, and the poet chooses scenes rich in seasonal and temporal characteristics: the verdant cold mountains, the slow autumn water, the sunset at the ferry, and the cooking smoke in the ruins, sound and color, the combination of movement and static, outlining a harmonious, quiet and vibrant pastoral landscape painting.

The couplets and quadruples of the poem depict the poet's idlery with Pei Di. Leaning on the cane and the firewood door, listening to the cicadas in the wind, the poet's comfortable demeanor and transcendent feelings are vividly written; The drunken song shows Pei Di's maniac demeanor to the fullest. The whole poem is one, the scene is blended, there are paintings in the poems, and there are poems in the paintings.

<> Jieyu, a famous hermit of Chu in the Spring and Autumn Period. Because he was dissatisfied with the current politics, he cut and merged the sedan chair and pretended to be crazy, so it was called "Chu Crazy Receiving Public Opinion". Jieyu usually relied on his own farming to support himself, cut off his hair, and pretended to be crazy and refused to be an official.

He usually likes to make all kinds of big and inappropriate remarks, claiming that there are immortals living on the distant Gushu Mountain, and these gods do not need to eat grains, but can suck the wind and drink dew, and soar through the clouds and mist. Jieyu also walked in front of Confucius's car singing a song, satirizing Confucius's active political career. Later, King Chu Zhao heard that he was very talented in receiving public opinion, and sent an envoy with Bai Yi **, carriage and horse Erxi to hire him as an official to govern Jiangnan, but was rejected by Zhiyu, and the messenger had to throw the gift at the door of Jieyu's house.

In the end, Jieyu and his wife lived in seclusion in Mount Emei, feeding on mandarin oranges and leeks, nourishing the mountains and forests, and living indifferently until they died. This is the origin of the title of "Chu Crazy Reception".