What should I do if the pitch is not good during the erhu practice, and the inner and outer strings

In fact, you don't need to specialize in learning sight-singing ear training, but if you have a piano that can follow the piano model to sing the scale, the electronic piano can also be, this is very helpful to your ear discernment, this is the basis of learning, I had classmates sing music out of tune when I was a child, but the ear pitch is very good, it is the reason for listening to a lot, as long as you practice with your heart, there will be no problem, it doesn't matter if the piano is not allowed, the most important thing is that you don't want to be anxious to go to the tune, calm down and pull the scale, and the piano against the pitch Dora, the scale is accurate, The song is naturally not a problem, buy a professional practice book I recommend Professor Liu Changfu's "Children Learn Erhu" in simple terms Very good, I have used this book since I was a child, and now my students also use this book.

You have to train your ears more, listen to more songs without words, and you will be able to compose your own music after a long time. If you pull too hard, you will run the strings, provided that the strings must be aligned, pluck them with your hands every time you tune, and if you don't run, it means that you can do it.

If you have the conditions, listen to more **, you can try to sing the score when listening, especially the repertoire you are learning or practicing, after listening to it, when you practice it yourself, you can find and correct the pitch.

When I was a child, my erhu teacher lived next door to my house, and I often listened to him practice erhu and listened to a lot of tunes, so I learned it relatively quickly.

Personally, I feel that practicing the piano is not as effective as training the intonation of the erhu.

You can practice along with the original song to improve your technique, the most important thing is not to rush, the basic skills should be practiced step by step, listen more, practice more, and the work will be natural!

Of course! You listen to the tune quietly for an hour every day, what you want to practice, hum the tune yourself, pay more attention to the position of your fingertips when practicing, and if necessary, you can stick a thin white tape on the stem to help remember the position of your fingers, and you can tear it off when the pitch is good

Then you can try to tune it yourself, don't rely on the tuner, so that you can get the tone up slowly, and you can also put white tape on the stem, on each position, which will help you calibrate the tone!

It can be practiced. Intonation is mainly a matter of feeling.

If you are still practicing scales, be sure to practice them over and over again, the piano can help some, especially in terms of scales, because pianos are key-type instruments. You don't have to learn the piano, you just have to practice along with the chorus do re mi.

If you are practicing the music, you can listen to the original version, CD or online *****, listen more and listen to the right pitch in your heart, maybe you still don't know whether the pitch is going high or low, but you can't help but look for the right pitch.

That's it, it's my personal experience.

To be honest, most of the pitch is still innate, and it can be slightly modified the day after tomorrow, but it is very painful

It's okay to listen to do re mi every day.

If you want to learn piano, you can also learn it, it will definitely help, but I don't think it's necessary, it's enough to practice your ears. It is recommended that professional teachers take you away and don't mess around alone. You can't pronounce accurately, who knows if you're practicing accurately? You say yes ...

It can be achieved through practice, I learned erhu, I have learned sight-singing ear training, it is very effective, if you learn piano, you have to use your ears to distinguish each note and interval, to memorize, after a long time, you will feel it. (Personal opinion, good luck).

It can be evaluated like this: good intonation, good sense of rhythm (the most important), good change of strength and weakness, rich feelings, kneading strings, skillful skill in changing handles, and strong expressiveness.

Erhu began in the Tang Dynasty and has a history of more than 1,000 years. It first originated from an ethnic minority in the ancient northern region of our country.

It was originally called "Ji Qin" and "Xi Qin". The earliest written record of Ji Qin was the Tang Dynasty poet Meng Haoran.

's "Banquet Rong Shanren Chiting Poem": "Bamboo leads to Jiqin people, and flowers invite guests to tremble." The Song Dynasty scholar Chen recorded in the "Book of Music" that "Xi Qin Benhu Leye? Tang Dynasty poet Cen Shen.

"The Chinese army returned to the guests with wine." Huqin Eggplant Zen Pipa and Qiang Flute" shows that the Huqin began to circulate in the Tang Dynasty, and the Huqin is a general term for Chinese and Western stringed instruments and plucked instruments.

The People's Republic of China was

Later, the national and folk ** developed rapidly, in order to vigorously explore the artistic treasures of folk artists, Hua Yanjun.

The erhu music of Liu Beimao and other folk artists has been sorted out and made into records, so that the art of erhu performance has sprung up like mushrooms. In the 50s and 60s of the last century, a group of erhu educators and performers represented by Zhang Rui, Zhang Shao, and Wang Yi emerged, and under their influence, new erhu performers such as Min Huifen and Wang Guotong were cultivated. Just like erhu composer Liu Wenjin's "Caprice of the Great Wall Slow Prosperity".

The performance of the erhu is extraordinary, and the deliberate innovation makes the erhu glow with new vitality and brilliance.

The A sound (440h) of a small character group of standard articators (timpani, whistle, tone, etc.) is used as the standard tone, which is the 5s tone in the D key.

According to your own judgment of the outer string tone, by rotating the outer string axis of the erhu, (if it is low, the string is twisted, if it is high, the string is loosened), the rotation amplitude is not too large, and the outer string is gradually adjusted to a pitch equal to the standard tone while listening.

Then, using a standard articulation device, the same method is used to tune the inner string tone to the D note, which is the 1do note of the D key.

First of all, I understand that there is no erhu that cannot be fixed, but the tightness of the inner and outer strings is not controlled when the individual sets the tone. There are at least three ways to set the tone of the erhu:

Manually set the tone yourself. Pay attention to listen carefully, first set the inner string to a suitable pitch, then play again 1234567 try, when you hear the 5th note, carefully feel whether it is higher or lower than the first four notes, if it is high, loosen the outer string, and tighten the outer string a little lower. Listen to it a few times, adjust it slowly little by little, and finally find the most suitable position.

