The problem of electric guitar silence, the introduction of the method of guitar silence

The string guard and the silence, the damping and the muffling of the electric guitar are related but there are many differences, the string guard and the silence are two different concepts, the string guard refers to the protection of other unplayed strings before playing, to avoid accidentally touching them and making noise, and the silence refers to the elimination of the afterglow after playing. Of course, both work must be done together during the playing process.

Most of the left hand strings use the index finger to press the strings, that is, the left index finger is pressed horizontally in the process of playing, because it is easy to touch other strings and produce noise when pushing and kneading the strings in the playing. But when I play, I am not used to stretching my index finger on the finger plate, so I only protect a few treble strings with my left hand, and the bass strings are protected by the outside of the palm of my right hand, for example, when playing 4 strings, any free finger of my left hand is pressed on the string, and the outside of the palm of my right hand is pressed against the string (near the bridge), so that I feel that it is more convenient for the left hand to move. How to put the specific hand, I think it should be decided by personal habits!

The same goes for silencing, needless to say the silence on a string, after playing the fingers of the left hand pressing the strings, you can lightly lift the fingers of the strings, when I play the strings, I use the free fingers of the left hand when playing from the treble string to the bass string, and when the right hand palm goes down the silence when going from the bass string to the treble string, the outside of the right hand palm is silenced, so that the string is actually protected when the sound is suppressed. In this way, when you are skilled with both hands, you will naturally get a very clean sound!

The muffled tone is to cover the strings with the right hand (with the front of the palm) and then pluck the strings, which will retract the heavy treble ......It's like a "bang-bang" sound. The damping is usually done with the left hand (you can also use both hands at the same time), the left hand is replaced on the strings, do not press down, and then the strings are plucked, which is the sound of damping. There is a big difference between the two sounds, the right hand is muffled, and the right palm (thenar position) is gently pressed close to the bridge, not crushed to death (if the force is great, the sound will be short; crushed to death, there will be no sound; Normally, there should be a popping sound effect), and the damping is mostly used on fast monotones and rhythms, so that they produce alternating plucked strings and chirps made by virtual presses

Isn't it okay to press more points with your left hand? So many fingers. Some fingering is not good to play randomly, but the right hand is practiced more, and it feels like it can be cooperated.

It doesn't matter if you are left or right first, just get used to it, and in the end, there will be work on the left and right I also recommend that the right claw be controlled first, and the left paw will be more proficient.

This is practiced ... I didn't get used to it at first.

Damping is not only the left hand, but also the right hand, and the inside of the palm is gently covered with the strings that are not played.

Left-handed damping Use the tips and tips of your fingers to keep your fingertips and tips on your fingers, just remember to touch them, and the damming effect is the best.

Practice slowly,,Silence the right hand,,Practice the sound control first,,You will understand how to silence the sound when you know how to silence it.。。 Don't ask me what is modulation,,Then I'm speechless.。。。

In general, the following situations require sound muffling:1.When there is a rest;

2.At the end of the piece (at the end of the song);

3.Phrases, when phrases are interrupted;

4.the phrases of the melody, the breathing;

5.When changing chords. bass (especially open bass);

6.staccato (a black dot on a note indicates that it is half the value of the note when played);

7.resonant notes (especially bass strings) in which other open strings are stirred up when a fortisse is played;

8.Rhythmic jumps that need to be reinforced by pauses.

Methods of silencing:1. Direct silencing methodUse the right finger of the plucked string or the left hand of the string to muffle directly:

1) Pluck the strings with your right hand and gently press the strings with the fingertips of the fingertips.

2) The fingers of the left hand press the strings and relax and float on the strings.

2. Indirect silencing methodUse other fingers or other parts that are not involved in plucking and pressing the strings to silence the sound, and the common ways to cultivate hunger are:

1.Gently cover the strings with the outside of your little finger or the side of your little finger knuckle:

2.Gently cover the strings with the outside of your thumb or the palm of your thumb;

3.Touching the flesh of the inner or outer finger of the right thumb is destroyed;

4.Touch the strings with the fingers of your left hand stretched out;

5.Use your right hand to stop the previous note with the finger you want to play (when the front and back notes are on the same string).

This kind of noise problem occurs not only when you say you are leaving the string, but also when you knead the string and push the string. In particular, kneading and pushing the string are the most common occurrences, but the way to prevent such problems is basically the same, so I will explain to you the following with the example of pushing and kneading!

