Is Chinese painting highly valued in the world?

The esoteric taste of brush and ink and aesthetic theories of Chinese painting are not easy to understand, so it is okay within the scope of Sinology and in places where Chinese people live. People of other nationalities lack even the basic aesthetics of calligraphy, and it is even more difficult to understand and appreciate Chinese paintings, which are more varied in brush and ink. For example, landscapes, flowers, birds, and figures in Chinese painting are the most difficult to learn and create, and many people can't figure it out.

The artistic language of Chinese painting is led by brush and ink, and the changes of brush and ink in landscape painting are the most abundant and complex. Therefore, Chinese painting is divided according to the difficulty of its artistic language, landscape painting is the most difficult to learn and the most difficult to achieve, while figure painting is the easiest to grasp after concentrating on improving the ability to grasp shapes, and the changes of brush and ink are correspondingly simple, which is the easiest to master among the three major categories of Chinese painting. This is the opposite of the fact that Western painting is the most difficult for people and landscape painting is the easiest for painting.

However, for such a simple question, because most artists now study Western painting, even if they learn Chinese painting, they must first start with the basics of Western painting, so there is a lot of confusion in the domestic art world. This is an example. In addition, looking at the current domestic art criticism circles, blind worship of the West abounds, and even learn from Chinese painting in the world, but there are those who have learned Western painting and forgotten national art, and they criticize and reject their own national art, threatening that Chinese painting is "at the end of the road" and "dying".

Is it the pursuit and ideal of these "pioneer artists" to slander and slander national art? However, I believe that with the growing strength of China and the rejuvenation of the Chinese nation, Chinese painting will surely bloom with more dazzling brilliance in the world art forest.

It should be appreciated by more and more people.

The highest level of Chinese painting is white space.

Fang Shishu said in "Essays on Tianyun Nunnery": "Mountains, rivers, plants and trees, creating nature, this reality is also. Because of the heart to create the environment, with the hand to move the heart, this virtual realm also.

Fiction is real, and it is in the ink and brush. Therefore, the ancients pen and ink have this mountain and cangshu beautiful, the water is alive and the stone is moist, and there is a kind of spiritual wonder outside the heaven and earth. or swaying willingly, they are also alchemy into liquid, abandoning the essence and saving the essence, and making the best of the shadows.

Fang Shishu's words are very good, between the natural external environment and the emotional inner realm, "construct a kind of spirituality", this most subtle and beautiful thing is indescribable, is the realm reached by the picture.

For the study of the realm of painting, Wang Guowei once said: "The so-called interest of Canglang and the so-called charm of Ruan Ting are just like their faces. Whether it is the "portrayal of the spirit" of Gu Kaizhi in the Wei and Jin dynasties, or the "unsimilar similarity" said by Qi Baishi in modern times, for thousands of years, whether it is talking about the relationship between form and spirit, image and meaning, it is nothing more than the problem of the realm of the picture.

People are in different environments, and their attitudes towards life are different. Wang Guowei believes that there are big realms and small realms, but the difference between the big realm and the small realm is just the difference in the temperament of the realm, and the depth of the realm should be high and low. Wang Guowei put forward the statement of "three shows", which said:

Wen Feiqing's words, sentences are also beautiful. Wei Duan's own words, Gu Xiu also. Li Chongguang's words, Shen Xiu also.

Three people write words, three realms. Wen Tingyun's words are beautiful in the skin, Wei Zhuang's words are beautiful to the bones, and Li Yu's words are beautiful to the soul.

The highest level of Chinese painting lies in the blank space. Blank space is the creation of calligraphy and painting in order to make the whole work more coordinated and exquisite, and deliberately leave the corresponding blank, so as to leave room for imagination. If the painting is too full and too real, it will lose its agility and elegance in the composition, and it will appear lifeless.

Ink and wash are left blank, virtual and real are born together, ink is cherished like gold, and white is black. A few brushstrokes of Danqing, outlining the world on the square inch, and becoming a wonderful place in the place where there is no painting.

The painter's genius brush is often the most imaginative blank space. From the blank space of a painting, you can see the hills and ravines in the owner's chest, and you can also see the high and low level of the work. This kind of blank space is called "qi", and it forms a momentum with the painting and moves in a certain direction, which is "qi".

Therefore, the painting is not about the size, but about the atmosphere.

Some paintings are thousands of miles away; Although some of the paintings are very large, they are trivial and messy, and it is difficult to become angry. Blank space is not empty, blank is not white, nothing wins, less wins more, this is the true artistic conception of blank space. Blank space is a kind of empty and wordless beauty, and that little bit of whiteness is left just right, which is extremely fascinating.

In addition to talking about a few brushstrokes on white rice paper, there is a large blank space, but it is this blank space that makes Chinese painting have endless tension, gives us infinite imagination, and shows a hazy and rich beauty.

The characteristics of Chinese painting: emphasizing the resemblance of gods, paying attention to freehand, freehand painting is a requirement for strong electricity.

Chinese painting is exquisite:

1. The picture has an intentional meaning, there is a spirit outside the picture, and there is a painting outside the picture.

2. The layout of the pattern pays attention to the impermeable wind, and the sparse can run the horse, that is, the sparse and dense.

3. Poetry, calligraphy, painting and printing are all good.

4. Freehand painting.

Need to pay attention to whether or not.

The combination of large and small details, whether the proportion is coordinated, and whether the texture and artistic conception are in place.

5. Flowers, plums, orchids, bamboos, chrysanthemums, etc. can be judged by the above 123, but it is necessary to pay attention to the unique charm of each flower and the artistic conception that needs to be created by the spirit is different. For example, Mei, mostly to create Ling Han alone, proud of the wind and snow and so on very unique charm and spirit...

