Is Han Dynasty Brocade Precious 5, Is Han Dynasty Brocade Precious

The silk fabrics of the Han Dynasty were generally called silk and sometimes called silk. There are more than 10 subdivisions, such as 纨, Qi, 缣, 绨, silk, silk, Luo, brocade, Lian, Aya, Man, yarn, weaving, etc. Of course, it is also worth elaborating that "silk" refers to a plain weave fabric woven from raw silk; "Su" is white raw silk; "Lian" refers to white cooked silk; "纨" is a delicate silk; "Silk" refers to the fine silk of double filaments; "缟" refers to silk that has not been dyed, that is, has not been specially treated; "Man" is a silk fabric with no pattern, no coloring or no literary brilliance; "Silk" is explained as "big silk thread" in the "Shuowen" (written by Xu Shen of the Eastern Han Dynasty, summarizing the achievements of pre-Qin and Han literature), and later generally refers to a relatively fine texture, but not too light and thin silk fabric.

As for "Qi" and "Aya", those who weave the grain are Qi, and those who have a flower-like light like a mirror are Aya. "Yarn" is "spinning and weaving, the light one is yarn, and the crepe one is the hub." "Crepe also refers to silk fabrics with a thin texture and a wrinkled surface.

"Luo" refers to silk fabrics with thin texture, smooth feel, beautiful and elegant patterns, and breathability; "Brocade" often refers to jacquard fabrics with large color patterns; "Weaving" is a precious fabric, similar to a silk fabric with a weft thread and a consistent pattern on both sides.

Compared with the Warring States Period, the Han Dynasty was more refined in the classification of silk varieties, and more varieties were developed for different needs. Chinese history often refers to the Han and Tang dynasties (618-907 AD) as saying that the Han dynasty was as prosperous and powerful as the Tang dynasty. It is only when there is a clear sign of revival in a dynasty that silk, as a special coat, can develop in the direction of professionalism and refinement, and dress up an era in all aspects.

So, it should be expensive.

Very precious, especially expensive to export to foreign countries, isn't there a "Silk Road"? In Sichuan in the Han Dynasty, Shu brocade was the best.

Brocade clothes, that is, made of brocade, in the Han Dynasty only princes and nobles only wear, very expensive, but in the current brocade can only be used as handicrafts.

It's very precious, that's why there is the Silk Road.

The brocade of the Han Dynasty was one or two ** one horse in Chang'an in the Han Dynasty, and 10 taels ** in Dawan or Xiongnu. The farther away the more valuable it is.

Very expensive!! It seems that there is only a holy decree!!

You can go to CCTV's treasure hunt, and the cultural relics must be worth more than 100,000 yuan.

If you want to have such a baby, it is better to go to the gate of Huayu for identification, and you can show your face on TV, killing two birds with one stone, hehehe! ~

Textile cultural relics are extremely precious, and its storage conditions are relatively high.

Here's a simple way to save paulownia.

Pay attention to the temperature and humidity of the environment where the item is kept.

1.Generally speaking, according to the material characteristics of textile collections, the ambient temperature is between 15 and 20 degrees, and the relative side and humidity are between 55% and 65% are more suitable for the storage of goods.

2.Beware of harmful gases and dust.

Items should be sealed as much as possible to avoid light, placed in a clean air area, and the house should be cleaned regularly to avoid contamination.

3.Watch out for mold and insect infestations.

In the case of the former one, this one can almost be ignored, but it is still necessary to do a good job in the hygienic conditions of the collection. Controlling and regulating temperature and humidity is an effective way to eliminate mold spores**.

4.Pay attention to the light, the collection should avoid direct sunlight, the cabinets and lining plates used to store the collection, the cushion and the opening tank must be harmless and stable materials for the collection, and avoid using materials containing acidic components as storage containers for the collection. Stable wood has the effect of absorbing and releasing moisture, which is more conducive to the preservation of collections, 5

Minimize or avoid cleaning. Because textiles, especially silk itself, have poor dyeing fastness and are not easy to wash often. In addition, when handling, try to avoid direct contact and handle gently.

