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It's still about the region. The concert of the two people has some dialects, if you don't understand it or don't listen to it often, you may not feel the fun in it. I was not born in the Northeast, my hometown is from the Northeast, and I have never been back if I am too far away.
But I still like to listen to the two. will avoid those meat jokes and dirty mouths. In fact, many of the current two-person turns have also been purified, and they are developing for the better.
Especially the green two-person turn launched by Mr. Zhao Benshan, his theater said that dirty mouth would be fined internally. But many small theaters have to say that there will still be chaos. The level of education is not high, and the venue is cluttered.
The two of them also have the saying that the father-in-law and daughter-in-law can't look at each other. In fact, the real traditional two-person turn will not have a lot of mess. The times have evolved, and the two have turned a little bit into a two-person show.
Tell a joke, sing a couple of songs, and dress up to amuse everyone. It's a bit of a loss of the original innocence of the two.
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The two-person turn can't be regarded as an opera. Although the duo is good at singing, they belong to the music category. The two people are widely popular in the three northeastern provinces, the earliest name is singing and jumping, because the two people turn to the venue is not very demanding, so in the northeast in the past, in the winter for the indoor kang performance, also got a kang head play nickname.
The two of them pay attention to nine tones, eighteen tones, and seventy-two hi hi. Later, Jilin Province derived Ji Opera according to the singing voice of the two-person turn, and Ji Opera was listed as one of the types of opera, and the two-person turn did not have the main elements of opera - roles, singing voices, and scenes. Therefore, the two of them belonged to the quyi category.
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A folk grass stage art that can be staged without a very formal occasion. As a native of Northeast China, I feel that this kind of opera is very different from other operas in terms of words, music, and artistic conception. In order to entertain the audience, there are many ** words and sentences in it, which cannot be called Yayin.
The two of them are glorious, thank you Uncle Benshan.
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Now the two of them are turning to three directions, one is refined, the other is commercialized, and the other is vulgarized.
Elegant things are not people's, folk art, and the two people are packaged into Kunqu Opera, so is it still called the two people turning? !
Commercialized things are not real art, but profit-making under the cloak of copper smell, which is liked by those who make money, but not by those who spend money.
Vulgar things can only cater to the tastes of a small number of low-level interesting people, and most viewers don't like it.
So I think the current duo can be watched, but it's not good-looking.
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The Northeast Duo Zhuan is an authentic Chinese art, which originated earlier than cross talk and is deeply loved by the people. The art form of quyi that the people can understand should be carried forward, as long as it can make the people happy, it is art.
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Now the two-person turn has completely lost its original appearance, it is not a performing art at all, but it has become a tool for people to vent their boredom, there are still so many people appreciating it, I really don't understand, Zhao Benshan's two-person turn has been strongly opposed by the Americans in the United States, which is enough to show this, I hope it can return to its original appearance, let's pray together.
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It is very beautiful and distinctive, this is an art with a local folk atmosphere, and it has a high appreciation value.
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It's all dirt'Buns, two bastards, three wildernesses, dog eggs are idle and have nothing to do with the calves, barking two throats, and playing happily.
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Local, vulgar Northeast local opera.
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The two-person turn is a kind of opera circulated by the folk in the Northeast, and the difference between Peking Opera and Kunqu Opera is that she is widely spread among the people, has a strong sense of rhythm and rhyme, tells a story, and the two of them have performed thousands of troops. I'm not from the Northeast.,Pure hand-to-hand talk about personal opinions.,I have time I hope you can see the pure green two-person turn.。
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Explanation of the two-person turn.
a song-and-dance duet popular in the northeast]
A type of quyi. Also known as double play, it is popular in Liaoning, Jilin and Heilongjiang. Performed by two people, once a ugly, singing, speaking, doing, dancing, and absolute as the main means of perfunctory interpretation of the rubber grip story detailed explanation is also known as "two people biography".
1.A kind of opera popular in Northeast China, accompanied by musical instruments such as banhu and whistle, and generally two people take turns dancing and rapping. (2).
It has developed from the "two-person turn" of quyi into a new drama Liang Yanqing species. Marco "About Rap**": The Northeast folk song and dance drama 'The Legend of the Duo' (or 'Ground Jumper') shows this process more obviously
The original form of 'The Duo's Biography was all rap, and it still retains some of the rap form until now. ”
Word decomposition Explanation of two è several names: one plus one (often capitalized "two" on banknotes and documents). Double, than: unique. Two things, something else: two auspicious words. No two prices. Two radicals: two.
Na Bingchen was born in 1930 in Ning'an, Heilongjiang Province, and is a Manchu. Visiting professor of Jilin University of the Arts, master's tutor. National first-class composer. >>>More
The two** Li Jing created a self-created two-person repertoire "Old Opera Fans", singing the hearts of Northeast opera fans.
Said two people turn. Vulgarity is a false proposition.
It is the prejudice and misreading of the two-person turn, it is only the trees, not the forest, and the blasphemy of the two-person biography, so I can't understand why I am so ignorant, rash and arbitrary, so treat the excellent dramas that are circulated in the Northeast folk, there are essences and dross in any drama, good and bad, why only talk about dross and not the essence, modern ** has a tendency to cater to low-level and obscene style, and there are indeed some vulgar and obscene performances, but it is not the mainstream. >>>More
This question is quite interesting, you can refer to the article "On the Dispute between the Northeast Two to the National Inheritor" ("Playwright" Magazine, Issue 6, 2016), which is very detailed and can be searched.
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