The relationship between imagery, image, emotion, and the three

The emotion of the alien to the south is related to the three, at least the three are indeed very affectionate in the image of uh, which is also a very good feeling.

I think this is about image emotion, the relationship between the three is complementary to each other, as long as two people are together, there will be other images with emotion.

The relationship between these three can be said to complement each other, but no matter what the image is, he is also directly related to emotions.

In terms of the relationship between the gods and the emotional experts, they are complementary, after all, you have to imagine that you have this image, and you have your own emotions, they are connected.

I think the relationship between image emotions will also be more abundant, because they are all bustling and related, so there will be repeated and complex emotions.

Learn to give up, turn away before you cry, what you exchange for tears is unreliable; Let's learn to give up, bury yesterday in our hearts, and make the best memories.

The relationship between the three of them is pretty much the same.

If sacrificing a momentary face can be exchanged for a lifetime of happiness, is it very worthwhile? Be brave enough to speak your mind and don't hide your sincerity.

Imagery, imagery, emotion, the relationship between the three, the three of them are organically linked.

Through the changes and interactions between the images, the poet's inner yearning is depictedUtopiaThe Wheel of Perfection is a paradise that only exists in the poet's heart.

The Side of the Snow Peak

Modern poet Chang Yao.

Original: This blind bridge is the only height I can conquer at this moment: I carefully poke out my forehead.

I was amazed by the sun that had been wandering for a long time towards the snow of the Orido.

is resolutely jumping into a gravitational mountain and sea. Gravel landslides from time to time.

Triggered the roar of the Brown Abyss from top to bottom, like the shouting of the army in the distance.

My knuckles riveted into the cracks of the boulder.

Drops of blood, oozing from the torn soles of the mille-feuille palms.

Oh, I really want to have an eagle or a snow leopard.

Be with me. On the rusty rock wall, there is a pitifully small spider that enjoys the pleasure of nature with me.

Literary Appreciation: This is a song about the triumph of man's concept of "reverence for nature" over the concept of "conquest of nature". The poet uses the process of mountaineering to condense the process of transformation of his concept of nature.

Before mountaineering, the poet, like many mountaineers, saw the act of mountaineering as a proof of the triumph of man's will over nature. The relationship between man and nature is one of conquering and being conquered.

And imagining the resistance in the process of climbing the mountain as "the shouting and killing of the army from afar" is also in line with the special belief that war scenes are used to express the relationship between conquering and conquering. Having lost the power to conquer new heights, the poet still longs to continue to inspire his will to conquer with an eagle or a snow leopard.

The image is the "image" that alludes to the "meaning", that is, the objective image used to convey subjective feelings.

Artistic imagery has the following characteristics:

1) Virtuality, which refers to the unreality of imagery. Imagery can be used to express both imagination and fiction to represent what is not in reality, and can also use non-realistic forms to express what is already in reality.

2) Sensibility, which refers to the directness and concreteness of imagery that can be directly grasped, perceived, experienced, and felt by the subject's senses.

3) Imaginative means that imagery is the product of the integration of "meaning" and "image" through the artist's imagination.

4) Emotion is an important driving force and guide for artists to create images, and accompanies the whole process of image creation.

Listen to the tune of the flowing people.

The lonely boat and the moon are on the maple forest, and the kite and the guest heart are shared.

The ridge color is heavy and rainy, and the broken strings are closed and the tears are deep. [

1. The first sentence writes the scene, juxtaposing three images (lonely boat, micro moon, maple forest).In China's classical poetry, there is a tradition of using the moonlight to write about the sorrow. And seeing the moon on the river, the moonlight and the water shine together, which is more likely to provoke the sorrow of the guest.

2. The second sentence has just been written into the Zheng song, but the third sentence mentions "Lingse", which seems to have turned to the scene. In fact, the nature of the scene here is different from that of the first sentence, and it can be said that it is still a continuation of writing "Ming Zheng". Maybe there was a rain that really flew in the evening, leaving the ridge in the middle of nothing.

Perhaps it is just a mirage caused by the clear light of the "micro moon" like water, and the layers of mountains seem to be shrouded in fog and rain. No matter what the situation is, it has a foil effect on the emotions of the migrants. In addition, it is more likely that the wonderful ** Bidai has caused such a feeling of "breaking the sky and teasing the autumn rain".

"Thousands of Heavy Rains" not only writes the color of the mountains, but also the sound of the zither (just like "the big strings are noisy like torrential rain"); Not only the visual image, but also the ** image. The overlapping of "thousand-fold" and "thousand-heavy" gives people a hint of complicated musical sounds, and it is also a hint of the complex mood of "flowing people" playing the kite. After writing "The Chi Chi Zheng Zheng", in this way, the juxtaposition of "Lingse" and "Thousands of Heavy Rains" omits any narrative and related words, resulting in the ambiguity of the poem, rich in connotation, opening up the audio-visual feeling, which makes people feel low.

: This poem selects images such as river rain, river grass, birds, and Taicheng willows.

The author is nostalgic for the past and the present, expressing his feelings about historical changes and the pain of the decline of the Tang Dynasty.

This poem mainly adopts the expression technique of blending into the scene, listing the images of river rain, river grass, birds, Taicheng willows, etc., creating a hazy and bleak artistic conception atmosphere, revealing the poet's deep sadness and sadness in the ethereal artistic conception.