In the Tang Dynasty, there was nothing that could not be solved by a poem

Although it is a bit exaggerated, it also shows the prevalence of Tang poetry.

Categories: Humanities >> Chinese Literature.

Problem description: It is seen horizontally as a peak on the side of the ridge, and the height is different from far and near. I don't know the true face of Lushan, only because I am in this mountain. What do the "sideways" and "sideways" mean in this Tang poem?

Analysis: Question: Xilinbi.

Su Shi looked at the side of the ridge as a peak, and the height of the distance was different.

I don't know the true face of Lushan, only because I am in this mountain.

Su Shi (1037 1101), known as Zizhan and Dongpo layman, was a great writer and artist of the Northern Song Dynasty, who had outstanding achievements in poetry, prose, calligraphy, painting, etc., and had a deep influence on later generations. His poems are free-flowing, bright and bold, good at using fresh metaphors to describe landscapes, and good at prompting profound philosophies from common things.

1.Title: Xilin Wall - Written on the wall of Xilin Temple. Xilin Temple is at the northern foot of Lu.

2.Horizontal view - from the front, from the front of the mountain and behind the mountain, the mountain is horizontally in front of you, so it is said to be horizontal. Lushan is generally in a north-south direction, and the horizontal view is from the east to the west.

3.Side – sideways, from the side, from one end of the mountain – the south end or the north end.

4.Lushan - in the south of Jiujiang City, Jiangxi Province, has been a tourist attraction since ancient times.

5.Fate - because.

Comments: Su Shi was demoted from Huangzhou to Ruzhou as the deputy envoy of the regiment and passed through Jiujiang and visited Lushan. The magnificent landscape triggered Yixing's strong thoughts, so he wrote a number of Lushan travel poems.

The title of "Xilinbi" is a summary after visiting Lushan, it describes the changing appearance of Lushan, and uses the scenery to reason, pointing out that the observation of the problem should be objective and comprehensive, if subjective and one-sided, you can not get the correct conclusion.

The first two sentences "look horizontally at the side of the ridge into a peak, and the distance and height are different", which is a real description of what you see in the mountains. Lushan is a big mountain with hills and ravines, peaks and valleys, and the scenery seen by visitors is different depending on the position. These two sentences summarize and vividly write the scenery of Lushan Mountain that has changed shape and is in a thousand postures.

The last two sentences "I don't know the true face of Lushan, only because I am in this mountain" is the experience of talking about the scene and talking about the experience of visiting the mountain. Why can't you recognize the true face of Lushan? Because I am in the middle of Lushan, my vision is limited by the peaks and peaks of Lushan, and I only see a peak, a ridge, a hill and a ravine of Lushan, which is only partial, which is inevitably one-sided.

This is what you see in the mountains, and it is often the same when you observe things in the world. These two poems have rich connotations, and they enlighten us to understand a philosophy of dealing with people and things-due to the different positions of people and the different starting points of looking at the problem of Zhaohan, the understanding of objective things is inevitably one-sided; In order to understand the truth of things and the whole picture, we must go beyond the narrow scope and get rid of subjective prejudices.

This is a philosophical poem, but the poet is not abstract to discuss, but tightly linked to the mountain to talk about his own unique feelings, with the help of the image of Lushan, with popular language to express the philosophy in simple terms, so it is kind and natural, resistant to the old and scattered people.

Categories: Culture Art.

Problem description: Hello, I am a foreign student.

When I first started learning "Tang Poetry", I didn't understand it very well, and it was too unfamiliar.

There are a few questions about "Tang Poems", please do me a favor. Thank you!

1。What is the aesthetic paradigm of Tang Dynasty poetry? Closed.

2。The reason for the prosperity of the Tang Dynasty by the water idyll.

3。Meng Haoran's lackluster artistic personality.

4。The content and artistic characteristics of Wang Wei's landscape poems.

Analysis: 1Historical background, because the historical background of each poet writing poetry is different, so the public's aesthetics are different, so there are some poets who became famous after their deaths.

2.Due to the corruption of officialdom, some talented poets do not like to go along with it, and live in seclusion in the countryside and do not go out of the mountains.

It is also because of the number of poets engaged in the creation of rough landscape poems, and the abundance of products is very amazing. According to the statistics recorded in the "All Tang Poems", during the 300 years of the Tang Dynasty, more than 2,200 poets emerged, and more than 48,900 poems were created, which is several times the total number of poems left in the 16,700 years before the Tang Dynasty. Most of these thousands of poets have sung about landscapes; Although there has not yet been an accurate count on how many landscape poems they wrote, it can be roughly estimated that the total number of landscape poems in the Tang Dynasty is probably several times the total number of landscape poems left before.

What's more noteworthy is that Wang Wei, Li Bai, Du Fu and other genius superstars have emerged, and their landscape poetry creations are not only numerous, broad-minded, rich in content, but also extraordinary, artistically colorful, and full of innovative spirit.

3/.As for Meng Haoran, in the first half of his life, he mainly studied at home, and used poetry to make himself comfortable. He once lived in seclusion in Lumen Mountain.

The 40-year-old tour of Beijing should be a scholar and return to Xiangyang. When he was in Chang'an, he had a very good friendship with Zhang Jiuling and Wang Wei. There are poems with names.

