What does the word house boy mean in Pastoral Music .

Pastoral music Wang Wei.

The peach color is full of rain, and the willow green is more smoky.

The flowers have not been swept by the children, and the warblers are still sleeping.

The petals of the peach blossoms still bear the raindrops of last night, and the willow trees after the rain are green and shrouded in morning smoke. The petals that were knocked down by the rain were sprinkled all over the courtyard, the children had not yet gotten up to clean, the yellow warblers were crying, and the mountain guests were still sleeping.

Housechild: A general term for private servants in the old days.

1, in "Pastoral Music"."Housechildren"It means a servant in the house.

2. Source. Seven Songs of Pastoral Music, Six Idleness".

Dynasty: Tang Dynasty.

Original text: Peach red with rain, willow green with smoke.

The flowers have not been swept by the children, and the warblers are still sleeping.

3. Translation. The peach blossoms are purple and red, and there are still remnants of the rain and dew at night;

The willows are verdant, still accompanied by the early morning haze;

The petals of the flowers fell all over the path, and the servants of the house had not yet cleaned them;

The yellow warbler cries early, and the people who live in the mountains are still sleeping comfortably.

4. Wang Wei (701 761, 699-761), the word Maha, Han nationality, a native of Puzhou, Hedong (now Yuncheng, Shanxi), ancestral home of Qi County, Shanxi, a poet of the Tang Dynasty, known as the "Poetry Buddha". Su Shi commented on it: "The poem of Taste Maha Jie, there are paintings in the poems; Looking at the painting, there is poetry in the painting.

In the ninth year of Kaiyuan (721), he was appointed as Taile Cheng. Wang Wei is a representative of the poets of the Tang Dynasty, with more than 400 poems in existence, and important poems include "Acacia" and "Autumn Dusk in the Mountain House". Wang Wei was proficient in Buddhism and was greatly influenced by Zen Buddhism.

Buddhism has a Vimala Sutra, which is the origin of Wang Wei's name and character. Wang Weishi's calligraphy and painting are very famous, very versatile, and very proficient. Together with Meng Haoran, he is called "Wang Meng".

"Pastoral Music Copy" is a group of poems composed of seven poems and six quatrains, writing about the pleasure of the author's retreat to the Rim River Villa du and getting close to nature. Here are one of them. The poem writes about spring "sleep", "warbler crying", "flowers falling", and "staying in the rain", which is easy to remind people of Meng Haoran's five unique "Spring Dawn".

The advertising fee has just been weird and weird, and the method has just been awkward.

The meaning of the poem "Pastoral Music": The red peach blossoms still contain the new rain overnight, and the green willow silk has a faint spring smoke. The children at home did not clean the petals, and the yellow warbler cried and the idle mountain guests were still asleep.

Source] "Pastoral Music" - Tang Wang Wei.

The peach color is full of rain, and the willow green is more smoky.

The flowers have not been swept by the children, and the warblers are still sleeping.

Idyllic

Wang Wei's peach color is full of rain, and the willow green is more with spring smoke.

The flowers have not been swept by the children, and the warblers are still sleeping.

Note: The original poem consists of seven poems, and it is the best of the six quatrains together with Wang Anshi's "Title of the West Taiyi Palace" by Wang Anshi of the Northern Song Dynasty.

Appreciation: Wang Wei's poems, there are paintings in the poems. In this poem, the poet depicts a picture of the quiet, leisurely and beautiful life of the pastoral life on a morning after the rain, showing the poet's hidden feelings.

You see, on a spring morning, the peach blossoms bring rain, the green willows contain smoke, the flowers fall and the warblers cry, the mountain guests still sleep, the scene is more quiet and beautiful, and life is more leisurely and comfortable! In particular, the scene of "warbler crying" and mountain guest "sleeping" written in the poem not only has the artistic effect of combining movement and static with movement and static, but it is not difficult for us to appreciate the infinite fun of life in the mountains from the performance of the characters' sleep!

Huang Sheng's "Yulin Poems" cloud: "Six-word quatrains, such as Wang Majie's 'Peach Red Fuhansu' and Wang Jinggong's 'Yang Liu Ming Green Dark' are the most alarming, and it is difficult to succeed later." "Very well commented.

1 What are the characteristics of the poem in terms of its setting? (There are paintings in the poems, and the forms are painted; The combination of movement and static, the scene is blended; The battle is chic, and the yin rhyme is sonorous. ）

2 What is the state of mind of the "mountain guest" in the poem? (Leisurely and quiet).

Translation: The red peach blossoms are still holding the overnight raindrops, and the green willow trees are shrouded in a faint spring smoke. The children have not yet cleaned the fallen flowers on the ground, the warblers are crying, and the mountain guests are still sleeping.

Tang poem "Pastoral Music" animation early education, how many parents still teach their children to learn poetry and songs.

The red peach blossoms still contain the overnight heart, the green willow silk is even more with a faint spring fireworks petals falling at home Xiaotong did not clean it, and the yellow warbler cried idle three grams yo word year.

