The story about Ouyang Bin, a short story about Ouyang Xun

Ouyang Bin (ouyang bin) Ouyang Bin (birth and death unknown) The word Qi Mei, a native of Hengshan County in Shu after five dynasties and ten kingdoms. Born in a family of county officials, erudite and literate, working in resignation, famous in the times. In the fourth year of Emperor Zhenming at the end of Liang (918), the former Shu lord Wang Jian died, and Ziyan succeeded to the throne.

Yan loves poetry and literature, lives a luxurious life, and often sends people to Chu to purchase goods and flowers and stones. Ouyang Bin went to Xishu under the sponsorship of Kaki Ruiqing, and presented "The Talent of the Duli Dynasty" (also known as "The Talent of the Ten Thousand Miles") to the Lord of Shu. There are many of his works, "All Tang Poems" recorded two broken sentences, a poem "Sheng Chazi", and "All Tang Literature" has one of his "Declining Emperor Table".

See "Five Dynasties History Supplement".

Ouyang Bin (1935-2009) was a senior engineer, a member of the Chinese Poetry Society, a director of the Henan Poetry Society, the vice president of the Nanyang Poetry Society, and the president of the Dengzhou Poetry Society. In 1957, after being transferred from the Henan Provincial Department of Water Resources to Deng County (now Dengzhou City), he served as the commander-in-chief of the Danjiangkou Han Diversion Project, and dedicated the most precious youth of his life to the "canal head" project of the middle line of the South-to-North Water Diversion Project. After retiring from the post, he was enthusiastic about the poetry and cultural undertakings of Dengzhou, and tried his best to promote the second Youth Poetry Conference of Henan Province to be held in Dengzhou, Nanyang in September 2007, and published the "Fishing Autumn Collection".

1. Ouyang Xun lingered to view the monument

The great calligrapher Ouyang Xun of the Tang Dynasty, the letter book, Linxiang, Tanzhou.

Now Changsha, Hunan.

People, he practiced calligraphy very hard, learned from others, was proficient in eight kinds of calligraphy, and became a family of his own"European Body.

Once, when he returned from a mission, he rode through a wilderness on horseback, and found a stone tablet written by Suo Jing, a calligrapher of the Western Jin Dynasty, in the grass, and he was reluctant to leave after stopping his horse to watch it for a long time. After walking a few miles, he came back again, dismounted and sat in front of the stele carefully, and experienced the wonders of Suo Jing's cursive writing.

That night, he returned to his lodgings and stayed up all night, thinking about the stele he had seen during the day. The next day, as soon as the morning dawned, he rode to the stele again, pondered it repeatedly, spread out the paper, and copied it stroke by stroke. In this way, he stayed by the stele for three days and three nights, until Suo Jing's cursive penmanship was well understood and he left happily.

2. Ouyang Xun concentrated on learning Erwang calligraphy

Ouyang Xun, a famous calligrapher of the Tang Dynasty, was particularly fond of Erwang (Wang Xizhi.

Wang Xianzhi's calligraphy, as long as he saw the ink of Wang Xizhi's father and son, he bought it back to study and study. One day, he saw a copy of Wang Xizhi's "Finger Return Map" taught by Wang Xianzhi, and he did not hesitate to spend a lot of money to buy it back, and put it at home to watch and study it every day, and he was often so happy that he couldn't sleep all night. He studied and studied for a month until he understood the essence of the Finger Map.

3, Ouyang Tong studied his father's book hard

Ouyang Tong, the word master Tong. It was Ouyang Xun's fourth son, and when he was very young, his father died, and his mother Xu.

He was taught that he must learn to inherit his father's calligraphy.

She was afraid that her son would be lazy and unwilling to learn calligraphy, so she often gave some money for Ouyang Tong to buy the ink left by his father. After many years of hard study, he really inherited his father's calligraphy, and people called the characters of their father and son "big and small Ouyang style".

Ouyang Xun was born into a prestigious family, and his father, Ouyang 纥 (gē), was in the Chen Dynasty to assassinate the history of Guangzhou.

In the early Tang Dynasty, "The Legend of the White Ape" wrote such a story: Ouyang Su's wife went south with her husband, but was taken captive by a white ape on the way. When Ouyang Su learned about it, he found his wife and killed the white ape.

And after his wife returned, he gave birth to a son, Ouyang Xun. Therefore, Ouyang Xun looks ugly.

This story was used by the Tang people to slander Ouyang Xun. Because Ouyang Xun was thin and looked like an ape ("quite thin, ape-like"), some people used a pseudonym to slander him at that time.

