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Some voices are innate, and some are acquired.
In fact, everyone has their own strengths, and if you can't sing it, you should carefully observe yourself to see what you are suitable for. It's not good to sing, but when it comes to lyrics and music, it's a great talent in this area. So don't feel lost because you can't do something about it, maybe you're a lot better than someone else if you can't do it in other areas.
Even if you sing, others may be born with a good voice, but you can change your singing skills and some singing skills through acquired efforts. Maybe your talent is not as strong as others, but don't forget that the ancients had a saying that three points are destined to be seven points, and it depends on hard work. Therefore, if you want to succeed in talent, you only have a small part, and the most important thing is to rely on your own efforts.
Basic skills training of voice:
1. Sing in front of the mirror.
Singing in front of a mirror can remind you at any time to pay attention to the performance of your mouth, eyes and body. The point of practicing vocalization in front of the mirror is to keep your eyes wide and bright; The corners of the mouth are raised, revealing the teeth; The arms are naturally bent; Do not crook your neck; Don't shrug your shoulders; The ribs open when inhaling; Breathe out against the support of the respiratory muscles.
2. Breathing training.
Imagine that there is a row of ash on the table, from left to right, or from right to left, blow the ash in turn, blow it continuously for about ten seconds, in the process of maintaining this ten seconds, the waist will always remain expanded, and when you are about to run out of air, you can relax the waist, and at the same time relax, the breath will naturally be passively inhaled.
3. Sing towards the distant mountains.
When singing, you have to be open. Singing towards the distant mountains is more likely to release the right amount of sound.
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Yes, to train a singer with a good voice, it takes acquired efforts and innate formation.
The timbre of the singing voice is innate, everyone's timbre is unique, and many people who are incomplete in the pentatonic voice and feel that their vocal music is unpleasant may be caused by long-term wrong vocal methods (without good training), and these can be effectively improved through the correct practice of the day after tomorrow.
If you have the opportunity, take the time to find a teacher who can sing beautifully and uniquely from the most basic pitch, rhythm, breath, vocalization, resonance to singing.
Singing skills. 1. The posture of singing is very important.
To stand up straight, stand evenly on the supporting strength of your legs. The position of the head is more important than the position of the body. Some people raise their heads when singing high notes, as if they are singing with some effort, but this is not the case.
The head was raised, and the treble tightened. The throat will also be tight and not loose. The right thing is:
The head should be slightly lower, but not too low.
There is a lot of resonance in the head, and when the sound resonates in the head, the sound is loud. The movement of the head should be the opposite of the melody, the higher the head is slightly lower, and the sound seems to descend into the chest.
2. Avoid using muscles that are not related to singing.
Try not to involve other muscles when controlling the diaphragm for breathing, and not to push as hard as you can to move things, which will close all the cavities and tighten the sound. Don't be nervous when singing, sing naturally, relax your shoulders, don't make small movements, and only use the diaphragm when singing.
3. Breathe. When singing, use the same breathing technique as when you lie down and sleep. In chest breathing and abdominal breathing (diaphragm), I prefer to breathe in the abdomen, which allows you to inhale deeply. And fast.
But no matter what kind of breath you have, you can't use both at the same time! This is contradictory, like stepping on the brakes with one foot and stepping on the accelerator with the other.
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I think there are a few people who are born to sing well, but most of them are trained.
First of all: singing is inherently good: like Faye Wong and Teresa Teng.
They are born with a good voice. It's very difficult to become like them through the day after tomorrow. But it's not that you are born with a good voice to sing good songs.
Acquired practice is also very important. This involves a conceptual singing quotient, the emotional intelligence of singing, simply put, the understanding of the song and the expression of one's own emotions.
For example, there is a well-known song called "If the Wine Sells Dry".
The story told in this song is actually quite sad. It's about a girl who became famous and disliked her poor parents who raised her with a handful of and urine, and her benefactor and poor friends. By the time she woke up, her relatives and friends had died.
Such a song should have been sung with a very sad feeling. But Su Qi.
No, she sang very lightly, like slowly telling a story. Although the singing was very bland, by the time she finished singing, she had already burst into tears.
Secondly: Born to say genetics, parents are people with ** cells, and most children sing well. This is an example that we often see all around us.
