The four steps of sketching, the five steps of sketching

1.Determine the big picture and the big relationship (composition and composition).

2.Styling and in-depth (overall consideration).

3.Detail portrayal (excellence).

4.Adjusting the relationship of the picture (completing a complete and harmonious painting) is based on different techniques, and the answers given are also different.

In the past, my answer was the same as the two upstairs, but not long ago I watched a master painting process and was inspired

From composition to completion, there are many ways to do it: you can make a shape first and then adjust it to make a big relationship, or you can use a tone to make a shape, or you can use lines to express the relationship ...... in the process of using lines

The principle is the same, and the more you practice, the real principle will naturally be tested).

1. Determine the position and size of the object to be drawn and the object.

Second, make an outline.

Third, the upper gloom.

Fourth, inspection.

Composition. Start-up.

Sketching is a big deal. Thorough.

1. Determine the size and position of the object to be drawn and the object.

1. The position should be moderate, consider the weight of the object, and avoid the up, down, left or right that is not conducive to the appearance. (The design can be color balanced).

2. The size of the object to be drawn should match the picture.

Second, make an outline.

There are 2 points to pay attention to when playing the outline:

1. Have a perspective effect: clarify the eye level, viewpoint, and draw the perspective effect of the object.

Above or below eye level.

Near big and far small. 2. The proportional relationship should be clarified, first, the proportional relationship between the painted objects; The second is the relationship between the main object being painted and the surrounding objects.

3. Light and shade on it.

1. Clarify the position of the seven tones of light and dark (block surface). The seven shades are: highlight, light, gray, dark, dark, dark, reflective, and reflective.

2. Draw a good tone of light and dark. The change of light and dark lines should be combined with the texture of the object to be drawn.

Whether to paint "reflection" and "reflection" depends on the actual situation of the object being painted.

Fourth, inspection. Inspection is also summarization, and the first is to discover the advantages of one's own work, and the other is to correct the shortcomings. If a person does not make a summary and does not know the shortcomings of his work, he will stagnate.

Deficiencies are discovered, and those that can be corrected must be corrected. It is mainly examined from the consistency of the part and the whole.

The five steps of sketching are:1Positioning. 2.Out of the third line. 3.Paving. 4.Rub. 5.Mold.

Let me elaborate below:

1.Positioning: The position, size, and height ratio of the object are listed. Note: Determine the main object first, and then determine the position, size, and height of other objects through the main object.

2.Out of the three lines: the three lines are: the outline line, the light and dark junction line, and the projection line.

3.Paving: Start by unifying the light and dark sides of all objects, from left to right, from top to bottom. Then spread black, white and gray on the object, paying attention to the strong front and the weak back, the upper strong and the lower weak, the main strong and the second weak. Then go to the background color, the background plays a role as a foil, pay attention to black, white and gray.

4.Rubbing: first rub the main object, heavy color object, the dark part of the unified rub, and collect the contour type of the object. After wiping, use a hard eraser to wipe the highlights and reflections.

5.Shaping: Is black, white and gray clear? Is the thread kneaded into the dough? Is the priority relationship clear? It is a process of checking the drawing and making corrections.

Step 1: Arrange the structure.

Composition is the key to a painting, and the most important thing in arranging a composition is observation, first observing the physical characteristics of the painted object and analyzing the structure. In the sketch exam, you can draw the basic structure on the draft now, in which the composition should pay attention to the size scale, the proportion of the structure.

Structural sketching is the understanding of three-dimensional space. In the structure sketch painting, the object is imagined as a transparent object, and the structure, decency, and perspective relationship of the length, width, and height of the object are drawn only in the form of line drawing. Structural sketching is the ability to present the volume of objects without tonality, so that the painter can visually recognize their inner image.

Quoted from Sketch Self-Study.com.

Step 2: Draw three lines.

The three lines of the sketch are: the boundary line between light and dark, the outline line, and the projection line. The color of the boundary between light and dark is darker, giving the picture a three-dimensional feeling; The combination of virtual and real contour lines draws the general outline of the object; The projection line is in a uniform direction, the color is the darkest, and the boundary with the object is obvious.

Step 3: Unify the dark side.

The dark side is to set off the bright side, and the unifying of the dark side is also to unify the picture, starting from the boundary between light and dark.

Step 4: Rub and rub.

Wipe can be excessive light and dark, but also make the dark part more unified, with moral tools are: tissues, pens, you can also use your fingers to rub directly. Pay attention when wiping, not rubbing, combine the three lines and the overall structure, pay attention to details, so as to achieve the best effect.

Step 5: Re-emphasize the relationship between light and dark and shape it deeply.

To put it bluntly, in-depth shaping is to perfect the details, highlight the characteristics of the object, and highlight the relationship between light and dark. In the art exam, the same work looks the same, but some people can get high scores, relying on the details. This step is crucial to give a piece of texture, and at the end remember to clean the paper as a whole.

1. Establish the composition and deliberate the arrangement of the composition, so that the objects on the picture are properly prioritized, the composition is balanced and varied, and the disadvantages such as scattered, chaotic, empty and congested are avoided.

2 Draw a large shape structure Draw the shape structure of the object with a long straight line (the invisible part of the object should also be drawn gently), and the shape, proportion, and structural relationship of the object should be accurate. Then draw the shape position of each light and dark level (highlights, highlights, midcolors, shadows, shadows, and light and dark lines).

3 Gradual and in-depth shaping of the ruler Through the depiction of the light and shade of the shape (from the whole to the part, from large to small), the sense of volume of the object is gradually deepened. The main and crucial details should be carefully described.

4 Completion of Adjustment It is inevitable to ignore the interrelationship between the whole and the parts when in-depth carving. At this time, it is necessary to make a comprehensive adjustment (mainly referring to the shape structure also includes tone, texture, space, primary and secondary, etc.), so as to make trade-offs and highlight the subject.

Positioning--Summarizing the relationship between shape and perspective--Finding the relationship between light and dark--Depicting the dark part and shadow--Rubbing out the big relationship--Depicting the gray part and the bright part.

Set the position of the figure or still life up and down, left and right.

Summarize the silhouette, and the perspective relationship is near and far.

Draw the overall light and dark lines and projection shapes.

Paint the dark parts and projections, starting with the deepest light and shade.

Use a tissue to erase the relationship between black, white and gray, and the dark part and the projection should be unified, and the gray part should be pulled out of the relationship.

The gray and light parts are depicted (the dark parts and projections do not need to be drawn anymore), and the pencil is sharpened and drawn with a line.

Finally, it is necessary to look at the whole from a distance, and the painting process should also combine the part with the whole, the dark part should be darkened, and the bright part should be brightened.