Spend a lot of money for answers! Questions about guitars!!!

What books do you buy, ask, some books are not suitable for beginners to satisfy.

In my personal experience, it should not be the problem of the guitar, but the problem of the electrical box setting up.

The first thing to be clear about is how you record. If it is a personal external recording, it is normal to have a certain amount of metallic sound that is too heavy. But it can be overcome to a great extent in terms of perception.

In the parameter setting of the electrical box, the landlord can try to lower the treble, the midrange is higher, and the bass is moderate. If you follow the percentage, it is about 20% for treble, 70% for midrange, and 50% for bass.

Because the sound of the guitar string will be particularly obvious in the rough recording environment, it should be low treble, the midrange can be more moderate in metal, and the bass effect is good, but there will be a "pop", which will affect the recording quality. Recording and real hearing are different effects, which require experience and effect on-site debugging, and the equipment has a great impact.

But the advice of the friend upstairs is also okay, although it is not unrealistic to change the guitar, but you can consider changing the strings, on the one hand, after the strings have been used for a period of time, and the new strings will have different effects. On the other hand, you can consider temporarily changing a set of nylon threads, but after all, nylon strings are the strings of classical guitars, and the pull is different from metal wires, and changing them for a long time will hurt your folk songs.

I may not be entirely right, but I hope it helps.

Cort is more suitable for pop metal, it should be a problem with the effect, and the accent should not be too high.

It's supposed to be a guitar, are you using a ballad? If yes, this is quite normal. It is recommended to change to the classical one.

Read the textbook carefully, if it's an entry-level textbook, it will teach you to recognize guitar tabs.

If you still don't have a clue, let's find a master, take you to the beginning, and then practice your own!

It's better to find a teacher to learn, because it's better to find a teacher for beginners, who will guide you to correct posture.

You follow the 1st root, the 3rd root, the 4th root, the 3rd root, the 5th root, the 3rd root, the 4th root, and the 3rd root.

Try the melody of a beat.

1。Practice until your fingers are sore, then hold on for a short while, and then continue. If you practice for two hours a day, you can spend half an hour doing scale practice, which varies from person to person, and some masters even spend two or three hours a day or more warming up with syllable exercises.

You need to schedule your practice time and pace, but not too little.

2。For example, 1324,3 is over, of course take the three fingers away.。。 Otherwise, wood is meaningful, and this kind of transformation and combination of exercises, pay attention to the finger shape.

3。It's not a shallow learner, and it can't help you.

4。I think that as long as you are not afraid of being confused, it is of course better to practice interspersed, and as a good guitarist, it is necessary to skillfully switch various keys and styles, I think.

I don't know if I can help you. Good luck with your progress.

1.Practice every day Like a morning jog Just start learning the piano to practice the coordination of the two hands Left finger independence Change the playing method after practice to warm up How long the specific time depends on the time you practice every day.

2。When the strings are pressed, the next finger of the next note is up, and the others are not moving, e.g. 1324, the index finger is pressed, the ring finger is pressed, then the middle finger is pressed, the ring finger is up, and then the little finger is pressed.

3。You don't need to touch this first, you can practice the pentatonic and seven-tone scales first, and then focus on the key after you find your favorite style.

4。Don't pursue speed too much, pay attention to the graininess and stability of each note, and practice 5. Use a fixed key, and the mouth should sing along Sight-singing, ear training is practiced slowly, don't worry, I'm free to communicate.

Your questions are not elementary at all.