Buy a professional erhu tuner, it produces only two sounds, that is, 1 and 5, at this time you alternately pull the inner and outer empty strings, while carefully listening to the difference between the sound of the erhu and the tuner, and then slowly adjust the tightness of the strings, and finally achieve the same tone of the erhu and the tuner. Of course, you can also use a musical instrument such as a piano or an electronic organ as a tuner, ask one person to press the two keys 1 and 5 alternately, and you can also alternately pull the inner and outer empty strings of the erhu, while tuning until the sound is the same as the sound produced by the instrument.

If conditions permit, you can ask someone else to help you tune, and generally people who can play erhu will tune it.

First go to rub the rosin, be sure to wipe evenly, the shaft you have to slowly turn or fine-tune, a little slower may be accurate, otherwise buy a new tuner.

Are you using the kind of tuner clamped on the piano rod, use that you should move the bow smoothly, if it is not stable, the pitch fluctuates a lot I also have one, and it will become the situation you said if it falls a little, and the next erhu Guanyin on the Internet is easier to use.

If you often run the strings, add some rosin powder chalk to the piano shaft, it is recommended to chalk the end, and then press the thumb under the piano shaft to buckle it when tuning the strings, that is, don't hold the piano shaft like that, the piano shaft is loose, and it is easy to run.

Find a master, fix the thing, and adjust it.

Learning erhu pitch can be corrected through exercise, pitch can be said to be the life of **, if the tone is not accurate, it can't be talked about. And the pitch is the life of the erhu performance, if the erhu is not accurate, it will not be able to continue.

How do you make sure that every note can be played accurately?

1. When playing, the fingers should be accurate and decisive, one step in place, and the tiger's mouth should not move. If some deviations in pitch are found, they should be corrected in time, and they should not be vague and perfunctory.

2. Play some scales to exercise intonation, which is also the fundamental and most effective way to solve the intonation problem. It is possible to practice at a slower pace. The process of practice is to practice scales, pure fingering exercises, (no kneading and portamento) each note must be clear and accurate.

3. Be strict with yourself and insist on practicing scales every day.

4. Every time you play the note accurately, if you feel that you don't have a full grasp of which note, you will practice repeatedly until it is accurate.

After practicing for a long time, and every pronunciation is correct, a virtuous circle will naturally be formed, and it will be difficult to pull the sound accurately.

After practicing like this for a while, you will find that your pitch has improved significantly.

In fact, this is a problem that beginners will encounter, you can take the tape used to tie the plucked strings and stick it on the wooden stick you knead, and the same is true for learning the violin. Hope.

It is also beneficial to strengthen the training of pitch concepts, form a fixed pitch concept in your mind, play the scales with the help of a piano or electronic piano, and then sing more scores.

Recommend a mobile phone software,Go to the mobile phone software to search for the tuner,The icon is a square with blue tuning words,This is good。

The four basic elements of pitch, pitch (rhythm), intensity, and timbre are among the four basic elements of a bowed string instrument, and pitch, that is, pitch, is the most important. So how should the erhu pitch be controlled? Let's find out!

The erhu and other stringed instruments such as the violin and the gaohu must rely on hearing and fingers to control the pitch, unlike the piano and dulcimer, which have a fixed position, so the intonation requirements are not easy to meet. Erhu is also a kind of multi-rhythm mixed use of national stringed instruments, in different pieces of music in the height and way of pitching, the requirements of the rhythm are not the same, so the performance of the pitch in addition to the general standard (twelve equal temperament), but also depends on the different key of the music, the tonality and different styles and charm. For example, "Erquan Reflecting the Moon", "Caprice of the Great Wall" or "Bird Casting Forest" in Guangdong**, and "Jackdaw Playing in the Water" in Chaozhou**, the pitch requirements are different, and the relationship and distance of the interval also vary depending on the music.

Of course, for both beginners and experienced performers, the 12 equal temperament should be the most basic concept of pitch. This is very different from the violin and cello. When the violin encounters a chromatic relationship, the two fingers are as close together as possible, that is, the chromatic distance is less than the chromatic interval of the piano.

There are two main reasons for the poor control of the pitch of bowed string instruments, one is the defect of the ability to argue, that is, the inability to pull is not known. The ability to distinguish sounds is mainly formed by congenital, and people with congenital deficiencies can tolerate cracks to train their ears by listening to recordings regularly and using instruments with fixed pitch such as piano and yangqin. Although acquired efforts can help, they are often ineffective, especially when you are a little older, and it is better to choose some instruments with a fixed pitch.

Another reason for poor pitch control of bowed string instruments is technical unproficiency and improper mastery of methods. In other words, the sound is not accurate but does not adjust one's fingers in time. Therefore, in order to achieve the right tone, you must have a keen sense of hearing and skilled finger control, both of which are indispensable, and the following are some precautions and basic methods to control the pitch.

The first step is to tune the zero string note of the pure fifth, and then press the upper position with the index finger, for example, the inner and outer string notes of the pure fifth of the string octave higher. If the zero string note is accurate and the fifth of the upper position is too large or too small, there are two main reasons; First, the internal and external strings are produced by different manufacturers, and one of the strings must be replaced in order to unify the front acre. The second is that the inclination angle between the inner and outer strings from the jack to the tuning shaft and the stem is too large, and it must be readjusted to the same time.