His father, Ouyang Su, was later killed for the crime of treason, and according to the criminal law at the time, his son Ouyang Xun was among the Zhulian. The Shangshu of the Chen Dynasty made Mr. Jiang and Ouyang Su old friends, so he adopted Ouyang Xun and saved him from the disaster.

After the Sui destroyed Chen in 589, the 32-year-old Ouyang Xun became the ** of the Sui Dynasty with Jiang Zong. Tang Gaozu Li Yuan was friends with Ouyang Xun before he became emperor, and they had close contacts. After Li Yuan established the Li Tang Dynasty, Ouyang Xun also became an official of the Tang Dynasty, and won the respect of Li Yuan and Li Shimin.

During the Zhenguan period of Taizong of the Tang Dynasty, he was awarded the highest scholar at that time, such as Yu Shinan and Feng Chengsu, and was awarded the bachelor of the "Hongwen Pavilion", specializing in teaching calligraphy. Later, Ouyang Xun served as the crown prince's rate and changed the order, and the official was Yinqing Guanglu doctor, and he was knighted as a male of Bohai County. Therefore, later generations also called him "Ouyang Rate Change", "Ouyang Bohai" and so on.

Ouyang Xun was praised as a first-rate calligrapher by Li Shimin, Taizong of the Tang Dynasty, and was once called to co-author with Pei Ju and Chen Shuda in the masterpiece "Art and Literature Gathering", a total of 100 volumes.

The ancients admired Ouyang Xun's regular script and praised it as one of the "four masters of regular script".

Chinese calligraphy can be described as broad and profound, from the perspective of its types, there are many kinds of seal script, official script, regular script, line script and so on.

But the one that is closest to our lives and most easily accepted by the public is still to be a regular script.

Ouyang Xun, who lived from the Sui Dynasty to the Zhenguan period of the Tang Dynasty, died at the age of eighty-five and was a long-lived elder.

He, Yan Zhenqing, Liu Gongquan, and Zhao Meng are known as the four masters of regular script.

In addition, he also joined Yu Shinan, Chu Suiliang, and Xue Ji together as the four masters of the early Tang Dynasty.

There are many stories about Ouyang Xun's experience of practicing calligraphy.

Once, when he was out on horseback, he happened to see a stone monument on the side of the road.

The inscription on this stele is not an unknown passerby, but Suo Jing, a calligrapher of the Jin Dynasty.

Suddenly, Ouyang Xun was like an electric shock, shocked by the power of words that traveled through time.

He first lingered on horseback for a long time, and finally couldn't help but dismount and take a closer look.

After observing for a long time, he still didn't want to leave, so he simply laid out the felt and sat in front of the stone monument to ponder repeatedly.

This sitting is a full three days and three nights.

There is no doubt that Ouyang Xun, who obtained the essence of Suo Jing's calligraphy in three days, is the genius of the world.

This point was also directly praised in the history books, calling him "extremely sensitive".

Despite his talent, Ouyang Xun's dedication and effort to practice calligraphy are beyond the reach of others.

He died at a young age, and his mother, so sad and sad, also committed suicide.

Ouyang Xun is a famous calligrapher in the Tang Dynasty, with Chu Suiliang and others, and called "the four masters of the early Tang Dynasty", many of Ouyang Xun's works have been handed down completely, such as the record of Tang Taizong Li Shimin in the Jiucheng Palace summer "Jiucheng Palace Liquan Ming", the author is Wei Zheng, and then he wrote in regular script, in addition to the regular script works "Thirty-six Strategies", "Eight Tips", "Huadu Temple Tower Ming", Lishu works have "Tang Dynasty Xuzhou Governor Fang Yanqian Tablet", the book works have "Zhang Han Ti".

Regular script masterpiece "Jiucheng Palace Liquan Ming", this is needless to say. The most common symbolic masterpieces of European style from childhood to adulthood. In fact, at that time, it was more famous to write the "Huadu Temple Yi Zen Master Relic Pagoda Ming", the original stone was stored in the Buddhist temple of Zhongnan Mountain in Chang'an, and it was written by Ouyang Xun when he was 75 years old.

In Zhenguan five years (AD 631) calligraphy, this tablet calligraphy is strong and elegant, the word is strict, with the pen brisk, smart.

The regular script has "Jiucheng Palace Liquan Ming", "Huangfu's Birthday Tablet", Huadu Temple Tablet, etc., and the line book has "Bu Shang Ti", "Zhang Han Ti", "Xingshu Thousand Character Text", etc., among which "Jiucheng Palace Liquan Ming" is its most outstanding regular script work, which is pushed by later generations as "the extreme rule of regular script".