Leslie Cheung and Pu Shu who have a good temperament

It's all based on personal feelings, (if one of the two of them is compared with the first-class hooligans, it is sure that the two of them are good, but they are both very good, they can't be compared) both of them, I like them very much, Leslie Cheung's "The True Story of A Fei" and Pu Shu's "I Go for Two Thousand Years" are both very good works, but one is a movie, and the other is a record. In fact, I feel that they are very idealistic and pure people in their hearts, Leslie Cheung's aristocratic atmosphere is stronger, the aristocratic spirit is not rich, more emotional, or very unconventional, very arrogant, even if they don't have a penny, they live according to their own principles, don't bow to life, and don't give in to vulgar things. Brother Leslie Cheung is a kind of legless bird feeling, that is, flying in the sky all his life, a feeling of no home, no home, Pu Shu is lamenting the impermanence of time, I want to keep good things, I want to break the convention, and construct a harmonious spiritual world of my own This feeling, they all want to grasp the beautiful things, but the things around us, nothing can really belong to us.

Obviously, Leslie Cheung's aristocratic temperament is better.

His countenance was very merciful and gentle.

Pu Shu has a strong natural rebellious temperament.

and Leslie Cheung's difference.

Leslie Cheung's temperament is very good, Pu Shu has a different, mysterious and cool feeling, I think he is more attractive than most celebrities.

Hengshan outcast, don't you ask if it's okay, don't you feel bored, which star you hate can't make people stink by relying on your own strength!

What do you mean, after asking so much, I can't see anyone saying that Leslie Cheung is ugly, don't you give up.

This landlord, what do you want to know when you compare Leslie Cheung with so many people?

Leslie Cheung is very good, good can't be better, no one can have his temperament. Because he is Leslie Cheung, "This is my brother in my eyes."

Having said that, I don't know if the landlord will ask such a question again.

Comparison is meaningless, because everyone has their own temperament, just say yes or no, not to say who's better than whom, I don't know Pu Shu, but I believe that he has so many people who support him, so he should have his own different side.

Why compare the dead?

I also began to wonder why you always ask such questions, I love my brother, always!

Pu Shu studied in the English Department of Capital Normal University, but dropped out halfway because college life was not what he imagined. After dropping out of school, Pu Shu made a living by writing and selling songs. Once I wanted to sell songs to Gao Xiaosong, I went directly to the door to sell them, met Gao Xiaosong, and became the contracted singer of "Wheat Field **".

In 1999, he launched ** "I Go to 2000".

A die-hard who hits the ideal, when the new era comes, with his shining verses and beautiful melodies that cleanse people's hearts, will meet you to the year 2000. Mai Tian invited Zhang Yadong, a well-known domestic producer, to be the producer, and recorded for him with the veteran British recording engineer Benji, Dou Wei, Yue Haokun, Li Yanliang, Wang Yan, Liu En (the former guitarist of the Catcher in the Rye Field) and other musicians. Five of the songs were mixed by He Biao, a veteran recording engineer from the Mainland.

**It includes "White Birch Forest" and "Newboy", which have achieved good results on **People's Radio and China's original song list, and "I Go to Two Thousand Years", "Journey", "Those Flowers" and other excellent works not only show Pu Shu's very romantic melancholy mood, but also expose the style information of new rock and roll.

Pu Shu officially signed with Warner Records and became the first mainland singer of the international record label. This can be said to be the best affirmation of Pu Shu's best achievements in the past year. At the beginning of 2000, Pu Shu, who joined the wheat field ** company, released his first album "I Go to 2000", which was widely acclaimed.

Records have sold 150,000 copies. Pu Shu**'s fashion sense and personal idol temperament have filled a gap in mainland pop**, so as to win the crazy praise of the younger generation of fans: always screaming at various performance scenes; **More than 10,000 fan receipt cards have been returned; Pu Shu won the Best Male Singer Award in the second quarter of the Beijing ** Taiwan Chinese Song Chart as a newcomer.

In addition, Pu Shu also starred in Gao Xiaosong's first movie "When the Flowers Bloomed", and his works were also covered by Taiwanese singer Li Xinjie. In short, Pu Shu became the brightest newcomer and the hopeful star of the mainland pop music scene in 1999. At the same time, overseas record companies are also optimistic about Pu Shu.

Rolling Stone, Sony, EMI's Vezhen and Warner Records have all joined the race for Pu Shu. In the end, Warner got its wish.

Warner Records has decided to vigorously explore the mainland ** market from next year, and finding good Chinese singers has become the focus of expansion. Due to its own strategic considerations, Warner Records' conditions for Pu Shu are also more ideal than other companies. In addition to not interfering in the creation of **, he signed 3 record contracts in one go, and the guarantee of Pu Shu**'s overseas release is not low.

It should be a lot of hardships and setbacks, just like the ** in the bar.

He was living the unhappy life that he didn't have.

Family factors as well as one's own introverted personality.

"The King of Guns" is a movie that misses Leslie Cheung starring in "The King of Guns".

In 2000, the film "Gun King" produced by Er Dongsheng and starring Leslie Cheung left a deep impression. Ten years later, Er Dongsheng directed it himself"An upgraded version of "The King of Guns".""The King of Guns". There is a line of subtitles at the end of "The King of Guns":

Nostalgia for Leslie Cheung's "King of Guns 2000". It made the audience sigh.

Judging from the plot of "The King of Guns", although the story is more gloomy, there are similarities with Leslie Cheung's version of "The King of Guns" in 2000, such as the identities of the two protagonists, both related to professional shooting competitions, and then involved in criminal cases; Fang Zhongxin directly inherited the identity in "The King of Guns".

