Let s talk about it, who is your favorite cross talk work?

Ma Sanli is always short on stage, eloquent, and listens very really. Cross talk was originally an exaggerated language art, but under Ma Lao's interpretation, it was naturally carved, and it sounded very natural and real, and this ordinary and real language state was realized under the premise that the cross talk lines of "word by word" have been made into the chest, and even the repeated words and sentences were written on the manuscript, but the performance was not bad for a word. I like his "White Affair Meeting", "Praise House", "Eating Lantern Festival" and "Check Hygiene". ‍

If I have to say whose cross talk I like to listen to the most, then I can tell you that Guo Degang's cross talk is my favorite to listen to. Lao Guo's cross talk is humorous and down-to-earth, the words are clear, and the voice is loud, no wonder many netizens say that they don't need to read subtitles to listen to Mr. Guo Degang's cross talk. The best thing about Mr. Guo Degang's cross talk is that it is basically closely related to the daily life of all of us, the cross talk that Mr. Guo and Mr. Yu Qian said together has also appeared on the Spring Festival Gala, and there are too many cross talk that Mr. Guo said, which can be searched on the Internet, and it doesn't cost money. ‍‍

Among all the cross talk actors, Mr. Ma Ji is the favorite. Ma Ji can be said to be the last real master in the cross talk world, and there is no one after. Ma Ji's works are numerous, and most of them are masterpieces.

His works, whether they are glorifying or satirizing, have reached a pinnacle that almost no one can surpass, especially for those who come after him. Ma Ji brought the praise-type cross talk to a very high height, whether it is "Ode to Friendship", "Looking for Uncle", "The Story of the New Peach Blossom Spring", or a few paragraphs (forgot the name) of the women's volleyball team, national table tennis, and mountaineering team members, all of which are very good.

After contacting Lao Guo, I specially found two people to play the **, which can relieve fatigue. Many people who oppose Guo Degang also have to admit that Guo Degang's cross talk during that period was indeed chasing the master, and there was no one to come. Especially "My Word Series" and "You Word Series".

On top of the structure of traditional cross talk, the psychology and life details of contemporary citizens are added, and they are amplified, and the form of self-deprecation or mockery is used to win the laughter and applause of the audience.

When I was a child, I liked the cross talk of Ma Ji, Zhao Yan, Jiang Kun, Li Wenhua, Shi Shengjie, Hou Yaowen, Feng Gong and others. At that time, there was no debate about new cross talk and traditional cross talk. Too much talk is new, and what's happening is all around you.

Cross talk is a smash hit, and when you turn on the radio, you can hear the voices of those active cross talk actors. At that time, Jiang Kun seemed to be the most active, and there were more works.

From the perspective of Hou Baolin and Ma Sanli's actors of this era, the favorite is Hou Baolin, who is more comprehensive in learning and singing, Ma Sanli and Liu Baorui are also good, but for some reason, I rarely hear their works when I think back now. As for actors other than them, I have heard a lot, such as Su Wenmao, Zhao Zhenduo and the like, I only remember one or two masterpieces, and I feel unhappy.

Ma Sanli, buy monkeys, eighty-one floors, check hygiene, etc., which are both coke and down-to-earth, never get tired of listening, this is the so-called kung fu, the so-called master. Personally, I feel that there are not many people who can be called masters, it seems that now the master is too cheap, worthless, any person can be called a master, I want to ask what they are doing with this kind of casually sealed master?

Master Hou Baolin's "Night Travel", Ma Ji's "Universe Brand Cigarettes", Jiang Kun's "Moving the Piano" and so on.

In the 80s and 90s, there were also many cross talk talents, and Ma Ji and Hou Yaowen were the first to be recommended, and their works were basically heard. At that time, people's laughter was low, and Jiang Kun's cross talk felt very funny, the so-called top ten laughing stars, and now the only ones who can listen to it again are Ma Jihou Yaowen and Feng Gong Niuqun.

I like to listen to the cross talk performances of Hou Baolin, Ma Sanli, Liu Baorui, Ma Ji, Liu Wenheng and other artists, and I hate Jiang Kun, a humor-deficient patient! Now I feel that Deyun Club's cross talk is still good! Just personal insights and preferences!

I love Ma's cross talk the most, and it is difficult to laugh when I hear disputes, except for Ma's no cross talk. Secondly, Guo Degang, Qiu Yingjun.

I like Niu Qun and Teacher Feng Gong the most. If you don't like sunspots, please don't squirt.,I like mine.,It's good if you like yours.。

Deyun Club likes it, Guo Degang, Zhang Yunlei, Yue Yunpeng, Guo Qilin, Meng Hetang ......I like to write endlessly.

I like to watch Mr. Guo and Zhang Yunlei the most.

