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If it's Chinese, it's about analyzing the author's central idea in the whole article, and figuring out what kind of thoughts and wishes the author wants to convey to the reader through the article. Then, when analyzing, you can combine the author's personal experience, which is useful for some analyses. There is also a very important combination of the times, the literature of each era has its distinctive characteristics, the main theme of the times mostly determines the tone of the work, many ** may be expressed more obscurely, but the in-depth analysis is still related to the times.
Be careful when doing the questions, pay attention to the key words, and describe the surrounding environment, weather, and mood of the characters.
If it is English, the focus is to increase your vocabulary, because only by understanding the gist of the article can you do a good job, and when you do the question, find the key words of each question, compare the description in the article, and generally make a comparison right. English is a process of persistence, which is not achieved overnight, so the important thing is to persevere, turn it into a habit, do more questions and insist on doing it every day, summarize your own analysis methods, and slowly it will be effective.
No matter what kind of reading you do, the key is to be patient, think calmly, don't get upset and irritable because you can't analyze it for a while, just take your time.
This is my own experience, I hope it can be helpful to you.
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Increase your vocabulary and calm down.
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This is generally divided into two situations.
First, I don't understand it at all.
This is a situation that tends to occur in ** and prose, and ** and expository essays rarely appear. **Generally, I understand the general idea, but I don't know how to explain it in words, and I don't understand the author's intention to arrange the plot. Use more clichés when answering questions, for example, you can experience the plot changes, the protagonist's heart, etc., and you can generally get half of the points.
It is recommended that you read more outside of class to understand the mainstream of modern **, which will be very beneficial to answering questions in the future.
The prose is to find the central sentence. The kind of sentence that recurs in the text is especially worthy of your attention, and it is usually the central sentence. The foreshadowing at the beginning and the sublimation at the end are also the focus, and it is generally okay to see these two.
Second, there is no original sentence in the text, so I don't know the point.
This appears in the description, discussion**, or the old saying, read the original text a few more times, and draw it out with a pen when you see it related to the topic, and read it in the set, and you can understand it by reading it a few more times, and you can copy the sentence if you can't do it, and you can also get a certain score.
This is mainly for students who have no reading foundation, and there are some gaps, so I would like to understand. And in the exam, as long as your reading is full of grids, you generally get one point. This is the principle of language reading correction.
As long as your answer is not too wrong and related to the meaning of the question, there will be a guaranteed score, and there will be no problem with adding handwriting. It is best to do more reading outside of class, practice makes perfect, you must have ideas for reading, and you can read it later when you write it next to the question when answering the question.
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Carelessness is a fault that can only be corrected with your own heart. Remember that attentiveness is also an ability.
If you don't understand, you explain that your own experience, experience or experience is not deep enough, not enough, there is only one solution, that is, read more, think more, and communicate more.
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