For example, I know a friend whose family is very poor, and the children did not start listening to songs until they were 16 or 17 years old, and the family could only afford to buy a tape recorder.
But he sings surprisingly well.
Later, I learned that his father used to sing. Singing is no longer popular in the countryside, and their family is poor, but he was born with a good voice.
Again: born partially. In fact, after careful analysis, most people who sing well grow up in an environment with a strong singing atmosphere. Mom started singing to them while they were still in their wombs, their lullaby when they were babies.
It's just nice. When they grow up, their parents teach them to sing early, so they have a stronger understanding of singing than many children. In other words, they sang quotients and were slowly cultivated. Subtly, he walked ahead of other children.
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Not necessarily.
Generally speaking, there are talented people who sing well, and there are also people who learn to exercise the day after tomorrow. For example, Cheng Dieyi in Farewell My Concubine, was originally just an ordinary child who couldn't sing, but later he was able to become a horn, which was also the result of learning and exercising, a good voice doesn't mean that you can sing, and a bad voice doesn't mean that you can't sing good songs.
Therefore, talent is very important, and learning is even more important. You have your own characteristics, and if you are not born with perseverance, you can become your own characteristics.
Singing skills. 1. Keep a high position, you look at the singing effortlessly, but in fact it is effortless, the throat remains the same, then you can sing the bright or dark sound at will, and the resonance of the voice is always concentrated at one point.
2. The tongue is bulging, and the tongue moves, and the voice will change. Flattening the tongue gives more space in the mouth.
3. Don't hold the sound of singing in your throat, let it out. There are two things to always do: first, let go of the Adam's apple; Second, the diaphragm muscles are strong and support the stability of the voice.
4. Practice with legato, and sing each note completely, so that you can feel the obvious change in singing skills.
5. When singing, keep the chest expanded, the voice should be wide, round, and bright, but it is not made in the mouth, but the throat is opened inside.
6. Keep the position of the voice, and don't lose the position when singing the treble.
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No, it's just a lack of professional singing skills.
1. Practice singing and imitate first
Many singing enthusiasts, when they contact singing, will imitate some singers to sing, imitating their articulation and ventilation. But in fact, imitation, we have to see the substance.
If you imitate the singer's rich voice, then you have to see the larynx of the person, pay attention to the resonance of the pharyngeal cavity, and so on. You imitate the voice of a singer, but most people who have not studied vocal music professionally do not breathe long or steady. If you don't find a suitable imitation object, it's easy to "follow suit", and singing should still have your own style.
Second, the singing should be correct and round
Singing does require clear articulation (except for Jay), but the words are not suitable for singing. After all, you're singing, not the news. Therefore, when practicing singing, especially pop **, don't sing it in a straight voice, but it seems very deliberate. It's not natural at all.
3. The louder the voice, the easier it is to sing high notes
Many singing lovers love to sing a few high notes and challenge the difficulty, but they often sing hard or can't sing at all. The treble is indeed difficult and difficult to sing, and professional singers sing the treble neither with a real voice nor with a falsetto, but with a mixed voice.
To practice mixing voices, the singer must first maintain a good breath, a stable laryngeal state, and a position where the head cavity resonates, so that the singer can sing naturally and relaxed at a low volume.
Most people have recurring questions
The first point: self-awareness is vague.
There are not a few people who come from this problem, some people are overconfident and sing badly, but they feel pretty good, on the contrary, most people are not confident, as long as there is an audience when singing, they are nervous, and they can't play the real level.
The second point: the influence of physiological conditions.
No matter what song you sing or what form you sing it, there is one physiological principle that is always consistent, and that is "loose throat" and "tight vocal cords", and many people have the situation of either tightening together or loosening together.
The third point: the influence of one's own habits.
Inexperienced singers, whenever they sing lyrical songs, always unconsciously loosen their vocal cords, desperately "press" their vocal cords when singing strong songs, and wrap their voices when singing dark timbre. When you sing a bright note, you tighten your throat, and when you sing your breath, your breath leaks and you lose your voice.
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A lot, for example, some talent shows, I just haven't learned it, but I am very amazing when I open my mouth.
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Yes, the kind with a good voice.
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In fact, whether singing is good or not is mainly pitch and rhythm.
