The level and rhythm of ancient poems, and the flat rhyme table of poems

In the same sentence, the pingxuan is alternate: the lyric poetry.

Sentences 1, 3, 5, and 7 are called sentences, and sentences 2, 4, 6, and 8 are called couplets. In a couplet, pingqian is the opposite of the previous sentence. This law of plainness is particularly evident in the lyric poems.

If you write five words, the level is as follows: Ping Ping Ping, Ping Ping, Ping Ping, Ping Ping, Ping Ping. Pingping, pingping.

These are eight sentences in total. Generally, people who learn to make old poems must first memorize it. Memory Tips:

First, there are actually two groups of these eight sentences. The first four sentences are self-contained; The last four sentences are just repeated once, so just remember four sentences. Second, if each set of opening sentences starts with "ping", the fourth sentence must also be closed with "ping".

This is what people often call "equal" and "equal".

The rules and rhymes of ancient poems are as follows:The first sentence can be rhymed or not, and the next sentence must rhyme flat, the rhyme is 2468 rhymes, the quatrain is 244 or 4 rhymes, whether it is a rhyme or a quatrain, the first sentence can rhyme or not.

In fact, the level of each character in the poem is not according to modern Chinese.

The yin and yang go up to the four tones to divide the flat rhyme, but according to a special rhyme called flat water rhyme.

There are some differences between the method of division and modern Chinese.

Poems, lyrics, and songs have different rhyming rules, which are summarized below:

1. Ancient style poems.

Including ancient style, song, line, chant) rhyme is relatively loose, can change rhyme, can rhyme neighboring.

Second, the words and the song because of the word card.

Different music cards have different rhyming rules. Some regulations are stricter, and you can only rhyme with a flat or a rhyme, and you can't change the rhyme in the middle; Some stipulate that the rhyme can be rhymed; Some stipulate that the rhyme must be changed in the middle, and so on.

3. The rhyming rules for near-body poems are relatively strict.

The rhyme of ancient poems is based on the tone of ancient times.

As we know, the four tones of modern Chinese are "yin, yang, up, and go", yin and yang are flat sounds, and go up is the sound of shang.

In ancient times, there were also four tones, and the flat sound did not distinguish between yin and yang, they were all "flat"; In addition to going up and going, there is also a "voice", going up, going, and entering are all voices.

Since the sound of "in" no longer exists in Mandarin, part of it has become a flat sound, such as "one", and the other part has become other sounds, such as "thing". People who have spoken Mandarin since childhood can't tell the difference, and only people south of the Yangtze River basin can understand it.

The simple solution to the problem of "how to prescribe the rhyme of ancient poems" is to use rhyme books. The ancient rhyme can be found in "Flat Water Rhyme".

The poem is as follows:

1) Five Rules:

It's mediocre, it's mediocre. Peaceful, mediocre, mediocre.

It's mediocre, it's mediocre. Peaceful, mediocre, mediocre.

2) Five-law flat formula:

Peaceful, mediocre, mediocre. It's mediocre, it's mediocre.

Peaceful, mediocre, mediocre. It's mediocre, it's mediocre.

Poetry, also known as poetry, is a kind of literary genre that uses highly condensed language, according to certain format and rhythm requirements, can vividly express the author's rich emotions, reflect social life in a concentrated way, and has a certain rhythm and rhyme.

Shino. The ancestor of literature, the root of art. Poetry is a literary genre that expounds the soul, and poets need to master mature artistic skills, and according to the requirements of certain syllables, tones and rhymes, use concise language, abundant emotions and rich imagery to express social life and the human spiritual world in a highly concentrated manner.

The law of the balance of ancient poems: the level is the same within one meal, and the balance is wrong between two meals; The two are flat and sticky to each other. According to the rhyme books revised from the Sui Dynasty to the Song Dynasty, such as "Cut Rhyme" and "Guang Rhyme", Middle Chinese had four tones, called Ping, Shang, Go, and Enter.

There is a certain format for the use of plainness in poetry, which is called metricism. Pingsheng and Pingsheng refer to the rhythm of poems composed of Pingsheng. Pingqian is an attempt to dualize the four tones, which are the four tones of ancient Chinese.

Pingqian is based on the four tones, with incomplete inductive method to generalize, flat refers to straight, Qi refers to twists and turns. The upper voice, the lower voice, the sound is the voice, and the rest is the flat sound.

The first is the requirement of sentence structure, and the first is "Qi Yan". It refers to the fact that the poem is divided into two types: "five words" and "seven words", "five words" is five words per sentence, and "seven words" is seven words per sentence, which needs to be neat and consistent, no more and no less.

The second is to stipulate the number of sentences, and each eight sentences are called "law", that is, "five laws" or "seven laws"; The "absolute" of each four-sentence poem, that is, the "quatrain", is subdivided into two types: "five absolutes" and "seven quatrains"; and more than eight sentences are called "arrangement".

In addition to the basic sentence structure, the main requirements of metrical poetry are four elements, namely, flatness, rhyme, antithesis, and stickiness. Each of these is explained below.

Ping. Four tones.

The concept of pingxuan will involve the content of phonology, and Middle Chinese is divided into four tones: flat, up, go, and in. "Ping" means the sound of peace, and the sound of going up, going, and entering is the voice.

Compare today's Mandarin.

one, two, three, and four tones, one and two flat tones, respectively "Yin Ping" and "Yang Ping"; The third and fourth are the voices. There is no sound in the pronunciation of Mandarin, and the words in the ancient pronunciation have been integrated into today's respectively.

One, two, three, four tones, for example: "one", "ten", "ratio", "color", etc.

Basic sentence structure. Taking the Five Absolute Poems as an example, there are four basic sentence structures in the poem:

It's mediocre, it's mediocre.

Peaceful, mediocre, mediocre.

There are stricter rules for rhyming in near-style poems, which are summarized as follows: [The first sentence can be rhymed or not, and the next sentence must rhyme with flat sound], which is described as follows: The rhyme poem is 2468 rhymes, the quatrain is 24 or 4 rhymes, and the first sentence can rhyme or not rhyme, whether it is a rhyme or a quatrain.

Hanyu Pinyin has four tones: the first tone is yinping, the second tone is yangping, the third tone is up, and the fourth tone is out. So, roughly speaking, "ping" is the first tone (yinping) and the second tone (yangping), and "qi" is the third tone (upper sound) and the fourth tone (go-sound).

In fact, the pingxuan of each character in the poem is not divided into four tones according to the yin and yang of modern Chinese, but according to a special rhyme called pingshui rhyme, and the method of division is somewhat different from that of modern Chinese.

It shows that there is a kind of alternating rhythm in Chinese. Because if there is no such sound rhythm, it is impossible for this phenomenon of "two or four distinct" to have such a high proportion purely according to probability.

It shows that idioms with this law of alternating between plain and flat are more likely to be remembered. Because if it is purely probable, the idioms reported by students, which are in line with the "two or four distinct", should be consistent with those in the idiom dictionary, that is, 70% to 80%, and now it has reached more than 90%. It shows that idioms with this kind of law are more subdued and catchy.