I remember that there is a song with ups and downs, and the first four keys are higher than the othe

Of course, it's half a tone.,E is one and a half tones lower than F.,Normally,F is higher than E minor two degrees.,Because it's a semitone.,The landlord adds points.。。

The Kanto pronunciation is the standard tone of the Japanese language, and its tones can be divided into the following types: type, type, type, type, type, type, type, type A high pitch indicates an accent, and a low pitch indicates a light tone.

Type: No matter how many syllables a word has (at least 1 syllable), start with the bass, rise on the second beat, and do not drop until the last beat is read.

Type: No matter how many syllables a word has (at least 1 syllable), it starts with the high note, descends on the second beat, and does not rise until the last beat is read.

Type: No matter how many syllables a word has (at least 2 syllables), starting with the bass, the second beat rises, the third beat descends and the last beat does not rise.

Type: No matter how many syllables a word has (at least 3 syllables), start with the bass, the second beat rises, the third beat holds, the fourth beat falls, and the last beat does not rise.

Type: No matter how many syllables a word has (at least 4 syllables), start with the bass, raise the second beat, keep it until the fourth beat, descend on the fifth beat, and do not rise until the last beat is read.

Type: Regardless of the number of syllables (at least 5 syllables), start with the bass, raise the second beat, keep it until the fifth beat, descend on the sixth beat, and do not rise until the last beat is read.

Type: No matter how many syllables a word has (at least 6 syllables), start with the bass, raise the second beat, keep it until the sixth beat, descend on the seventh beat, and do not rise until the last beat is read.

And so on.

The first thing you have to remember is that in a certain word, the first two fake names must be opposite. And there are no two accents (no jumps).

0 The first beat is low, and then all high.

1 The first beat is high, and then all is low.

2 One low, two high, three start all low.

3 One low, two high, three high, four start all low.

4 One low, two, three, four high, five all low.

My method of memorization. Except that 0 is special (due to the rule I mentioned at the beginning). The beginning of 1 can be thought of as several keys, that is, the beginning is low and then the second beat is high, all the way up to that key. And then down in the back ...

The accent is a few keys on the first few notes.

Girls have a higher vocal range than boys. On average, girls are three or four degrees taller than boys. Therefore, many girls' songs are too good for boys to sing in the original tune, and if they are lower octaves, they are too low. This is normal. You see, many male singers cover girls' songs, and they often sing them in a few lower keys.

People who can sing girls have a particularly high voice condition, which is the so-called fake female sophono. There will be such a character in the boys' chorus. This kind of person's voice condition is quite rare, and ordinary people don't want it.

One more point: Strictly speaking, when girls and boys sing the same note, the girl's voice is an octave higher than that of the boy, but because of the difference in timbre between men and women, this is generally not emphasized.

Different voices Boys have a thicker voice than girls.

**The keys of C, G, and E refer to the key signature.

1.C is dominated by C notes, and the natural major form is C major, and C major is a non-sharp and flat. The scale structure is as follows:

2.G key is dominated by G notes, and the natural major key is G major, which is recorded as a sharp sign in the staff. The scale structure is as follows:

3.A is a key with A as the main note, and the natural major key is A major, which is recorded as three sharp signs in the staff. The scale structure is as follows:

4.D is the dominant key with the D note as the main note, and the natural major key is D major, which is recorded as two sharp signs in the staff. The scale structure is as follows:

According to the relationship between the whole tone and semitones, the rest of the tones in E are introduced, and G is G in C (that is, 5), which is equal to G key, and G is A in C (that is, 6), which is equal to Do in G key.

There's a lot of glue upstairs that doesn't seem like you're wondering.

Let me answer it in the simplest way possible.

1 What is the key of C In layman's terms, the 1 (dao) in a song is the c (dao) in absolute pitch

What is absolute pitch is that people artificially prescribe the sound of a beautiful series of frequencies that they hear in nature, cdefgabc, which is what you usually hear: dao ruai mi fa sao la xi dao

A song is in the key of C, which means that the dao in this song is the rain absolute pitch, and the C sounds the same, either an octave higher or an octave lower.

2 A and C can't be compared, unless you say they're in the same octave, I won't explain it, you look it up yourself.

If you have to ask, who is taller in the same octave? Of course, it's a up, because it's a (la) in an absolute pitch to 1 (dao), and you sing it yourself, dao ruai mi fa sao la la must be higher than dao.

3 How is it calculated? Since you're a beginner, you don't need to know about this. To put it simply:

The octave I just mentioned refers to the pitch you raise from you singing 1 to 7 to the next 1. Then going from 1 to 2 is an increase of 2 degrees. Then going from 1 (which is what you call the key of C) to 6 (the key of A) requires an increase of 6 degrees.

In other words, in the same octave, A is 6 degrees higher than C.

Nima said that he wanted to talk about it simply, but he talked a lot about it.

He continued to ask me if he didn't understand.