Chinese painting is not becoming less and less valued, just because the number of people who study it is gradually decreasing, but the number of people collecting Chinese painting works is increasing day by day, which proves that people's vision for the development of Chinese painting is also very high. Although when we look at a Chinese painting, the things it presents are relatively simple objects, but compared with other words, Chinese painting pays more attention to the use of color and humor, which is very difficult to do.

First, the collection of Chinese painting is valued People began to collect Chinese painting works from the society, some of these Chinese painting works are from ancient literary artists, some are from the current Chinese painting masters, the works they create are very perfect, very worthy of collection. And there are some Chinese painting works, which are relatively valuable, and can even add value to the acquirer, and the ** in the market is also very high. It may be that these people who acquired it do not seem to understand the culture of Chinese painting at all, but it also proves that the influence of Chinese painting in society is gradually increasing.

2. The Inheritance of Chinese Painting Because Chinese painting is a cultural treasure of our country, there are teachings in different places, and some masters of Chinese painting inherit this painting method. Among primary school students, their parents will enroll them in some Chinese painting classes, and even the school will automatically carry out Chinese painting classes to teach them to learn. Of course, there are some adults who will automatically learn such an art, and the calligraphy and French painting associations in each place are also constantly promoting the positive energy of Chinese painting, attracting more people to learn this art that is almost forgotten by people.

However, I believe that Chinese painting will not be forgotten, because the value and significance of Chinese painting itself cannot be presented by other paintings. What we need to pay attention to now is to continue to pass on this culture, for example, we can hold some exhibitions of Chinese painting, and even let Chinese painting be held in schools and society, so that people can remember the historical significance of Chinese painting, so that Chinese painting will be continuously valued by people.

As a traditional Chinese culture, Chinese painting has not been taken seriously in recent years. Now everyone in the circle thinks that Western paintings are more valuable and easy to use. Most outsiders are in the mood of watching the excitement, and even if they really like it, it is rare to really learn Chinese painting.

No, there are a lot of people who are very good at painting, and the subject will think so, and may care less about the Chinese painting exhibition.

Chinese painting is still valued. It's just that it is difficult to train Chinese painting masters now, and they need to calm down and learn slowly, so few people can persevere, but there are still many people who insist on liking Chinese painting.

Chinese painting is not becoming more and more neglected, because Chinese painting is the representative of the country's culture, but also the artistic embodiment of the country.

It's not that they are not taken seriously, but it is rare for modern people to create the level of Huaguo painting at that time of the ancients. Nowadays, Chinese paintings are more popular to hang at home, and they all hope to buy Chinese paintings painted by celebrities rather than nobodies.

Compared with Western painting, Chinese painting has its own unique characteristics, which are also manifested in many aspects such as artistic techniques, artistic disciplines, composition, brushwork, ink, and coloring. According to the artistic techniques, Chinese painting can be divided into three forms: gongbi, freehand and part-time writing. Gongbi is to use the brush neatly and meticulously, the color layer by layer rendering, the details are clear and detailed, and the image is depicted with extremely delicate brushstrokes, so it is called "Gongbi".

And what about freehand? Compared with "Gongbi", he uses bold and concise brushwork to depict the shape and spirit of objects and express the author's feelings. It must have a high degree of generalization ability, to have a subtle artistic conception of winning more with less, to be accurate, to be proficient in pen movement, to be handy, to be able to write.

The form of part-time work with writing is a comprehensive use of the two methods of gongbi and freehand.

From the perspective of art, Chinese painting can be divided into three major painting disciplines: figures, landscapes, flowers and birds, which are mainly divided by the different objects depicted. The paintings of animals, saddle horses, insects, vegetables and fruits in Chinese paintings can be classified into these three categories.

Chinese painting also has its own characteristics in terms of composition, brushwork, ink, and coloring. The composition of Chinese painting generally does not follow the law of Western painting, but is either a long scroll or a vertical scroll, and the ratio of length and width is "out of balance". But it can well express the special artistic conception and the subjective taste of the painter.

At the same time, in terms of perspective, Chinese painting is also different from Western painting. Perspective is a term for painting, that is, when painting, all objects are correctly represented on the plane, so that they have a sense of space and three-dimensionality from near and far, this method is called perspective. Because the phenomenon of perspective is near and far small, it is often called "far and near method".

Western paintings generally use focal perspective, which is like taking a photograph, fixed at a foothold, limited by space, and what is ingested into the lens is taken down truthfully, otherwise it will not be photographed. Chinese painting is not necessarily fixed at a foothold, nor is it limited by a fixed field of view, it can make the foothold move to paint according to the feelings and needs of the painter, and incorporate all the visible and unseen scenes into its own paintings. This method of perspective is called scattered perspective or multipoint perspective.

For example, the famous paintings of the Northern Song Dynasty and Zhang Zeduan's "Riverside Scene at Qingming Festival" are well-known, using scattered perspective. "Qingming Riverside Map" reflects the rich and complex scenery inside and outside Bianliang, the capital of the Northern Song Dynasty, and the meteorological scene. It is centered on the Bianhe River, from the distant countryside painting to the lively "Hongqiao"; The viewer can see both the city and the countryside; You can see both the pedestrians on the bridge and the boats under the bridge; You can see not only the nearby buildings and trees, but also the deep streets and river ports in the distance.

Moreover, no matter which section you stand on, the proportions of the scenery are similar, and if you follow the method of Western painting focusing on the machine, there are many places that cannot be drawn at all. This is a unique perspective method created by ancient Chinese painters according to the needs of content and artistic expression.

Look at whether the brush and ink of this painting are neat, rather than repeating a few strokes, whether the overall feeling is good or not.

The status of traditional Chinese painting art in today's society may not be so high, but it is also highly respected, because their dissemination is not so popular.