The teacher said that there was no contrast between warm and cold in my drawing exercises

Just like this world, only men and women can develop, black and white can operate better, there are high and low, heaven and earth, and there will be hot and cold rain......The world itself is a whole of opposites and unity, and what exists alone is not beautiful. The so-called cold and warm contrast is the contrast of color, warm colors such as red, orange, yellow, ......, the cool color is ...... than green, blue, and purpleWhen a color makes you naturally think of something that makes you feel cold or warm, you can confirm whether the color is cold or warm, when painting colors, the tip of the pen is slightly dipped in contrasting colors to paint things that look richer, which is where color painting is more interesting than sketching, (of course, sketching also has a unique charm), if the light-receiving part of the object on the picture looks like a cold color. Then the dark part of it is definitely a warm color.

The reflection in the dark part is a cool color again. Contrarily.

In fact, your teacher emphasizes this, nothing more than to let your painting leave a good first influence on the marking teacher, painting is a happy and painful thing, insist!!

Encyclopedia: According to the psychological feelings, colors are divided into warm colors (red, orange, yellow), cool colors (cyan, blue) and neutral colors (purple, green, yellow, black, gray, white). In painting and design, warm and cold tones give people a sense of intimacy and warmth, respectively.

Colors with complex compositions are determined by their specific composition and appearance. In addition, the perception of color is also strongly influenced by light and adjacent colors. The feeling of warmth and coldness of color is formed by people in long-term life practice due to association.

Red, orange, and yellow are often reminiscent of the rising sun in the east and the burning flames, so they have a feeling of warmth, so they are called "warm colors"; Blue is often reminiscent of the blue sky in the sky and the ice and snow in the shadows, so it has a feeling of coldness, so it is called "cold color"; Green, purple and other colors give people the feeling of neither warm nor cold, so they are called "neutral colors". The warmth and coldness of the colors are relative. Among the same colors, the ones with more warm components are warmer, and the other way around is colder.

That is, the color should not be too single, and there should be red and green.

Then you draw blue, blue, red, orange, and yellow.

The exterior lights are slightly blue, and the interior lights are slightly warmer and slightly yellow or orange. In this way, there is a contrast between cold and warm light.

Take the warm colors you talked about, I think it can be roughly divided into two levels of warm colors, such as red tones, in a red room, an object that is originally blue.

In one case, this blue will turn purple. This purple is the fusion of blue and red, which can also be said to be a compromise with each other.

On the other hand, if the blue is a small light on, the color of its central light is strong, and it does not blend with the red environment, it is still blue, but the blue fades away and disappears into the red.

In the former, the environment harmonizes the object, the object melts into the environment, the object strengthens the environmental color, and the inherent color will be color shifted.

The latter is the object's rebellion against the environment, the object contrasts with the environment, and the coldness of the object itself shows the warmth of the environment.

In any case, there is already an environment in a painting, and you have to make the thing you paint look like it's inside the painting, that is, it can stand.

What is real is your picture, not necessarily what you see.

I hope to solve your confusion and wish you all the best.

Abstract color blocks are an important way to learn color, observe before painting, the inherent color, the bright part of the reflection, and the difference in the color of each object.

For the same color, compare the small bias of their respective colors, and whether they constitute complementary colors in different colors, if you can use the complementary color relationship, it is also very helpful to grasp the picture.

In addition, it is actually fun to observe the relationship between different colors at any time in life. ）

There should be steps to practice in the book, so you can learn it.

1. Hook type. 2. Draw the main color blocks, as far as possible by large brushes. Start and set the tone of the picture. 3. Details. 4. Adjustment. The specifics require more practice.

If you don't stipulate that you can't have blue in the red tone, live a little and don't be surrounded by rules. Color is not absolute, and no matter how you draw it, it is not absolutely wrong.

Warm and cold are only relative, yellow is warmer than blue, but isn't it cold compared to red?

Talking about anything in the conditions of a big relationship is zero.

If you think too much, you can draw it, and tell you that you must have a shape first, and the tone is determined by the color of the large part of the picture.

In the form, the bright part and the dark part have a big relationship, there is a cold and warm contrast, and then there is a local local cold and warm contrast, and it is good to obey the local relationship, red, yellow, blue (any color) can have cold, warm, that will be messy.

Pretty good, nothing was a problem.

First of all, it is necessary to distinguish between warm and cold, which refers to the color tendency rather than the sketch relationship, and has nothing to do with the shade. For example, if the apple is only red, it is too single, add a little orange to the red to make it warmer, and the purple to the red can become a little cooler, of course, you can also add some of the reflections of the ambient color you said to the apple, which can be richer. There are also some big rules, such as under a warm light source (yellow light), the bright part of the object is warmer (red, orange, yellow), the dark part is colder (green, blue, etc.), and the opposite is true under a cold light source.

In terms of the use of color, you can look at the colors of the Impressionists.

It should mean that you have too little contrast between warm and cold colors, and the whole painting is too uniform, and there is no light and dark. For example, your paintings are basically cool colors such as blue, purple, black, and green, or the whole picture uses warm colors such as red, orange, yellow, white, and pink.