With these two points, you can only sing, but feelings are the highest level.
Art is endless, for love is the shore.
The five tones are not all because you don't use the ear, the pitch is the ear many times, when you sing, in fact, the ear is more important, we often ignore the ear when singing, we must listen carefully to sing your own voice, in order to grasp the pitch and emotion (must have heard, people who sing with headphones, ** voice overshadows their own voice, so out of tune).
Then you have to listen to the original song more, and you must also listen carefully to the singer's voice with your ears, the human ear is born with the ability to distinguish, you have to distinguish the accompaniment and vocals from the **, and even to each layer of musical instruments in the future.
Practice your ears first, and then talk about anything else.
Introducing several ways to practice singing:
Treble problem--- First of all, teach you a simple and easy-to-learn, high-pitched technique: hold a toothpick between the corners of your mouth and sing, don't fall off, it's easy to sing high notes. (That is, it is often said to open the inner mouth).
The vibrato --- is mainly through the control of the breath, so that the airflow passes through the throat like a wave, and the vibrato is produced, some people control the airflow through the voice, this kind of singing is very outdated, called vibratogram, the amplitude is very large, unnatural.
Everyone's vocal range is different, some people are born with a high pitch, and pitch is something that needs to be practiced, (but be careful, you can't be too tired and will sing your voice bad,)
In fact, you don't have to be too concerned about pitch, find some songs that suit your vocal range to practice, or a little bit of struggle, but you can still sing high notes.
It is necessary to turn on the voice before singing, and drinking some boiling water can help to turn it on. When the sound is turned on, the throat will not be uncomfortable.
Take your time, scientifically know your voice, and everyone can sing good songs.
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Answer kiss, hello, of course, the highest part of singing is the most innate, the natural vocal cords are tough and powerful and the lung capacity is huge, and the dantian gas supply and gas storage are sufficient to determine the level of the voice, and the acquired training is the sound of the modulation and frustration and mellow fluency and emotional investment, the natural treble can be the most shocking, which makes people unforgettable and intoxicated.
As long as you go to development, find a vocal teacher to teach you how to pronounce it, and practice regularly, you will definitely improve.
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Question: Can you develop a high pitch with hard practice?
1. The treble can be practiced. Singing the treble needs to use the dantian voice, you can experience the singing of the treble in a jumping way, when practicing the treble, the legs suddenly jump upward, you can feel the smooth breath, the waist and lower abdomen expand outward, the voice will also be very smooth, which can solve the problem that the treble does not go up and the breath is stiff and not smooth.
3. Learn to use the dantian and the sound cavity of the body, including the chest cavity, nasal cavity, head cavity, and laryngeal cavity. Before practicing the high note, the small tongue is lifted and the breath is inhaled as if yawning, so that the throat is more open, and the larynx should not move up with the pitch, but gradually descend and remain in the state of inhalation. When practicing treble, the cheekbones should be more actively open, the whole singing state should be more active and excited, and the jaw needs to be relaxed downward, to the sides, and back.
5. Reverse mention, that is, changing words under the throat. Generally speaking, the larynx is easy to raise when singing high notes, so you can change it an inch or two inches or so below the throat, or "change it close to the shoulder, change it at the base of the neck". When singing in this way, the voice is easier to perpendicular and the throat is easier to open, so you can enter the head voice more quickly and find the focus of the treble.
6. Singing a high note is different from singing a low note. The treble presses the air into a thin line and hits the vocal cords, and when the force of the diaphragm cannot be pressurized at the apex, the waist force must be used. When the lobes of the lungs are larger than the apex of the lungs, and the upper apex of the lungs is restricted by the ribs and cannot be enlarged anymore, the lobes of the lungs are used to expand outward from the bottom ribs.
To use waist force, you first use your hands to insert your waist (you don't need to pay attention to the abdominal muscles at this time, it will naturally work when you inhale), inhale the air around the waist, feel the front and back waist swell, and then close the air (open your mouth wide), force the waist and ribs inward, and push the chest upward, you will feel the pressure pressing the upper jaw, this is the method of using waist force.
It is recommended that you find a professional vocal teacher to practice, in case you practice incorrectly and hurt your vocal cords.
Hope it helps!
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