1.Push the string: When pushing the string by the ring finger, you can use the middle finger and the index finger to push up together will be more labor-saving, and when pushing the string from the middle finger, you can use the index finger to assist, the index finger is more difficult to push the string, there is no other finger to assist, but the general index finger push the string is relatively rare, and the push string is also divided into pushing up and down, generally speaking, the thick two strings will be pushed down because they are close to the edge of the fretboard, to be precise"Pull"In the same way, it will be easier to use other fingers to assist.

Then you should pay attention to the fact that after pushing the string, when you relax your fingers to return the string to its original position, because the fingers will also leave the string next to it when they return to their original position, so it will cause noise, so the muffled sound is also very important, for example, if you push the string with your ring finger at the third string and seventh fret to push the re to mi, at this time your ignorant finger is also touching the position of the fourth string and the seventh fret, when you let go of the hand and return the mi to re, the ring finger that was originally touching the fourth string will leave the fourth string at this time, and the fourth string will make a sound. The solution is to use your index finger to slightly touch the four strings during the whole complete string pushing action to make the four strings unable to vibrate, and cooperate with the right hand palm to touch the six or five strings to achieve the effect of muffled sound (please refer to **).

2.Kneading the strings (vibrato): As mentioned above, generally speaking, the 3 and 6 strings will be kneaded downward, and the 1 and 2 strings will be kneaded upwards because they are too close to the edge of the fretboard, and the strings will also touch the strings next door and make a sound, so you can compare the methods mentioned above to make a muffled sound to prevent noise"Tempo"Many people knead the strings with kneading, but in fact, if you listen carefully to the musicians in the record, their kneading is according to the beat, and there will also be quadruple kneading (four times in one beat), triplet kneading (three times in one beat), there will also be crescendo and crescendo, which will make the song not come to a different place!

That's because the force used to leave the hand touched the string, and it doesn't matter, don't care, because it will also happen when you press it.

1.Leave slowly, not quickly.

2.Check that the strings are not too close to the fret.

3.Sometimes, it's a guitar trick that is used specifically to create a "release" effect.

This is also the most basic east.

Du Xi detailed online to find information zhi

Added: A few backs from other DAOs.

You are really not kind, and you have taught the landlord badly.

Landlord, let me tell you, the most basic thing about an electric guitar is to guard the strings.

When you play, there will be noise when the left hand is not properly controlled, and then you have to use your right hand to protect the strings

Practice the basics. Pay attention to and observe the angle and amplitude of your right hand pick and the damping technique, the reason why you can't play cleanly is that your right hand accounts for a large factor.

Whether a piece of music has a clear and well-defined tone depends not only on the touch of the fingers of the right hand, but also on the cooperation of the left and right fingers to make each note sound according to its own specified time, which is also an important aspect. When it comes to how to deal with the aftermath after playing the strings, people who learn to play and sing are generally more concerned, while those who learn classical guitar tend to neglect it. Raising the finger to press the string too early causes the resonance to be cut off prematurely, resulting in insufficient timing, affecting the melody and causing the sound part of the piece to be clouded, all because of the lack of control over the length of the resonance.

It is not difficult to maintain the timing of the extended notes, as long as you pay attention to the retention of the fingers, let's talk about the silence. Silence is to make the sound stop and disappear immediately when it reaches the specified time value. There are no special symbols for this articulation, and it is rare to see the symbol "*" sometimes borrowed from the piano notation and there is generally no written explanation on the score.

Whether or not you need to silence the sound is up to the performer to decide. Silence can be used in monophonic, double-tone, or chords. In a single tone, if a note alternates one after the other, the use of silence techniques should be considered; In a double note or chord, if it is a rhythmic chord on a downbeat, a chord voiceover that will affect the harmony if it is extended, and a chord that needs to be staccato should be muffled.

The methods of silence are: (1) after the right finger plays the string, release the left finger and float on the string; (2) After playing the string with the right finger, immediately press and hold the string with the same right finger; (3) Gently press the string with the free fingers of your left or right hand; (4) After playing the string with one finger of the right hand, use the other finger to silence the sound, and do not immediately raise it, use the finger of this silence to continue to play the string, and then switch the other fingers to silence; (5) Lay your right hand flat and hold down all the strings. The above methods need to be flexibly and appropriately adopted according to different situations.

Usually the first method is easier; The second method is commonly used in classical accompaniment such as songs; It is commonly used in the comic accompaniment of playing and singing.

1. Five methods; The third method is often used to remove notes on open strings; The fourth method is common in monophonic melodies; The fifth method can also be used in staccato in the strings. In classical music, it is often required to use the muffling of a note or notes, rather than the elimination of all the notes on the strings, as in the case of playing and singing. Therefore, the silence in classical music is more complicated than the silence in singing.

As long as you keep practicing, your fingers will naturally coordinate as you become more proficient.