How to play jazz drums, how to play the two ornamental notes of jazz drums

There are a few things to pay attention to when playing a drum kit:

1.Sitting: To keep your posture upright and your body relaxed, you can adjust the height and position of the seat so that your hands and feet can move smoothly.

2.Hand shape: Pay attention to the hand shape, the palm of the hand should be parallel to the drum surface, the wrist should be naturally bent, and the fingers should be straight, so as to ensure the accuracy of the hitting force.

3.Foot type: The feet should be flat, the surface of the feet should be attached to the pedals, and the ankles should be naturally bent, so as to ensure the accuracy and strength of the hi-hats.

4.Beat: The drum kit is the cornerstone of rhythm, so to master the beat and sense of rhythm, start with simple beats and gradually increase the difficulty.

5.Practice play: To master the style of play, such as singles, doubles, triples, etc., you need to constantly practice and hone your skills.

6.Orchestration: The drum kit is usually an important rhythmic foundation in the orchestra and needs to be coordinated with other instruments, and attention should be paid to coordination and coordination with other musicians.

In short, playing drums requires constant practice and improvement of one's skills, focusing on rhythm and coordination ability in order to become a good drummer.

To ask you this question from a person who is also self-taught, although I started with a teacher for 20 lessons, I always missed the essentials, and a short class passed without the feeling of learning at all.

And as a person who learned from a non-childhood, many difficulties can not be avoided, for example, the left and right hands are seriously unbalanced, and the sense of musicality and rhythm is very poor, which all need to be accumulated and practiced a little bit, but as a self-learner, I am always in a hurry, always thinking about playing tunes, producing results, and the basic skills are not good, but it is easy to be self-defeating.

However, the background of the professional class does not mean that you cannot learn by yourself, but that the process of learning must learn formal textbooks and learn the experience of masters, such as the grip of drum sticks, which is a process of long-term exploration, how to learn to relax, how to be able to play a good sound.

I believe that everyone who is in a hurry to start rushing to achieve results will have to take some detours in self-study, but we can reduce detours and learn through regular textbooks and tutorials. This ** tutorial does not refer to "7 days for you to learn the drum kit", but to say that from basic to advanced, you can learn with excitement at every stage and absorb the knowledge of proper nutrition. Listen to how those masters made very simple tunes so good!

Here is recommended for self-learners, Rock School Drum Exam (also known as Emperor Drum Exam Textbook) series of textbooks, 0 8 levels, 9 books to meet all the learning from beginners to advanced levels, there are a variety of classic repertoire in the books, and exercises. Each book is accompanied by demonstration audio, which is a great way to practice the drum kit. There is also a complete set of **demonstration "Emperor Drum Performance**", which is a very high-quality demonstration teaching.

There is also Jared Falk's **series is also very good Successful Drumming**, but it is in English, and there are **materials. The lecture is very detailed and classic.

Pure hand-played, if useful remember to accept.

1. Fixed-point rotation method. With the index finger and middle finger as the axis, clamp the drum stick about 1 2 places, and twist the rod to make the rod look like it is going around in a circle. This technique can be used to accurately hit the beat of a drum or cymbal during percussion playing.

Second, the drum stick between the fingers of the method. First clamp the stick with the index finger and the middle finger of the group, then clamp the rod with the ring finger hook after throwing it down, remove the index finger and become the middle finger and ring finger clamp stick, and then shake the sensitive finger down, so as to rotate the rod between the fingers.

Jazz is primarily based on blues and jazz scales.

Typically, the first beat is a downbeat and a downbeat is a downbeat, and in jazz it is a downbeat that is played into a heavy beat and a downbeat is played as a tap. Dividing a beat into two eighth notes, usually the first half of each beat is accented and the second half is weak, whereas in jazz the relationship between strength and weakness is reversed. These effects give jazz a very pronounced rhythmic character.

When playing jazz, it is usually not played to a conservative beat. You can advance the time value of an eighth note, and this is called anticipation; Sometimes it is also possible to delay the time value of an eighth note, which is called retardation. There is a difference between using them, and you can get a very different style.

In notation, the place marked with r indicates the need to use "ahead", and the place marked with a indicates the need to use "lag". The role of the ear is very critical when performing these treatments.

The basic practice rhythm is not with ** in the early stage, just follow the metronome. There is no song that is a basic rhythm or a difficult rhythm, as long as the beat is good and not messy, any ** can be arranged at will, but it doesn't taste good.

As long as it is in line with punk**, it sounds good!

1. First of all, when practicing the playing style of the drum kit, you should pay attention to learning the correct sitting posture, you should be close to the drum kit, sit up straight, elbow adduction, and keep a comfortable distance from the footrest.

2. When practicing, start with a quadruple. Practice A's technique first, and then practice B's technique. Until you can play a smooth quadruple, then continue with the rhythm of other genres.

When practicing other rhythm types, you can start by singing a quadruple with the number concept of 1234 as a benchmark to hit the correct position for each rhythm type.

3. Force: The idea is at the tip of the stick. The tip of the stick arcs.

Bring your fingers to open. When the fingers are fully open, drive the wrist to open. When the wrist is fully open, the arm moves.

Personally, I feel that the so-called drumming relies on the wrist is not true. It's the fingers that really matter.

4. Pay attention to the left hand of the key. The mind should pay attention to deliberately improve the ability of the left and right hands to keep up with the right hand. Left-handers are the other way around. Practice technique A first, then technique B. (The derivation of the rhythmic slow-hand A technique is also derived from the corresponding position based on the quadruple).

5. Based on 4 legato 4 4 beats as the measure unit. Practice 8 bars, 6 bars, 4 bars, 2 bars, 1 bars, etc. Try to write exercises that are as loud as possible.

The important thing to pay attention to is to be able to create an exaggerated effect that makes people feel discouraged.