What kind of existence is Mo Yan in your heart

In my heart, Mo Yan is like a god, after all, the first person in China to win the Nobel Prize in literature, he dares to speak, dare to metaphorize, there are really not many such realistic ones, I like his works very much, and I often read them.

Mo Yan has no talent for language, and it seems that there are a lot of local dialects, but in fact, he translates the structure of language. Sometimes when writing about a hearty place or when the talent is exhausted, the details will also seem cliché and sloppy, not appropriate enough. In terms of storytelling, I think he is imaginative and pays more attention to the twists and turns of the storyline, which seems to be influenced by traditional Chinese myths and legends.

is a good writer, the feeling of telling a good story, Mo Yan's long testimonial when he won the Nobel Prize. He said: I was born ugly, many people in the village laughed at me in front of me, and a few classmates in the school who were domineering even beat me for it.

It takes a lot of courage to be able to say something like this, and I think he's not only a good writer but a brave man.

Mo Yan famously said that Goethe and Beethoven were walking side by side on the road. Suddenly, the king and a large number of nobles came from the opposite side.

Beethoven stood tall and stood up from the nobility. Goethe retreated to the side of the road and respectfully took off his hat and saluted. When I was young, I thought Beethoven was great, but as I grew older, I realized that it might not be difficult to do what Beethoven did, but it would take great courage to do it like Goethe.

Mo Yan actually expressed his silent position of "Mo Yan" through an intriguing paragraph, which is very valuable in today's China.

Mo Yan's ** is very good, I like it very much. In terms of road numbers, he clearly studied Faulkner, Marquez and Llosa. His depiction of Gaomi in Shandong has the flavor of Faulkner's Yoknapatawpha and Márquez's Magondo, while "Red Sorghum" has a direct reference to Llosa's homage.

As a result, he tends to write in a magical way (Chapter 5 of Red Sorghum), ornate in structure (the crested pork belly and leopard tail in Sandalwood Punishment), and fascinated by the exploration of narrative art, such as "Forty-One Cannons" and "The Song of Garlic in Paradise".

This semester, the teacher focused on Mo Yan, so I went to contact his works, I had no interest in this chubby little old man before, and I read his "Red Sorghum Family", and was thrown into the cold because I couldn't appreciate his writing style. Under the teacher's explanation and my own reading of Mo Yan's many books, I began to appreciate this little old man who paid the Nobel Prize in Literature as a down payment. I feel very open-minded, and what I want to be straightforward in my heart is correct, and if you have anything to say, you should be as anxious as me, haha.

Words really have power. I am willing to read Mr. Mo Yan's words word by word. When I watched it, it was very picturesque, as if Mr. Mo Yan had laid out that picture in front of me.

There is also a very significant Chinese style of the teacher. I like Mo Yan very much and love to read his literary works.

A person with low self-esteem, hatred buried in the bottom of his heart, who does not see the sunshine in his life or does not want to see the sun.

I remember reading Mo Yan's book for the first time in my freshman year in 2007, and I was very impressed, thinking that as long as Chinese can win the Nobel Prize in Literature, it must be him, because his language is something that Westerners can understand. However, I still think that Mo Yan's "Red Sorghum" is his pinnacle work, and there is no one.

Mo Yan is a writer!! Lu Xun was a writer!! Mo Yan is a once-in-a-decade encounter, and Lu Xun is a once-in-a-millennium encounter!!

Mo Yan is a person who will do anything to gain fame and fortune, and I look down on him.

In a gloomy environment, the man who let his filthy thoughts fly.

Mo Yan dares to speak straightforwardly and likes Mo Yan quotations.

is full of ruffians, and the text is cold. said some big questions very secretly, so that those orthodox literati couldn't hold back.

It's an angry little daughter-in-law.

The ideological connotation of the work is not large, the art is flat, and the name drives profit.

People who are rich in heart and good at writing are mostly not good at verbal expression.

Just because Mo Yan has known his goals since he was a child, he also knows that choice is more important than hard work, in this world, the direction is wrong, and efforts are in vain.

Mo Yan represents the opposite of Chinese culture, with no positive energy.

Nothing out of the ordinary, the problem is that it is used as a stick by Western countries!

When I first read "Sandalwood Punishment" and read the scene description of the scene where the actors on stage and the audience learned to meow, I asserted: This person may win the Nobel Prize in the future!

Mo Yan won the award, and most of them were not convinced!

I don't know, his dilapidated house shouldn't be used as a tourist attraction.

The article is profound, well-deserved, and will forever go down in history.

Mo Yan, formerly known as Guan Moye, was born on February 17, 1955 in Dalan Ping'an Village, Northeast Township Cultural Development Zone, Gaomi City, Shandong Province[1], vice chairman of the Chinese Writers Association,[2] winner of the 2012 Nobel Prize in Literature, and the first Chinese writer to win the Nobel Prize in Literature. [3]

In 1981, he published his first short story ** "Spring Night Rain Feifei" [4]. In 1984, he became famous for "Transparent State Makes Carrots". [5] In 1986, the novella "Red Sorghum Family" was published in the magazine "People's Literature", which caused a great sensation in the literary world.

In 1987, he served as the screenwriter of the film "Red Sorghum", which won the Golden Bear Award at the 38th Baifan Julin International Film Festival. [6]

In 2011, he won the Mao Dun Literature Award for "Frog". He won the Nobel Prize in Literature in 2012. The reasons for the award are:

Through hallucinatory realism, folk tales, history and contemporary society are fused. [7][8] In 2013, he was appointed Honorary President of the University of Online Literature. [9] In 2014, he was conferred the degree of Doctor of Letters, honoris causa, by the University of Hong Kong, Chinese.

10] In 2016, he was elected vice chairman of the 9th National Committee of the Chinese Writers Association. [11] In 2017, he received the degree of Doctor of Letters, honoris causa, from Hong Kong Baptist University. In December of the same year, he won the "2017 Wang Zengqi Chinese ** Award" for his work "The World is Peaceful".

In 2019, his work "Waiting for Moses" won the 15th October Literary Award for Short Stories[12]; In August of the same year, he received an honorary doctorate from the University of Diego Portales in Santiago, Chile [13].

Mo Yan won the 8th Mao Dun Literature Award in 2011 for his novel "Frog", and won the 2012 Nobel Prize in Literature on October 11, 2012.