Don't forget to give points

I look at your staff, and the D key you give is 2 black keys 6 and 7. Whether there is one less or not, 3 should also be a black key in D key.

The song C key shows that she is in the key of G on Monday, it belongs to the high C key, it belongs to the low tone, I hope it can help you.

There are 7 major keys, 7 minor keys, as well as falling and rising keys, and you still have to see the specifics yourself!

A is one degree higher than G. The order is basically alphabetical: cdefgab

1/4 shot no!

Only 2 4, 3 4, 4 4, 6 8

It is to take the (denominator) fractional note as a beat, and I learn ** in each measure (numerator), believe me!

A minor, B flat major, G major, C major, D major, E major, F major.

G is in high and A is in high tone, A is in high tone.

1/4 should not be, generally 2 4,3 4,4 4,6 82 4: A card with a quarter note and 2 beats per measure.

3 4: A card of 4th note with 3 beats per measure.

4 4: A card of 4th notes, with 4 beats per measure.

6 8: A card of 8th note with 6 beats per measure.

There are a total of 7 keys, and the order is c, d, e, f, g, a, b (corresponding to different basic tones as dao).

C is the lowest, B is the highest.

1/4 beat means that there should be four such long notes in a beat.

There are 7 keys in total, and the order is c, d, e, f, g, a, b

C is the lowest, B is the highest.

There are 30 tones in total.

Natural major, seven-tone scale, has a total of 15 keys, three of which are homonyms, so listening to it with your ears is 12 keys and writing is 15.

The same can be said for minor keys.

So deduce it.

C major, A minor (no sharp-sharp).

G major, E minor (one sharp).

D major, B minor (two sharps).

A major, F minor (three sharps).

E major, C minor (four sharps).

B major, G minor (five sharps).

F major, D minor (six sharps).

C major, A minor (seven sharps).

F major, D minor (one flat).

B major, G minor (two flats).

E major, C minor (three flats).

A major, F minor (four flats).

D major, B minor (five flats).

G major, E minor (six flats).

C major, A minor (seven flats).

1. A major.

It consists of a, b, c, d, e, f, g, and a. Other major keys, such as C major and A major, refer to the keys arranged according to the twelve equal laws. Related types of songs such as piano sonatas in A major.

2. C major.

A natural major key that begins with the C note, consisting of C, D, E, F, G, A, B. It is a key without sharps and flats. Songs of related genres, such as the Cello Concerto in C major.

The first note in C major is the I note, which is often called as the dominant note in the entire major"Lead"。

In this way, the C scale is 1234567, and the F key is 456 to 7123This means that the first note in C is 1 and the first note in F is 4,。。 It's so tangled to explain.,Buy a music theory book.,Get started in a week.,That's it.。。。

You can't play songs in other keys with a harmonica in the key of C, but you can play it with a chromatic harmonica. However, songs in different keys can be blown on the C harmonica, but the tone is not accurate. The melody is the same, but it's just not in tune.

Your question is too big, and too much, I think you first understand what is "tune four fishing two" will tune four fishing two, what else tune 5 fishing 6, tune 10 fishing 1 and so on are all a principle, and as for the hook under the water what state you had better ignore first, and don't put too much effort into this, and so you will adjust four fishing two practice for a certain period of time, needless to say, naturally know, but definitely not the first floor said. I just heard the "tune four fishing two" when I was also confused, and then slowly heard a one or two, fishing this thing can not be taught, only really interested in can be realized, about the tune of four fishing two, I only give you a way of thinking (more unintentional, even counterproductive) depends on your own understanding: let the buoyancy of the float lift the lead sinker and the double hook, let the hook off the bottom, and let the float expose the water surface of the four eyes (the whole process is achieved by adding or subtracting the lead skin), as for the fishing two is to hang the bait, Push or pull the float up or down to expose your eyes.

Having said that, it is recommended that you try it in a deep fish tank or in a fishing tackle shop's drifting bucket, which is very simple. The double hook is empty, and the bait is hung when fishing.

The number indicates the grid on the buoy, also called the mesh, and the meaning of adjusting the four fishing two is that the suspension state is not added when the bait is added, and the four eyes are floating above the water surface, and when fishing, two bait groups are added, and two eyes are fished. At this time, one of the bait balls is lying on the bottom, and the other is just close to the bottom. Adjust four to fish four, the double bait is on the bottom of the mud, and the plumb sinker may be in the end; Tune four to five or six, and the lead falls on the bottom of the mud.

These three conditions are ranked from sensitive to sluggish.

Adjust the fourth fishing is the lower hook and touch the bottom lightly Adjust the fourth fishing four is the lower hook and lie on the bottom and the upper hook lightly touch the bottom Adjust the fourth fishing five or six is the double hook is lying on the bottom.

The more mesh you fish, the smaller the action (pause), and the smaller the number of fishing, the bigger the action (spirit).

Wild fishing is easy to dart, and it is suitable for fish ponds or when the current is not very moving.