What is the question of the piano basic fingering practice time?

Hehe, this question is a bit "abstract", I don't know if the basic fingering you said is like what you said in "Hanon".

You know what? Many famous pianists such as Rachmanilov practice the most basic scales and arpeggios every day.

In fact, as you said, practicing for so many hours every day will definitely improve faster, and your skills will also improve. There is a saying that if you don't practice for one day, you don't know if you don't practice for two days, and you don't know if you don't practice for three days.

The piano should be practiced every day to have an effect. The big tunes are all based on what you call 'all the basic fingering'.

I have been practicing for more than ten years, and the fingering of some tunes may not be suitable for the fingering I am used to, but the finger movement of the tune to a certain stage must pay attention to aesthetics.

Eight hours a day is too exaggerated, "Hanon" is a good primer, the music is very simple, and it is not a problem to talk about music. In addition, if you want to practice basic fingering, you need to buy a metronome, and practice Hanon's music from the first to the ground 30, two times a week, but to achieve a faster speed (with a metronome), after talking about the thirtieth, and then start from the beginning, the speed is a little faster than the original, and so on, and then practice the scale if you can, the method is the same as above.

Hehe. I'm already in grade 9 for piano.

If you can practice so seriously, it means that you really like the piano.

Honestly. I can't eat hot tofu in a hurry.

For people who are just starting to learn piano.

You can't even do it for eight hours a day.

But if you're really so hard-working.

I think you'll be able to reach level 4 in a year.

The piano is really a good instrument.

May you keep up the good work!

In accordance with state regulations even odd and even women.

1. Skillfully use all fingers to play. All ten fingers should be used, not all keys should be done with a few fingers, and the keys at both ends are usually played by the thumb and little finger.

2. Finger expansion exercises. For example, the most basic little star, 1155665, can be used to complete the song with minimal movement using the expanding finger. Of course, the same is true for difficult songs, and you can expand your fingers when you can expand them, so that you can reduce hand movements.

3. Finger piercing exercises. When the span becomes larger, you can use finger piercing when finger expansion does not solve the problem, and the thumb can be crossed from the palm of the hand without making a noise, so as to move the whole hand to another position.

4. Cross-finger exercises. When the right hand needs to move towards the low register, you can do a cross-finger, that is, 234 fingers from the top of 1 finger to take the bass part, and the reed celery will drive the whole hand to move towards the low register.

5. Finger retraction exercises. Play the original 2 fingers with 3 fingers, so that the whole hand can be passed down by one note to enhance the cohesion.

6. Focus on convenience. Fingering is not fixed, such as when encountering black keys, you can use your own most convenient fingering, such as when encountering stress, you can adjust appropriately, and replace the 4 fingers of the right hand with 2 or 3 fingers.

7. Consider cohesion. Piano music pays attention to the smooth articulation, and at the same time coordinates the strength and weakness, which makes the music more beautiful. You can use many of the fingerings described above when articulating.

Playing the piano makes the fingers more flexible and improves the speed Technique is as follows: When playing the repeating note, the fingers change and the sound is more elastic. Use 1,2,1,3,2 at the end of the tremolo and the sound does not go away and does not go away.

All of the above scales are rooted in folk**. In addition, there are many artificial scales, which are designed and created by composers according to certain expressive intentions and style requirements, some only appear in a specific work, some are commonly used by a certain composer, and some have a great impact and are used by a group of composers of a certain genre in a certain period.

Chromatic pentatonic scale:

It is known as the "pentatonic scale with chromatic tones". It is prevalent in ancient Greece and modern Japan and other Pacific islands. The interval organization is that a major third and a half-playing good note are connected to form a group of special three-tone sequences framed by pure fourths, and the two groups of three-note number Zen sequences can be separated by whole tones.

Since the upper and lower positions of the large potato grinding dust can be different when the third degree is connected with the semitone, it is actually divided into two structural forms, see Example 5 below

The average seven-tone scale is prevalent in Southeast Asia. The interval organization is to divide an octave into 7 roughly equal intervals, each of which is smaller than the whole tone and larger than the semitone.

The average pentatonic scale is used by the Javanese people, and is locally known as "stereotyped Slendero". The interval organization is to divide an octave into 5 roughly equal intervals, each greater than the whole tone and less than the tone (see Indonesia**).

1. Don't be in a hurry in the early stage of piano playing, play each song slowly, and playing fast does not mean that the level is high. Make sure that the rise and fall of each finger is fully displayed.

2. Put your fingers on the piano, arch your palms, separate your fingers, your fingers hang down naturally, your whole hand is semicircular, and your palms are relaxed, as if you can hold an egg inside.

3. The second, third, fourth, and fifth fingers touch the keys with their fingertips, not with their fingertips, and touch the keys with the side of their fingertips.

4. When playing, the fingers should be relaxed and naturally bent, the fingers should not be straightened or too bent, and the first joint should be perpendicular to the key.

5. If your palms and fingers are crooked when playing music, you can spread your fingers flat on the table at ordinary times, and your fingers will take turns to hit the table to improve the strength of your fingers and make your fingers "stand up".

6. When the distance between the keys to be played is greater than the number of 5 keys, you need to expand the palm of your hand so that your fingers can play the position and press, for example, if you want to play the position of 1 and 10, then you need to expand the palm of your hand and press it with your thumb and little finger at the same time.

7. If one finger is operated too frequently, you need to use another finger to take over the playing, for example, when the thumb plays too many keys, you can use the ring finger to take over the playing, so as to reduce the burden on the thumb.

8. There are some rules for finger wearing. a. You can only wear it with 1 finger, and you can only wear it, or 4 fingers, and you can't wear 5 fingers. Wearing 5 fingers is taboo. In addition, there are more occasions when 1 wears 2 and 1 wears 3 than when 1 wears 4.