The red peach blossoms are still holding the new rain overnight, and the green willow silk is even lighter with a faint spring smoke.

(Tang) Wang Wei.

The peach color is full of rain, and the willow green is more smoky.

The flowers have not been swept by the children, and the warblers are still sleeping.

Explanation of the poem] The red peach petals still contain the raindrops of last night, and the willow trees after the rain linger in the morning smoke. The petals that were knocked down by the rain last night have not been cleaned by the children, the yellow warblers are crying, and the mountain guests are still sleeping.

1. Translation.

The petals of the peach blossoms still contain the raindrops of last night.

After the rain, the willow trees are green and shrouded in morning smoke.

The garden was sprinkled with petals from the rain, and the children had not yet cleaned it.

The yellow warbler is crying, and the mountain guests are still asleep.

2. Original text. Pastoral Music (Tang) Wang Wei.

The peach color is full of rain, and the willow green is more smoky.

The flowers have not been swept by the children, and the warblers are still sleeping.

3. Brief analysis. Pastoral Music is a set of six-character quatrains by Wang Wei. This group of poems was written by the author when he retired to Gongchuan, so the title is "Six Words of Gongchuan". The poem shows the infinite pleasure of the author's closeness to nature after retiring to Gongchuan, and also concentrates on the artistic environment of the author's landscape and pastoral poetry creation and the mental track after returning to nature, which is a rare artistic treasure and an important material for future generations to study the development of Wang Wei's thought and poetry creation.

Pastoral Music is a poem written by the Tang Dynasty poet Wang Wei, and the following is the full text:

Seven Songs of Pastoral Music, one of them.

I am tired of seeing thousands of households, passing through the north and the south.

The government has a bottom, who does Kongtong distribute.

Seven Songs of Pastoral Music, Part II.

Goodbye to the marquis of ten thousand households, talk about giving a pair.

Praise the coupling ploughing of the south acre, how to lie high in the east window.

Seven Songs of Pastoral Music, Part III.

Cailing ferry head is in a hurry, and the cane is slanted in the west of the forest.

The fisherman by the apricot tree altar, the family in the peach blossom garden.

Seven Songs of Pastoral Music, Part IV.

The spring grass is green in autumn, and the long pine is cold in summer.

Cattle and sheep return to the village lanes, and children don't know how to dress.

Seven Songs of Pastoral Music, Part 5.

The lonely smoke is far away from the mountain, and the sky is a lonely tree plateau.

A scoop of face back to the alley, Mr. Wuliu to the door.

Seven Songs of Pastoral Music, Part 6.

The peach color is full of rain, and the willow green is more smoky.

The flowers have not been swept by the children, and the warblers are still sleeping.

Seven Songs of Pastoral Music.

Drinking wine will be near the spring water, holding the piano and leaning on the long pine.

The dew sunflower in the south garden folds in the morning, and the yellow sorghum in the east valley is in the night.

The flowers should be cleaned, but "the children did not sweep". Not sweeping is not not sweeping, but because the people have not yet risen in the morning. This scene of no one judging the falling flowers all over the ground is not a quiet interest.

The flowers should be cleaned, but "the children did not call to sweep". If you don't sweep it, you don't sweep it, but because people haven't gotten up in the morning. This scene of flowers falling all over the ground that no one cares about, isn't there a quiet interest. This is exactly the realm of repentance that Wang Wei prefers. From Encyclopedia.

The poem "Pastoral Music" expresses the full text of the spring scene. "Pink" and "willow green" are the characteristics of spring, and "still sleeping" is the reference for spring sleep.

Original poem: The peach red compound contains the rain, and the willow green is more smoky.

The flowers have not been swept by the children, and the warblers are still sleeping.

Notes: 1. Pastoral music is a group of poems composed of seven six-character quatrains, which shows the fun of Wang Wei's retreat to the Rim River Villa and the intimacy with nature, so the first title is "Rim River Six Words".

2. Suyu: It rained last night.

3. Mountain guest: a person who lives in seclusion in the mountains.

Interpretation: The petals of the peach blossoms still contain the raindrops of last night, and the willow trees after the rain are green, shrouded in morning smoke.

The petals that were knocked down by the rain were sprinkled all over the courtyard, the children had not yet gotten up to clean, the yellow warblers were crying, and the mountain guests were still sleeping.

"Seven Songs of Pastoral Music" is Wang Wei's later work. The poem "Pastoral Music" expresses the full text of the spring scene. "Pink" and "willow green" are the characteristics of spring, and "still sleeping" is the reference for spring sleep.

In his later period, Wang Wei basically held an attitude of indifference to reality that was "indispensable". At first, he lived in seclusion in Zhongnan Mountain, and later got Song Zhiwen's villa in Lantian Gongchuan, and his life was more leisurely. This group of poems was composed during Wang Wei's retreat to Lantian and Chuan, so it is also called "Six Words of Gongchuan".