Jiang Kun, Li Wenhua. Feng Gong, herd.

I like the cross talk of pigtailed Zhang Yunlei.

Guo Degang, Yu Qian, Gao Feng, Luan Yunping, Xiaoyue, Yue Yue, Sun Yue, Lu Xinyuhao, I love to watch.

Hou Baolin, Ma Sanli, Ma Ji, Niu Qun, Feng Gong, Zhao Yan, Liu Junjie.

Compared with Ma Sanli, all the people are not comparable, Ma Lao is a master, and the others are practitioners, just a job, including the current Guo Degang and Deyun Club, in comparison, they are nothing.

Ma Sanli teases you! Hou Baolin's Night Journey! Gao Yingpei fishing! Liu Baorui pearl jade white jade soup! Horse Season Universe brand cigarettes! Jiang Kun's tiger mouth reverie! ......

Ma Zhiming. Ma Zhiming was born in Tianjin in 1945 and is the eldest son of Mr. Ma Sanli, a cross talk master, and the audience who loves him respects him as "Young Ma Ye". In the 80s, Mr. Hou Baolin accepted his apprenticeship on his behalf, and worshiped Zhu Kuoquan as his teacher, and he is one of the most senior actors in today's cross talk industry.

Ma Zhiming's representative works include traditional cross talk "Big Bodyguard", "Geographical Map", "On Boxing", "Newspaper Dish Name", "Article Meeting", "Open Porridge Factory", "Selling Sen Potato Hanging Tickets", and more original works "Dispute", "Five Flavors", "Night Mahjong Sound", etc., his cross talk creation is ** in life, and after artistic processing, it has become a classic work of "Ma's cross talk" this coder.

The audience first knew Ma Zhiming because of "Five Flavors". In 1986, Ma Zhiming and Xie Tianshun participated in CCTV's first professional cross talk actor competition in Beijing, and the mock performance was "Five Flavors". This cross talk is an idea from Zhu Xueying of the choreographer and director group of Tianjin Quyi Troupe, written by Shi Shichang, processed by Ma Zhiming, and integrated into the artistic technique of Ma's cross talk.

It took 20 days for Ma Xie and the others to practice and change their books, and the effect was quite good when they participated in the semi-finals in Beijing, but unfortunately they only won the Excellence Award in the finals.

I actually like traditional culture since I was a child, and cross talk, as one of the traditional cultures, is naturally in the series I like.

However, my impression of cross talk in the past was playing allegro or something, which was relatively shallow. After Deyun Club became famous in the country, the successive programs and cross talk performances gave me a new understanding of cross talk.

Deyun Club not only performs in its own small theater, but also has personal special shows for cross talk actors, but also makes movies and participates in variety shows ......The scope of development is particularly wide.

If I want to say who I like the most, it is Meng Hetang and Zhou Jiuliang, their pair is really very compatible.

Meng Hetang, formerly known as Meng Xianghui, applied for the Deyun Club in 2008 and passed, and since then he has entered the Deyun Club to learn cross talk. A year later, in 2009, he worshipped Guo Degang as his teacher.

As for Zhou Jiuliang, formerly known as Zhou Hang, he first studied cross talk at the Deyun Art Society. Coincidentally, the year Zhou Jiuliang joined the Chuan Xi Society happened to be the year of Meng Hetang's apprenticeship.

In 2010, they were partners together, and it has been 11 years since then.

When they partnered, Zhou Jiuliang was in the rebellious period, and Meng Hetang was tired enough, in fact, Meng Hetang was only 6 years older than Zhou Jiuliang, but he was tired enough to take on the role of father and brother.

Fortunately, later, Zhou Jiuliang transformed into a young man, and he also successfully apprenticed to his teacher, and was the same partner as Meng Hetang.

As soon as they came on stage, I felt very stable and gave people a very serious feeling. However, the cross talk works they created are innovative and close to current events, which makes people feel very interesting.

It's great to let the audience receive what they want to convey in the midst of laughter. Moreover, Meng Hetang and Zhou Jiuliang's own strength is not bad, they can dance and sing, and their talents have nothing to say.

I have been fond of cross talk since I was in the third grade of primary school, and I like Guo Degang's cross talk the most, because it is very funny and humorous, giving people a sense of joy and relaxation.

I have known cross talk since I knew Yue Yunpeng, and I like Guo Degang's cross talk the most, because he is very powerful and very connotative.

I've been fond of cross talk since college, and I like Yue Yunpeng's cross talk the most, because what he said is very funny and I like to listen to it.

I've been listening to cross talk since I was 10 years old. My favorite cross talk is: Ma Ji's cross talk. His cross talk is very good, and I never get tired of listening to it.