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Khoomai (Tuvan: Mongolian.
It means "throat"), also known as guttural singing, double singing, multi-voice singing or Haolin Chaoer, is the Altai Mountains.
A way of singing for many ethnic groups in the surrounding area is not unique to Mongolians.
Khoomai created a magical art of singing for the indigenous peoples of the Altai Mountains, which was spread over a vast territory long before the formation of the Mongol nation in the 12th century: a singer sings two parts at the same time purely with his own vocal organs.
The basic structure of the vocal relationship is a sustained bass combined with a melody flowing above it. It can also be divided into "overtones."
Humai", "tremolo Humai", "compound Humai", etc. Among the folk songs of various ethnic groups in China, it is unique.
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I've been practicing Humai for a year and a half, you can add me 394367092, and I'll tell you more about it.
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Khoomai is a superb form of Mongolian polyphonic singing of chor, which is a kind of "guttural" art.
Brief introduction of Humai:
Homai is an ancient way of singing, the voice coming from the bottom of the throat, slowly and far into a deep, deep tunnel, that tunnel is the memory of time. It is said that Khoomai has a history of 1,000 years and is now a national treasure of Mongolia, unique in the world.
Humai uses special vocal techniques to sing two voices at the same time, forming a rare multi-part form. The singer uses the breath-holding technique to violently hit the vocal cords, producing a thick bubble sound to form a bass voice. On this basis, the oral resonance is skillfully adjusted, the overtones are strengthened and concentrated, and the transparent and clear high-factor voice with a metallic sound is sung, and the sound effect is incomparably beautiful.
The principle of the vocalization of Humai:
From the perspective of the principle of vocalization, Humai should be regarded as a special form of human voice Chaoer, which is the inevitable result of the development and sublimation of "Haolin Chaoer" choral art.
Humai is a kind of guttural singing art, singing using special vocal skills, a person sings two voices at the same time, the vocal cords produce a low base tone, and the mouth emits a bright overtone, plus the regulation of breath, the change of oral resonance points can form a melody in the treble part, forming a rare multi-voice form.
The treble of the treble has a direct lead relationship with the mouth shape, and the flat tone of the mouth is high, and the round tone of the mouth is low. The distance between the bass and treble voices can sometimes reach six octaves, and the melody of the treble sometimes resembles a whistle, or metallic.
The method of singing is to first relax the vocal cords, use the air in the mouth to vibrate the vocal cords to resonate, produce a basic bass, and then skillfully adjust the gap at the tip of the tongue to produce a high overtone with a breath of air. As a result, on the basis of continuous bass, the melody of the high-pitched land area is constantly produced.
Singing in this way, one can clearly hear a person making two sounds at the same time, a tune in the upper register and a sustained tone in the lower register.
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An ancient way of singing, in which the voice emanates from the bottom of the larynx, and one person sings two voices at the same time, forming a rare multi-part form. Belonging to the Mongolian ethnic group in China, Humai is unique in the world.
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Khoomai is a typical way of singing with a guttural voice, which is used in folk ** by the Tuva Oaks, Mongols and Mongolians located in the Altai region. For example, the Humai in the Gobi Desert sounds drier, but the Humai in the steppe is more moist.
In Mongolian, Khoomai means throat. Khoomai can be used to describe both one of the characteristics of Tuvan guttural singing and all Tuvan guttural singing styles, from rumbling to alto with beat and various forms of treble.
The highly skilled Homai singer can sing slow long tunes, rapid allegro and world famous songs with two voices. Generally speaking, the low voice of the hoophone is a sustained bass, but sometimes it can vary from pitch to high, and the high voice is a undulating melodic line that sometimes has words but is often wordless. Mongolian ** family divides Humai into two categories: lyrical and hard, among which the lyrical Wuyin Geyin Humai can be divided into five types: nasal Humai, hard palate Humai, voice Humai, throat Humai, and chest Humai.
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