The craft characteristics of the Han Dynasty brocade are that it has strong characteristics of the times in the pattern, full of undulating auspicious birds and beasts, and interspersed with auspicious inscriptions in the gaps of the pattern, showing the beauty of the Han Dynasty art. The main ornamentation on the brocade of the Han Dynasty is the "four spirit patterns", that is, the green dragon, the white tiger, the red bird, and the Xuanwu, which means that the head of the palace will ward off evil spirits and seek blessings.

The characteristics and ornamentation of the brocade craft of the Han Dynasty are.

The brocade of the Han Dynasty is the representative of the highest level of silk weaving technology from the Western Han Dynasty to the Wei and Jin dynasties, because of the opening of the Silk Road, so that it spread to extremely distant places, some archaeologists in our country have found the figure of the brocade of the Han Dynasty in the ruins of the ancient city of Loulan in Xinjiang, the ruins of Minfengniya in Mongolia, Russia and other places.

In the Han Dynasty, the ruler was keen on the doctrine of immortals, so the pattern style of the brocade was mostly similar to this, mostly auspicious and precious beasts, full of smart beauty, and the common ornamentation on the brocade of the Han Dynasty, that is, the "four spirit patterns", is a traditional Chinese decorative pattern pattern, reflecting the Han Dynasty people's immortal thoughts and the concept of warding off evil spirits and seeking wealth, the four gods also symbolize the four seasons of spring, summer, autumn and winter.

Generally speaking, the brocade pattern unit of the Western Han Dynasty is relatively small, most of them are two-color or three-color plain weave warp brocade, to the time of the Eastern Han Dynasty, the brocade has been greatly improved in terms of color matching and craftsmanship, the brocade color of the Eastern Han Dynasty is often white, yellow, green, blue, red five, the pattern color is distinct, and the simple celery peel is also called "colorless cloud brocade".

Brocade is one of the most beautiful varieties of silk weaving. The brocade forging that appeared in the Southern Song Dynasty was to weave patterns on a satin bottom, which was very gorgeous. The brocade and gold technology has also been completed, and there are as many as 18 kinds of gold weaving, twisting gold and other gold methods.

In addition, the leno fabrics of the Song Dynasty are extremely exquisite, such as the light and yong yarn of Shaoxing, the crepe yarn of Qiaojun, the moire luo, peacock luo, chrysanthemum luo, and the dark peony yarn of Xiangzhou in Changzhou.

One of the most ornate brocades of the Tang Dynasty is the newly emerged halo gang brocade, which is arranged with various colors to form a gorgeous and colorful effect. A jacquard brocade skirt unearthed in Astana, Xinjiang Uygur Autonomous Region, is woven with yellow, white, green, pink, and brown warp threads, and then woven with golden yellow fine weft threads on the colored striped ground to form a pedicle-shaped small tuft.

Tianwang Huasheng Brocade", the brocade before the first year of Gaochang Chongguang (620), has lion, elephant and Buddhist art in Huasheng, lotus and other patterns that are used in Central Asia. "Checkered beast pattern brocade" (unearthed in Astana), the brocade before the eight years of Gaochang longevity (631), yellow, green, white, blue, red five-color silk weaving, on the yellow, green and other color stripes, woven with blue rhinoceros, red line white lion, blue line white elephant and other patterns. The brocade is thin and colorful, and the jacquard is accurately organized and fine, which is the characteristic of the times.

After the Tang and Song dynasties, the gorgeous curved shapes and realistic style of broken branches and flowers were rare in the folk brocade compared with the local acres. This is of course related to the limitations of the original hand-picked warp yarn weft process itself, but also related to the simple aesthetic taste of ordinary people, the service object of folk brocade. In the long years that followed, the folk brocade selectively absorbed the Han brocade pattern Lu Lasheng, developed and utilized it according to the needs of the aesthetic taste, religious beliefs and living customs of the nation, and gradually formed their own distinctive brocade style to dismantle the old.