Ouyang Xun s calligraphy works, what are Ouyang Xun s calligraphy works?

Ninety Cheng Gong Liquan Ming. Yu Gong Gong Monument.

Ouyang XunThe representative works of calligraphy are:

1, Zhang Hansi perch post:

Zhang Han Ti" is also known as "Zhang Han Si Perch Post".

Ji Yingti" is a calligraphy work on paper created by Ouyang Xun, a calligrapher in the Tang Dynasty. The content of "Zhang Han Post" tells the story of Zhang Han, a Jin person, who misses his hometown because of the autumn wind.

The post is the Tang Dynasty hook fill book, the pen and ink are heavy, the edge is slightly poor, the chapter pays attention to the penetration of the line, the font is slender and rigorous, the pen is strong and straight, the word spacing is small, the line spacing is larger, the style is flat and the trend is dangerous, giving people a sense of freshness and rectification.

2. Huangfu's Birthday Monument:

The Huangfu Birthday Monument was written by the Tang Dynasty calligrapher Ouyang Xun, "Huangfu's Birthday Monument".

The pen is tight and restrained, and it is indomitable. The dot painting focuses on the pen carving, which is the beginning of the Tang Dynasty.

The unique penmanship characteristics of the thin calligraphy style of the Wei stele and the Sui stele have not been removed.

3. Yu Gonggong Monument:

Yu Gong Gong Monument" is also known as "Wen Gong Monument", "Wen Yanbo Monument", is the abbreviation of "Tang Dynasty Late Te Jin Shangshu Right Servant Shot on the Pillar State Yu Gong Gong Wen Gong Monument", Tang Zhenguan 11 years engraved, Cen text written, Ouyang inquiry. In the Song Dynasty, the lower half of the stele stone was broken, and there were shepherd boys playing, and the lower section was more diffuse, Zhaoling.

There are many monuments like this.

4, Jiucheng Palace Liquan Ming:

Ninety Cheng Gong Liquan Ming.

It was Tang Zhenguan six years by Wei Zheng.

Written by calligrapher Ouyang Shudan, the regular script calligraphy works made by the calligrapher Ouyang Shudan. "Jiucheng Palace Liquan Ming" is slender, the middle palace is tightened, the four sides are opened, the left is constricted, and the right is longitudinal, turning danger into relief.

The glyph is shaped with the potential, the left and right structures are contrary to each other, the upper and lower structures are narrow and wide, the frame is open and stable, and the weather is solemn. Its cloth is white and even, the word spacing, the line spacing is sparse, it is the most accurate of the nine palaces, the blood of the whole monument is unimpeded, and the rhyme is gloomy.

5. Dream Laying Post:

"Zhongni Dream Laying Post" is a calligraphy work on paper created by Ouyang Xun, a calligrapher in the Tang Dynasty, "Zhongni Dream Laying Post" calligraphy pen strength is vigorous and simple, with light ink but not thick, with a bald pen calligraphy, turning freely, no stroke is inappropriate, no stroke is stagnant.

The upper and lower veins are clear, the structure is steady and solid, the pen is calm, the rhyme is smooth, the body is square and the pen is round, charming and strong, written by Ouyang Xun in his later years, clear and dusty, it is a rare treasure.

Ouyang Xun, one of the calligraphers of the Tang Dynasty, is also known as the "sage of calligraphy". His calligraphy achievements are very high, especially the friendship of the year is regular script, known as the "ancestor of the regular law". There are many of his regular script works, and some representative works are listed below. 1.Ninety Cheng Gong Liquan Ming.

This is one of Ouyang Xun's most famous regular script works, and it is an inscription he inscribed on the Liquan he drank at many court banquets. The whole work is very neatly written and exquisite, with smooth and rounded strokes. Every word is delicate and nuanced, showing Ouyang Xun's superb calligraphy skills and artistic attainments.

2."Daya Haomin".

This is another masterpiece of Ouyang Xun, an ancient poem, known as the "model" of regular script. The whole work is written properly and neatly, and the form of each word is clear and beautiful, which reflects Ouyang Xun's extremely high level in terms of the use of virtual and real strokes and the arrangement of layout.

3."Preface to the First Year of the Great Calendar".

This is a preface by Ouyang Xun, which is one of the important classics of regular script. In this work, Ouyang Xun wrote down his understanding and views on the art of calligraphy with bold pen and ink. The font of the whole work is neat, the lines are smooth, and it is full of rhythm and artistry.

4."Yan Zhenqing's Nephew Manuscript".

This is an epitaph by Ouyang Xun. The whole work is powerful and majestic, reflecting the heroic and majestic momentum of Ouyang Xun's calligraphy. The shape of each word is beautiful, and the thickness of the strokes is just right, forming a unique artistic style.

5."Seventeen Posts".

This is a collection of calligraphy by Ouyang Xun, which includes many of his regular script works. The whole work is beautifully written and neat, and the glyphs are clear and beautiful. From this work, it can be seen that Ouyang Xun has unique insights and deep understanding of regular script.

In general, Ouyang Xun's regular script works are a wonderful flower in the history of Chinese calligraphy, and his calligraphy skills and artistic attainments are very high. His regular script works have a very important place in the history of calligraphy, and also have a profound influence on later calligraphers.

Ouyang Xiu was a literary scholar of the Northern Song Dynasty, and his main achievement was literature. Of course, he is also a calligrapher and calligraphy, and his representative works include the ruler "Burning Ai Post" and "To Duanming Waiter Reading and Staying in Taiwan Deacon Ruler" and so on.

Ouyang Xun (AD 557-641) was a famous calligrapher of the Tang Dynasty in China, and his calligraphy works selling leather were known for their grandeur and grandeur. The following are a few representative calligraphy works by Ouyang Xun: Destroy Kuan.

1."Jiucheng Palace Liquan Inscription": This is one of Ouyang Xun's representative works, and it is a stone inscription inscribed in the Tang Xuanzong period to commemorate the Jiucheng Palace Liquan. The font of this inscription is powerful, majestic and heroic, and has great artistic value and historical significance.

2."Yan Zhenqing's Sacrifice to His Nephew": This is written by Ouyang Xun in the Tang Suzong period, and it is a sacrifice for Yan Zhenqing's nephew Yan Zhenshu. The calligraphy of this article is elegant, elegant, and magnificent, and is one of the representative works of Ouyang Xun's calligraphy art.

This calligraphy work is hailed as the pinnacle of Chinese calligraphy art, and its combination of cursive and regular script styles, as well as the coordination of line and regular script, is an important milestone in the history of Chinese calligraphy.

Ouyang Xun's calligraphy works are majestic and unrestrained, which has had a profound impact on the development of calligraphy in later generations. His calligraphy works have an important position in the history of Chinese calligraphy art and are known as:"Book St"He is an important representative figure in the history of Chinese calligraphy.