After roaming Wu Yue, the mountains and rivers were extremely poor, in order to dispel the frustration of the career. Because of indulgence in feasting and drinking, he died of a disease in food. Most of Meng Haoran's poems are five-character short stories, the subject matter is not wide sedan chair limbs, and most of them write about landscapes, pastorals, seclusion, travel, etc.

Although it is not without cynicism, it belongs more to the poet's self-expression. He and Wang Wei said that although his poems are not as broad as Wang's poems, they have unique artistic attainments, and they are the forerunners of the pastoral landscape poetry school in the Tang Dynasty after Tao Yuanming, Xie Lingyun and Xie Wei. Meng poems are not carved, light and simple, feel intimate and real, have a strong breath of life, and are full of super wonderful self-satisfaction.

For example, "Autumn Climbing Wanshan Sends Zhang Wu", "Passing the Old Man's Village", "Spring Dawn" and so on, light and flavorful, harmoniously integrated, elegant and elegant, and the artistic conception is clear. Meng's poems are based on the clear and expansive, but there is a magnificent atmosphere in the chong, such as "Looking at Dongting Lake for Prime Minister Zhang Cheng", "Steaming Cloud Mengze, Shaking Yueyang City", energetic and looking down on everything. But this kind of poem is rare in Meng's poems.

In general, the content of Meng's poems is thin, and it is inevitable that they will be embarrassed by the space.

4/.(1) "There are paintings in poems" poems and paintings are beautiful.

2) The ethereal beauty of "both form and spirit".

3) Harmonious and unified acoustic beauty.

The spring breeze does not lift the ban on poplar flowers, and the misty flutters on the pedestrians' faces.

Jing Ke song. The wind is sluggish and the water is cold, and the strong man will never return.

Explore the tiger's den and enter the Jiao Palace, look up to the sky and exhale into a white rainbow.

Chunxiao (Meng Haoran).

I don't know when I sleep in spring, and I smell birds everywhere. The wind and rain come at night, and you know how many flowers fall.

Tianjingsha Qiusi (Ma Zhiyuan).

Withered vines, big cores, old trees, faint crows, small bridges and flowing water, ancient roads, west winds and digging thin horses.

The sun is setting, and the heartbroken man is at the end of the world.

Title: Capital City Nanzhuang (Cui Hu).

Last year, in this door today, the peach blossoms on the faces of the people were red.

The face of the person is unknown, and the peach blossoms are still smiling in the spring breeze.

Spring Night Rain (Du Fu).

Good rain knows the season, when spring happens. Dive into the night with the wind, moisturizing things silently.

The wild trails are dark, and the river boats are bright. Xiao looks at the red wet place, and the flowers are heavy in the official city.

1) Ele Song Source: Northern Qi Miscellaneous Songs Elechuan, under the Yin Mountain. The sky is like a dome, covering the four wildernesses.

The sky is blue, the wilderness is vast, the wind blows the grass and sees the cattle and sheep. Appreciation: This poem depicts the life style of grazing in the northern grasslands, and shows the heroic spirit of the northern peoples.

The whole poem has a total of seven sentences, of different lengths, and belongs to the miscellaneous style. The first two sentences outline the location of the grassland where the Ele people are located, and the realm is open. Under the Yinshan Mountain Range, which stretches for more than 2,000 miles, is a vast plain.

Clause. The third and fourth sentences are the scene of standing in the center of the grassland and looking out on all sides. Since the grassland is very flat and endless, I feel like a huge yurt covering the field. Originally, the dome was just a yurt, used to describe the sky, which did not seem to be magnificent, but this is something familiar to the northern herdsmen, and this metaphor seems intimate and natural.

Moreover, the word "cage cover" vividly describes the scenery of the heavens and the earth being very large and connected in the distance, so that the metaphor of the sky like a dome can be expanded and become very accurate. Clause.

Five or six sentences, sub-inheritance.

The third and fourth sentences depict the sky and the earth again: the sky is dark blue and high, clear and clean, and the grass is green and far-reaching, boundless. Vast and vast, the use of overlapping words deepens the degree of description.

The four sentences in the middle are very expressive and write the vastness of the world, revealing the love and pride of the people of the Eile people in their hometown. The last sentence "The wind blows the grass and sees the cattle and sheep" is the finishing touch, and the first six sentences are a large area of still scene. This sentence is a local moving scene, and three verbs are used in a sentence, "blow", "low", and "see", which is full of dynamics and vitality, and sets off the vastness and tranquility of the entire grassland.

This vast scene is a natural environment unique to the north. Cattle and sheep grazing is a unique feature of life for the northern Rangxi people. It is necessary to have this special background in order to produce poems with a heroic style and rich in local colors.

Stop the boat and ask for a while, or I am afraid that it is a fellow villager. The home is close to the water of the Jiujiang River, and you come and go to the side of the Jiujiang River. They are both long-term people, and they don't know each other when they are young.

Appreciation: This poem Changgan Xing is imitating the folk songs of Changganli in the south of the Yangtze River, written in the form of male and female dialogues, such a small poem could have been sung, but the tune no longer exists. The color of the special hall stool of Yuefu lyrics mainly lies in the plainness of the text and the natural grace in the conveyance of feelings.

The first paragraph is to ask, and the second paragraph is to answer, describing the subtlety and subtlety of the shyness of the girl's feelings, and the poetry style is fresh, simple, and no wonder it can be sung through the ages.

Reference: ?qid=7006101802489