Who has an appreciation of the morning flowers and the like?? 2000 words

1. Fragment: Tokyo is nothing more than that. The cherry blossoms in Ueno look like crimson clouds, but there are also crash courses for "Kiyokoku students" with large braids on their heads and student hats rising high above them, forming a Mt. Fuji.

There are also braids that are dissolved, coiled flat, and when the hat is removed, the oil shine can be seen, just like a little girl's bun, and the neck has to be twisted a few times. It's really Peugeot. Curvy wax.

Appreciation. Tokyo is nothing more than that", and "nothing more" is understood as ("but"), expressing the author's dislike for Qing students and disdain for being with them. "In this way" refers to (the ugliness of international students), which paves the way for the following, and reflects the author's disappointment, contradictions, pain, and disgust.

"Indeed" indicates another greater possibility; "But" means additional explanation, and the words after the word "but" are what the author really wants to say.

2. Fragment: As long as you see a tall hat with white paper and the shadow of the broken banana fan in his hand, everyone is a little nervous and happy. The people are the only ones who are most familiar with him and the most intimate with him, and they often meet him in the past.

Death is impermanent, with a black face and black clothes, and no one likes to look at it. There are also those in the "Netherworld", standing gloomily with their chests against the wall; That's really "hitting a wall".

Appreciation: Filled with the author's admiration and praise for impermanence, he first writes about his fear of reincarnation when he was a child, and compares it with his admiration for him now, and also compares the mediocrity of King Yama with the horror of impermanence of death, highlighting the kindness of impermanence.

Twenty-four.

"Twenty-Four Filial Piety Sources" starts from the children's books of the time, recalls the feelings of reading "Twenty-four Filial Piety" as a child, and reveals the hypocrisy and cruelty of feudal filial piety. The work focuses on the analysis of filial piety stories such as "Lying on the Ice and Seeking Carp", "Lao Lai Yuqin", and "Guo Ju Burying Er", and accuses this kind of feudal filial piety for ignoring the lives of children, treating "meat and hemp as fun", and "taking reluctance as a discipline, slandering the ancients and teaching future generations". The work sharply criticizes the tendency of the time to oppose vernacular writing and promote retro.

This article puts forward the author's approval of the vernacular and his resentment against those who oppose the vernacular text, which is one of the most successful things Lu Xun has done. The fierce tone at the beginning reflects this thought. The seemingly prosaic narrative that follows writes about his real life situation, as well as his desire to promote vernacular literature and start a revolution.

At the end of the article, the center is pointed out and the meaning of "Twenty-four Filial Piety Pictures" is written. Filial piety is due, pedantry is stupid, blind obedience is pathetic, and defense is hateful.