Poetry, as long as poetry is fine, to write poets, era, the more the better, no need to write poetry

Summary. Dear, because poetry is not only the best in life, but also higher than life, just like Yu Qiuyu said, people who thoroughly poetize their lives have not appeared before Qu Yuan. In fact, until now, we can still see two kinds of poets.

One is just a "poet who writes poetry", when he sees clouds and water, he emerges to write poems about clouds and water; On the contrary, he is a poet himself, a poet in his bones, and his thinking, emotions and way of dealing with people can be copied with the nature of the Venerable Master's obsession with one click.

11 Why is it that poets are poets who do not admit this, there would be no age of poetry? Please agree.

Can you hurry up and take my exam.

Dear, because poetry is not only the best in life, but also higher than life, just like Yu Qiuyu said, people who completely poetize their lives have not yet cultivated a good chain before Qu Yuan. In fact, until now, we can still see two kinds of poets. One is just a "poet who writes poetry", when he sees clouds and water, he emerges to write poems about clouds and water; On the other hand, he is a poet himself, a poet in his bones, and his thinking, emotions, and the way he treats good people are matched with the natural sounds that the Master Sun is obsessed with.

12 questions. 13 questions.

12. A gentleman refers to a person with moral cultivation.

Zhiyuan, to achieve lofty ideals.

Impatient and adventurous. A house of poverty.

13, the main purpose is that the husband and gentleman's trip should be quiet to cultivate oneself and thrift to cultivate virtue. It is discussed in terms of ideals, knowledge, temperament, and interactions with people.

Many friends have said that they have seen a lot of poems in their current life, which can be well in line with contemporary culture, but in the actual learning process, they still need to continue to respect ancient poetry. So why is there such a contrast? In fact, the main reason is that although modern poetry can reflect modern life, it still does not have the rhythm of ancient poetry, and it still has shortcomings.

Next, I will talk to you about this topic in detail. <>

Although modern poetry can be said to reflect contemporary life, its cultural appeal is far from reality. Because the poems written by some modern poets are often too idealistic, they are too narrow-minded, they want to limit the modern poems they write, and only communicate in private circles, and they don't care whether they can be understood by the public. As a result, because of this, modern poetry is slowly detached from the people, slowly detached from life, and becomes more and more difficult to understand, because it is necessary to continue to promote metrical poetry.

The rhythm of ancient poems is more palatable than modern poems, especially many ancient poems, which are very catchy after everyone reads and recites them. Moreover, the description of the environment and the shaping of the artistic conception of ancient poems are also very good, which can resonate. Modern poetry also needs to draw on the advantages of ancient poetry, to depict better scenes in popular language, to contain stronger feelings in the poems, and to resonate with readers.

In this way, modern poetry can be combined with ancient history, so that ancient poetry can continue to develop in modern times. <>

To sum up, it can be understood that the main reason why everyone now wants to respect metrical poetry is because the metrical poetry contained in ancient poetry still has reference significance for modern poetry, which can make poetry more artistic conception and close to people's lives. If modern poetry can integrate this, it can no longer be a small circle of communication, and the public can understand the profound culture in it.

In addition to not being confined to rhyme, modern poetry can be written as you like, and more strongly express the author's own feelings, there is nothing like metrical poetry. Modern poetry is a good thing. On the basis of the vernacular, it expresses its feelings more strongly in the language of poetry.

It's just that today's modern poetry, let alone taking responsibility, is becoming increasingly difficult to integrate into contemporary culture, as the problem points out. Actually, it's not that I despise modern poetry. Although the metrical poetry is good, as long as the modern poetry truly carries the backbone of the times, the metrical style will become a work of art like calligraphy, and it will enter the museum to appreciate and learn, and become a purely personal art.

Dazzled.