"Tune" was originally a term in the arts, used to express the "pitch" of a work, and is the tonal standard that governs the music, such as D major, C major, etc. Painting borrows this term because it is convenient and can accurately represent the comprehensive visual effect of a work (the comprehensive effect caused by many factors such as composition, image, color, light and shade), such as cold tones, blue and gray tones, golden yellow tones, etc. Hues exist objectively.

In nature, the changes of light source, climate, seasons and environment, there are a variety of hues, and objects of different colors must be shrouded in a certain brightness and hue of the light source color, so that the performance of objects with different inherent colors is shrouded in a unified color tendency, and this unified color is the hue in nature. The production of color tones comes from the reflection of the objective world, and is also the product of subjective analysis and reflection, induction and generalization. The first is the relationship between the color tendency of the painted object and the background lining and the environment, and then the color tone is determined after analysis and induction.

If the color of the painting can be condensed and deeper and more moving in terms of artistic conception, it is necessary to adopt artistic processing methods such as exaggeration, refinement, and generalization. The serene and elegant tones of the works of the Japanese painter Kaii Higashiyama express the dreamlike scenery of Tahara, and his expression is the product of further refinement, exaggeration, and generalization on the basis of feeling the real color palette (see Fig. 8). Wuhan Art Network:

This painting is a typical cool blue tone, completely unified in this atmosphere, it is recommended that you look at more famous paintings, there will be gains outside of the exam study. Whether it is sketching or creating, the tone in color painting often plays an important role. As a unique form of color, hue is indispensable in expressing the mood and artistic conception of the theme of color painting and conveying emotions.

It can intuitively make the viewer be infected and produce the association of beauty, so that the viewer's emotions and attention are affected by the tone in the picture.

Hue does not refer to the nature of the color, but rather a general evaluation of the overall color of a painting. Hue refers to the basic tendency of a work of color to look like. Among the three elements of lightness, purity, and hue, a certain factor plays a dominant role, which we call a certain hue.

Although a painting uses a variety of colors, there is a general tendency to be blue or red, warm or cold, and so on. This tendency to color is the tone of a painting. The hue of a work can usually be defined from four aspects: hue, brightness, warmth and coldness, and purity.

Shades are divided into warm and cool tones in terms of warm and cold: red, orange, yellow - warm tones, symbolizing: sun, flame.

Green, blue, black - these are cool colors that symbolize: forest, sea, blue sky. Gray, purple, white - intermediate tones; The brighter the cool tones, the warmer the overall feel, and the higher the brightness of the warm tones, the cooler the overall feel.

For example, in the red system, when red and rose red are together, red is a warm color, and rose red is regarded as a cold color, and for example, when rose red and violet blue appear at the same time, rose red is a warm color.

Generally speaking, it is the main color that you can feel at a glance, such as the painting of sunflowers, which is a warm yellow color at a glance. If you paint no color, it means that you use too many colors and there is no cohesion and transition, it is recommended to add some original colors from the palette when you mix another color. Painting depends on understanding Copying some of the master's works will be very helpful to you, and if you only need a small palette to finish a whole painting, it will be your time to succeed!

It can be simply said that it is the theme color of a painting, after determining the tone of a painting, you can try to use the same color system to find warm and cold changes to express still life, such as reddish warm tones, the color changes in the picture can be interpreted by the cold red (such as rose red, purple red, deep red) and warm red (such as orange red, sunset red, brown red), try not to juxtapose the two complementary colors in the painting, such as red and green, a red apple on the green cloth, Use the factor of reducing purity or brightness or area contrast to reduce the conflict between the two colors, and avoid all factors being too equal, so that the picture is naturally in the same tone.

Hue is a generalized evaluation of the overall color of a painting.

It's just that you draw very well, and there are no shortcomings!

No big problem, maybe it's just not good enough in the details.

The gist is that your basic skills are solid, and you have the strength to pursue a picture with your own personality and style. Take a simple example, you can draw gouache to a level close to Wang Lei, and you can indeed get a relatively high score in the provincial joint entrance examination, but it is not very suitable to use this kind of picture to face the examination of the Academy of Fine Arts, because the Academy of Fine Arts wants to see how many unique things you can have on this basis, such as you have your own good colors (yellow tones, green tones, red tones, or warm and cold tones, etc.), or you have your own beautiful brushstrokes that you can play with (wet painting, dry painting, the use of fine brushes, etc.). That's all there is to say, if you don't understand, you can ask me.

Why not just ask the teacher? What the teacher said, then you need the teacher to guide the maze, because only the teacher sees your painting, only the teacher can know your mistakes?

You have to be clear about whether your painting is focused on a cornucopia or clothes.

It is estimated that you pay too much attention to details, lack the structure and overall grasp, and the other level should be expressed through perspective, the handling of light and dark relationships.

I don't know enough about the five major tones, as well as black, white and gray, and the same as writing essays, there are protagonists and supporting roles in it, so that the composition has a center, and the painting is the same, there are major and secondary, so that the contrast is stark, there is a primary and secondary, because you only know that the painting is the same as the object, just paint, and don't know how to use your brain.

Strongly depict the subject, draw according to the light and the three-dimensional space of the object, and you will find that there is change and appeal, if you don't understand, you can ask me.