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No,The color in Photoshop is more accurate,The color in the core will appear darker than the actual one,You have to adjust the color mode,Otherwise, the film will be much worse,Customers will have opinions,In addition,Why do you have to turn the dot matrix in the CD after you do it in the PS? The diagram you import into the CD is itself a dot matrix!
Tune it this way: Options -- > wide area --- color management --- profile --- display: Select this: IEC http: ....
I forgot about it later).
Scanner: None.
Compositing printers: None.
Color Separation Printer:
web...I forgot about it later).
Internal: A general internal RGB profile.
That's OK, the color will be much better.
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RGB is the design color, and the output non-forest should be converted to CMYK process color.
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I've had the same issue.
There's a big difference between a picture in Photoshop and CorelDraw, and I've experimented with the same image that looks almost exactly the same in Photoshop and Illustrator. This is because Photoshop and Illustrator are both Adobe software.
Once you're sure your monitor is displaying the correct colors, open the same image in Photoshop and CorelDraw Select 3 to 4 colors for a detailed comparison against the color spectrum.
I think the color in coreldraw is more correct. Photoshop colors are slightly brighter and greenish.
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The film (film) is all black, and there is an English symbol in the corner of the film, which is the number of the film, indicating which of the C, M, Y, K is the film, and it is one of the CMYK (or spot color numbers), indicating what color the film outputs, if not, you can look at the angle of the net to identify what color. The stepped color bar next to it is used for dot density calibration. In addition to seeing whether the dot density is normal, the color bar is C in the lower left corner, the color bar is M in the upper left corner, the color bar is Y in the upper right corner, and the color bar is K in the lower right corner.
In order to facilitate the detection of the concentration of film development, the corners of the film are color-numbered. The number of colors to print depends on the network cable of each film. The dots on the film indicate that "there is a certain color of this degree here", for example, the general text version has only one black, and the plate has only one film, and if it is printed with red ink, it will be printed in red.
A film film only represents one color, and for printing color, there need to be at least 4 film films, representing 4 colors of C, M, Y, K, or four spot colors. Spot color film is exported to K version in a separate file. The color scale next to it can not indicate the specific value of CMYK, but it is used as a comparison, and after checking whether the film output meets the requirements, the solid color code on each version is the name of each version.
For example, mark C, M, Y, K, special silver, etc., and then fill in the spot colors on the blue, red, yellow, black and spot color versions respectively, so that the film that comes out has a logo and is particularly intuitive. The size of the color code is 105mm, and the English letters of CMYK are marked with paper color, and the color block corresponds to the color name one by one. Just look at the corners of the film when you post the version.
Generally speaking, the angle of the dot of the film is fixed, just like the angle of the yellow version is 90 degrees. There are exceptions, if the yellow expression of the image is concentrated in the range of 90 degrees, then the yellow cannot use 90 angles, otherwise the traces of hanging nets will be too obvious. According to the usual reason, a color should be played, and in turn, in the process of the color output non-forest, the situation of drying on each density ladder is very clear, generally four color bars, and they are arranged very neatly.
Most colors are based on these four color combinations. After the film is output, through proofing, proofing and other links, the qualified film is finally handed over to the printing plant, and the printing plant prints the product after the printing process is carried out according to the specifications of the unit's equipment.
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Are you in print? Hey, you won't. I've done this before.
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Film output, this technology is a process similar to photography, it first through the beam key through the rip processing of the lattice image (that is, composed of dots**), the slag and then its posture into the signal that dominates the laser, the use of laser relative to the film longitudinal and lateral movement, the laser point (that is, the dot) hit (shot) to the corresponding position of the film, so that the corresponding part of the film film, and then through the development and fixing process of the developer, the unfirst part is washed out, and the dot matrix image is formed on the film.
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Film output, which belongs to prepress technology, is a necessary process in printing plate making. The output of the film is completed by the printing equipment such as the laser phototypesetting machine of the plate-making unit. The output system mainly adopts Founder Century RIP, HQ-510, Angel Sai, Heidelberg, etc.
Film output, this technology is a process similar to photography, it first removes the dot matrix image (that is, composed of dots**) processed by RIP, and then converts it into a signal that dominates the laser, and uses the longitudinal and lateral movement of the laser relative to the film film, and the laser point (that is, the dot) hits (shoots) to the corresponding position of the film, so that the corresponding part of the film is **, and then through the fixing process of the developer, the unfirst part is washed out, and the dot matrix image is formed on the film and the film.
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