China's poetry culture is very prosperous, not only diverse, but also passed down from ancient times to the present, even under various changes, you can still see the shadow of the past. Chinese culture can be passed down and preserved in the 5,000-year long history, and poetry culture is also an important witness to it. From the corpses of ancient style poems, limerick poems, limerick poems and other game texts, to the development and evolution of modern poetry in the later period, the introduction of impressionism and hazy absurd colors, etc., all injected vitality into the development of poetry.

Even now, when the poetry culture is flourishing, people still have not forgotten the most ancient metrical poems, and when we learn poetry now, we still regard the writing of metrical poems as one of the important contents.

This is due to the fact that the problem of metrical poetry is relatively good, and the atmosphere created is relatively strong, which can make it easier for people to remember.

From classical poetry to modern new poetry, aesthetic tendencies have changed in many ways. Here's how I elaborate on this issue from a few perspectives:

Changes in theme and content: Classical poetry usually focuses on nature, love, life, history, landscape, etc., while modern new poetry pays more attention to modern people's life and thoughts, emotions, thoughts, and social issues. For example, Tang Dynasty poet Bai Juyi's "Farewell to the Ancient Grass" uses the scene of the grassland to express the emotion of parting, while the modern poet Beidao's "Returning to the Source Bureau" responds to the challenges of the times through a strong spirit of resistance and humanitarianism.

Changes in language and form: Classical poetry usually pays attention to rhetorical techniques such as rhyme, rhythm, and antithesis, and the language is more elegant and subtle, while modern new poetry pays more attention to the freedom, unrestrainedness, intuitiveness, and individuality of language. It expresses a light, free atmosphere.

Changes in aesthetic emotion: Classical poetry usually pursues the profundity of artistic conception, the subtlety and introverted emotion, while modern new poetry pursues more direct, clear and explicit emotions. For example, the Tang Dynasty poet Li Qingzhao's "Like a Dream Order" expresses an elegant and graceful emotion through the depiction of drunken scenes, while the modern poet Hai Zi's "Facing the Sea" expresses the yearning for life, freedom and love through straightforward language.

In short, from classical poetry to modern new poetry, aesthetic tendencies have changed in many ways. This change is not only the inevitable result of the development of literature, but also a reflection of the changes of the times and the transformation of human thoughts. By comparing the characteristics of literary works in different periods, we can better understand the development of literature and the evolution of human culture.

Beidao's "Life" is a poem with one word: net.

The mountains and rivers are exhausted, and there is no way out, and the willows and flowers are bright and another village.

25.and if he commits many acts of injustice, he shall be killed.

26Read the book a hundred times, and see its righteousness.

27.If you learn alone and have no friends, you are lonely and unheard.

28.When the children don't know each other, they smile and ask where the guests are from.

29.Hearing is better than seeing, and seeing is better than doing.

30.The snow is falling in the twilight, and the wind and red flags are not overturned.

31.Quiet self-cultivation, thrift to cultivate virtue, non-indifferent without clear ambition, non-quiet without far-reaching.

32.The new leaves of the forest urge the old leaves, and the front waves of the flowing water make the back waves.

33.There is no doubt if you don't ask, and you can't have a wide range of knowledge if you don't learn.

34.The lonely sail is far away and the blue sky is exhausted, but the Yangtze River skyline is seen.

35.If you want to do a good job, you must first sharpen your tools.

36.Gou Quan's life is in troubled times, and he does not seek to reach the princes.

37.A leopard in the tube, only a glimpse.

38.Heng Mei coldly pointed at Qianfu, bowing his head and being willing to be a son of a cow.

39.Misfortune and blessing rely on, and blessing and misfortune lurk.

Grape wine luminous glass, want to drink pipa immediately urge.

The horse wears the mountain trail chrysanthemum and the early yellow, and the letter horse grows in the wild.

The scenery is different in autumn, and the geese in Hengyang go without paying attention.

Yan Hong returned after the warbler, and he calculated the thousands of floating lives.

Xunyang Jiangtou night send-off, maple leaves and flowers in autumn.

Cui Hao (704?- 754), Bianzhou.

Now Kaifeng) people. His poem is named.