Because my brother acted in a movie called "The King of Guns" before, it is worth watching, and I think it is better than the King of Guns.

It's just to mourn Leslie Cheung.

1. Different ages.

Xu Wei, born on July 21, 1968 in Xi'an, Shaanxi Province, is a rock singer in Chinese mainland.

Pu Shu, whose real name is Pu Shu, was born on November 8, 1973 in Nanjing, Jiangsu Province, a male pop singer, ** producer, film and television actor in Chinese mainland.

2. Different places of origin.

Xu Wei is originally from Xi'an, Shaanxi.

Pu Shu is originally from Beijing.

3. The debut time is different.

Pu Shu, who signed a contract with "Wheat Field **" in 1996, officially entered the showbiz; In the same year, he recorded his first solo single "Train to Winter".

Xu Wei, in 1991 Xu Wei created "Don'T Cry Baby", "Kua Father", "Wandering" and "Fairy Tale Era" and other hundreds of songs, becoming the most prolific local ** person.

In addition to the two ** "I Go to 2000" and "Born Like a Summer Flower", there is also a song "Train to Winter", the others are not Pu Shu's songs, he and Xu Wei's voice and the old wolf are indeed close, hehe.

Xu Wei and Pu Shu are both singers I like very much. Although their voices are somewhat the same, the style of the songs is different. Pu Shu's songs are ethereal, while Xu Wei's songs are about life and understanding of life.

They are all true poets in the music world. A man's appearance doesn't matter. Pu Shu's temperament is more unique, and Xu Wei is more popular.

Xu Wei is actually very good-looking, very attractive, and more masculine than Pu Shu, but he may not pay too much attention to image design.

In terms of pronunciation, Pu Shu is more ruthless than Xu Wei, Pu Shu is tender in appearance, and Xu Wei is old.

Xu Wei's lyrics are crisp and neat, never ambiguous, and there are almost no elongated sentences. Sing a phrase and take a breath, and it won't break in between. In addition, almost every song has a rhythmic guitar strumming sound, or a guitar solo with a nice melody.

The end of Pu Shu's lyrics is a bit vague in comparison. Contrary to the above characteristics. May it be useful.

Xu Wei's tongue is more obvious, and his voice is slightly thicker.

Pu Shu's songs are clearer than Xu Wei's songs, and the commercial flavor is heavier, I personally think so.

I still like Xu Wei more.

The handsome one is Pu Shu, and the ugly one is Xu Wei.

The tall one is Pu Shu, and the short one is Xu Wei.

Pu Shu's song lyrics are more gorgeous and have an elegant temperament. It is more suitable for petty bourgeoisie (that is, people who feel that they read more books and talk and behave more literarily).

Xu Wei's lyrics are relatively simple, familiar and easy to understand. The culture of the person who listens does not need to be too high (it is suitable for middle school and high school graduates, as long as you are in the right mood, you can listen).

I've listened to the songs of the two of them for a long time, and I feel each other over and over again.

Pu Shu's song has a particularly strong sense of environmental substitution, which will create a fantasy space for the listener, and the change of tune has a strong guiding effect. There is an immersive sense of immediacy, and it really gives me a visual effect with sound.

Xu Wei's songs: The resonance of thoughts goes straight to the heart and lungs, the process of listening is relaxed but touching the emotions, the song is slow, the lyrics are steady, heavy, sonorous and powerful. Listening to him sing, I will be in a state of excitement unconsciously, and he can use his songs to inspire me to move forward and face life head-on.

If I had to choose which of them was better...Personally, I prefer Xu Wei, his songs have the spiritual comfort of preaching and persuasion. If he's a bowl of medicine, let me make a few more bowls. Pu Shu's song wants to clear the spring and freshen the lungs with the first food, but it does not cure the disease.

What they all have in common is that they all sing in the same way.

You're in your 60s, and you look different, boss.

Unfamiliar with their songs is like that.

Big brother, don't ask this question, I'm crazy.

They're all good, but they're definitely different.

If you listen to it too much, it will be easy to distinguish...

In short, Pu Shu is also better looking than Xu Wei's people. The song should be good, too!

Xu Wei is fat, ugly and manly.

Bian Jinyang, the author of "Time Magic Qin".

Bian Jinyang - "Time Magic Qin", he is still a primary school student.

The lyrics of the song "Life Like a Summer Flower" mean that life is a gift to us, it is our consciousness, and each of us is a unique individual, and how many hardships we have to go through to reach this state.

In other words, how much do you have to go through to understand the true meaning of life? We want to live a taste, although the road is thorny, and the frightening is as short, but we want to be as gorgeous as summer flowers. Be more courageous to accept everything in life.

This poem is from Tayon's "Flying Birds", and there is a line in front of it: "Life is like the splendor of summer flowers." The two sentences are connected to a kind of gratitude for life and admiration for the beauty of nature. People who have not experienced the splendor of "life like summer flowers" can taste the quiet beauty of "death like autumn leaves"?

"Death like autumn leaves" is a kind of satisfaction with life, a kind of gratitude for life, and a kind of open-mindedness derived from gratitude and satisfaction.

"Death is like autumn leaves" is not a negative and misanthropic attitude to life, it is a kind of gratitude, gratitude to the creation for choosing us among thousands of possibilities, giving us life, and giving us wisdom. Be grateful that we are noble human beings, not gibbons, orangutans, or whatever. Be grateful that creation taught us to make fire, to cook, and to have everything we have at our disposal.