What works has Lu Xun created? What works did Lu Xun create?

Scream", "Hesitation", ** collection "Grave", prose poetry collection "Wild Grass", prose collection "Morning Flowers and Sunset", essay collection "Hot Wind", "Huagai Collection", "Huagai Collection Continuation" and other special collections. Among them, the novella ** "The True Story of Ah Q" published in December 1921. In May 1918, for the first time under the pseudonym of "Lu Xun", he published the first vernacular ** "Diary of a Madman" in the history of modern Chinese literature, and from 1905 to 1907, he participated in the activities of the revolutionaries and published "Moro Poetry Theory" and "Theory of Cultural Partiality".

During this period, he returned to China to marry on the orders of his mother, and his wife Zhu An. In 1909, together with his younger brother Zhou Zuoren, he co-translated the "Extraterritorial ** Collection", introducing foreign literature from 1927 to 1936, and created most of the works and a large number of essays in the historical ** collection "New Story Edition", which were collected in "Only Collection", "Three Idle Collections", "Two Heart Collections", "Southern Dialect and North Collections", "Pseudo-Freedom Books", "Quasi-Fengyue Talks", "Lace Literature", "And Jieting Essays", "Second Edition of Essays of Jiejieting", "The Last Edition of Jieting Essays", "Outside Collections" and "Extra-Collection Collections" and other special concentrations. Lu Xun's life has made great contributions to China's cultural undertakings

He led and supported literary groups such as "Weiming Society" and "Chaohua Society"; He is the editor-in-chief of literary and artistic journals such as "National News Supplement", "Mangyuan", "Yuxi", "Rushing", "Sprout", "Translation" and so on; Enthusiastic care and active training of young authors; vigorously translate foreign progressive literary works and introduce famous paintings and woodcuts at home and abroad; Collecting, researching, and sorting out a large number of classical literature, compiling "A Brief History of China", "Outline of the History of Chinese Literature", sorting out "Ji Kang Collection", compiling "Miscellaneous Records of Ancient Books of Huiji County", "Ancient **Hook Shen", "Tang and Song Dynasty Legends", "**Old News Notes" and so on.

Pseudo-Freedom Book" Anthology "Wild Grass" "Morning Flowers and Sunset" "Scream", Anthology "And Jieting Essays", "Two Hearts Collection", Essay Collection "The True Story of Ah Q" is a masterpiece in the history of modern Chinese literature "White Light" "Dragon Boat Festival" "Storm" "Hometown" "Bird Hu Kong Yiji", in May 1918, he published the first vernacular in Chinese history with the pen name "Lu Xun" for the first time ** - "Diary of a Madman", and later published "Tomorrow", "Social Drama", "The Story of Hair", "Rabbit and Cat", "A Little Thing", "Duck's Comedy", "Medicine" " Hesitation" anthology "Blessing" "Brothers" "In the Restaurant" "Sadness" "Divorce" "The Lonely" "Old Master Gao" "Show the Public" "Everlasting Lamp" "Soap" "Happy Family" "Grave" Anthology "Inscription" "My Festival Fierce View" "How We Are Fathers Now" "What Will Nala Do After Gone" "Before the Genius" "On the Fall of Leifeng Tower" "On the Fall of Leifeng Tower" "On the Fall of Leifeng Tower" "Talking about Beard" "On Photography and the Like" "Looking in the Mirror" "Writing Under the Lamp" "Late Spring Chatter" "On "Fucking! ""Miscellaneous Memories" Tuan Sui Ling "From Beard to Teeth" "Widowism" "Strong-walled Clearing" "On "Fei Epharai" Should Be Slowed Down "Written Behind the 'Grave'" "Mr. Fujino", "Father's Collapse Disease", "Huagai Collection", "Southern Cavity and North Mobilization", "And Jieting Essay Two Collections", rebuttal article "Have the Chinese really lost their self-confidence".

Lu Xun was one of China's great thinkers and writers of the 20th century. On September 25, 1881, Lu Xun was born in a declining feudal family in Shaoxing, Zhejiang, and he accepted traditional culture since he was a child, including Confucian orthodox culture and unorthodox traditional culture such as Buddhism, Taoism, Mo, and Law, and he was also deeply influenced by folk culture. Later, he went to Nanjing to study, and then to study in Japan.

During this period, he came into contact with a lot of Western culture, and also experienced the great changes in Chinese social ideology and culture that began at the end of the last century, so he gradually formed his own independent thoughts. From 1907, when he published his first "History of Man", to his death on October 19, 1936, he left behind a great deal of writing. There are two collections of short stories, a collection of prose poems, a collection of essays, and a collection of essays and letters including "Hot Wind", among others.

The factors influencing Lu Xun's creation are not only the environment of his times, but more importantly, the living environment in which he grew up. It was an environment that transitioned from feudal society and then learned from Western society, so it influenced Lu Xun's creative style. When he first went to Japan to study, the international students at that time were very discriminated against by the Japanese, and the sensitive Lu Xun felt the paralysis and weakness of the Chinese national character when he encountered this situation, so after he returned to China, the images he wrote were peasants and intellectuals.

The reason why he writes about peasants is because he believes that the majority of the people in China are peasants, which coincides with Lu Xun's thoughts. In fact, Lu Xun himself is an intellectual, he went to Sendai Medical College to study as a student, and he felt a kind of oppression brought by the fact that a country is not strong and brought about by intellectuals. For intellectuals, it is more of a kind of care and pity.

Intellectuals came into contact with Western liberal and democratic ideas at an early stage, and were very eager to build such an ideal country in China. But at the same time, intellectuals are facing the double oppression of the domestic feudal society, and feel that they want to do but can't do this helplessness, so intellectuals are very pitiful and worthy of sympathy in his writing, but he is also very weak. Therefore, Lu Xun's work "In the Restaurant" is written about intellectuals who are either dead or compromised like feudal society.

And the peasants in his pen are more ignorant, and Lu Xun looked at their ignorance with tears. For example, in the work "Medicine", Hua Xiaoshuan's father and son, Hua Xiaoshuan's father took the enlightener's human blood steamed buns to feed his son for treatment, which is a kind of ignorance in itself. The delusion of the enlighteners to transform the peasants through enlightenment, but did not want to be turned into a cure for diseases by these peasants, was to a large extent a reflection of social reality at the time.

Because the peasants, who make up the majority of the population in China, do not know the significance of the Enlightenment Revolution. It can be seen that the reason for the failure of the Enlightenment Revolution lies in this, which is also a major reason for Lu Xun's creation.