It is very large, but the deeds have been circulated very little, and there are only about forty poems in existence.

Gift a master.

The mage is southeast show, the son of the world's wealthy family.

Cutting hair for 12 years, chanting Emeili.

Since then, he has been a group of people, and he has been a Daoxiong.

Contemplating life is delusional, and realizing that everything is empty.

The body is free of staining, and the painstaking return to the Miao Sect.

Once the edict arrived, it was summoned to Chengming Palace.

In the Golden Palace, incense is forbidden.

Spread the lights all over the capital, and the cane tin traveled to the prince.

The Son of Heaven said wonderfully, and the crowd tended to have the upper hand.

I have no law, and I come out of the forest when I come.

Because of the heart, the city is transformed with medicine.

The heart of the yellow house is opened, and the common people are bound down.

As soon as you enter the king's door, there is no dawn and darkness.

The emperor is the king of the wheel, and the teacher is the precept holder.

The wind sprinkles nectar, and the Buddha rain gives birth to the roots.

But there is a reason for extinction, and there is a blessing for the sake of life.

Re-hearing the song of the rivers and seas, so that it can be killed into a custom.

The emperor said that I am a master, in order to get rid of the bloody desire.

It is the day of the west Qin, southeast to Qichun.

The wind will connect Henggui and Wu Chu.

The old and young Qing believers, the real many fishing hunters.

As soon as I heard my teacher, I was on the shore of the rivers and lakes.

Confess the previous evil, and the cause of the purity and sincerity.

Because of the long time, the work is not kept.

More out of the Huai Chu room, back to the Jing River estuary.

Jing Hippo Qingcen, here is close to Daolin.

The birds are often talking, and the zazen beasts are not invaded.

It's not the end of the fate, it was once a teaching office.

Therefore, as soon as I come, I will always inherit the subtle sound.

The bamboo house sees the mantle, and Song Yu clears his body and mind.

Early regret is shallow, and late success can be found.

Good and righteous, pure as **.

Handan Palace is resentful.

Handan Mo was in the spring of March, and he met a woman at dusk.

He said that he was in the township and Yan Zhao, and he entered Qin with his family in the west.

The mother and brother are loving and have no couple, and the five-year-old name is Gillian Girl.

Seven-year-old plump and good color, eight-year-old Hui Hui can speak.

Thirteen brothers taught poetry and books, and fifteen Qinglou learned singing and dancing.

Next to the road in my green building, the curtain of the screen window smells the fragrance.

Sunset sheng song stationed in Junma, spring makeup and concubine broken intestines.

There is no need to make a son-in-law in the south of the city, and I want to serve thirty servants.

How do you know that the Han Emperor is good-looking, and the jade chariot is brought back to the Jianzhang.

The palace of Jianzhang is unknown, and the thousands of doors are deep and long.

Hundreds of pepper coated with green trivia, Jiuhua Pavilion Road even cave room.

Crystal curtain foil mica fan, lure window tortoiseshell bed.

Every year and year, the feast is fought, who is not envious of the delicate and glorious.

Kindness is better than Queen Chen, and the favor is better than Zhao Feiyan.

I don't know the world in the Yao room, and the people in the golden house are nowhere to be seen.

Who said that day after day, the king abandoned the city and changed the dynasty.

The palace car was buried in Maolingtian, and the concubine was left alone in the Changxin Palace.

Once the crown prince was promoted to the supreme, the personnel in the palace were turned upside down.

At the same time, the maid was slandered, and later the newcomer did not dare to speak.

The brothers' seals were all taken away, and the rewards of the past were no longer there.

Once released back to the old village, the tears in the car are still entered.

My parents were proud of my wealth, and I married the grandson of King Xishejin.

Thinking of this, who can protect the prosperity and decline of a hundred years?

Remembering yesterday is still like a spring flower, and the sad present has become an autumn grass.

The boy goes to don't stop whipping, everything in life is up to God.

I am not the only one who is like this today, but the past and the present are all the same.