The characteristics of calligraphy language, the artistic language and aesthetic characteristics of

The artistic language of calligraphy.

Brush: refers to the way and method of writing.

Ink: The degree and change of ink coloring play a very important role in the expression of artistic conception in calligraphy.

with ink. Structure: refers to the division of the word and the business position. .

Chapter: refers to the overall layout of the work, also known as "cloth white", which shows the harmony of the work as a whole in diversity and unity.

The beauty of the lines of the art of calligraphy.

Aesthetic features. The beauty of lines: the main elements and foundations of calligraphy are important mediums for the formation of calligraphy. It is also the carrier of the author's emotional temperament.

Structural beauty: It refers to the problem that the structure of the brush reflects the beauty of the shape and structure of various things in reality.

Chapter Famei: refers to the structural problems between words, between lines, and between paragraphs and lengths. What it embodies is the symmetry of calligraphy and discipline, which corresponds to each other. 

Artistic conception beauty: The spirit and spirit of the work are the concrete embodiment of artistic conception beauty. Huang Ting of the Song Dynasty accompanied Lianjian Zeng Yun to "view it into the gods".

Calligraphy works.

What are the artistic languages of calligraphy?

One. The basic elements of calligraphy.

Black and white is one of the two major color blocks that make up the world, the basic hue of all things, and the microcosm of the universe. Man comes from the natural world and is also the main body of transforming nature. All human culture is inseparable from the natural world, and calligraphy is even more so.

Black and white is the most important pigment in calligraphy and painting, and among them, dots, lines and planes are the basic elements that make up Chinese characters. Chinese calligraphy is expressed in the form of Chinese characters, so the dots, lines, and surfaces have become the form, language, and symbols of calligraphy.

Two. Point, line, and surface.

The flowers and trees, heaven and earth, and mountains and rivers in nature are all three-dimensional composed of points, lines, and surfaces. A grass or a tree is composed of points on the surface of its leaves, and the surface of the tree pole is composed of points and surfaces to form a complete shape of its object, and there is a specific outline of the object - the appearance of lines.

So the line is the main element and symbol that makes up a complete object. Without lines and planes, there is no shape of the object on the paper.

Dots, lines, and surfaces create the shape of objects, which means that calligraphy is the shape of different Chinese characters created by the dots, lines, and surfaces written with a brush. This shape has its own pattern in calligraphy, just as people have to wear clothes in addition to their own shapes, but the color and style of the clothes they wear are ever-changing.

Each person has different aesthetic abilities, and although they are dressed differently and dressed in different costumes, the basic elements of which are made according to the basic law of human body shape.

That is to say, no matter how you change in the dots, lines, and planes, you are taking the original form as the law, and you are seeking all kinds of changes in the law. In this way, his works have vitality. Calligraphers of all dynasties have their own different artistic styles, such as Zhang Zhi's "Cursive Script", Wang Xizhi's "Orchid Pavilion Preface", "Baozi Tablet" of the humble simplicity, "Ode to the Stone Gate", "Zhang Qian Tablet" and the simple and majestic, Yan Zhenqing's horizontal and straightforward, and so on.

All reflect the different styles of each family. In short, on the basis of the seal and the beam, different points, lines and surfaces are used to show different personal styles, forming different fonts, that is, seeking movement in stillness, seeking difference in the same, and seeking change in the unchanged.

<> 1. The beauty of Chinese characters and calligraphy.

The artistic creation of calligraphy is based on Chinese characters, and the artistic expression and expression of Chinese characters as a linguistic symbol. It can be said that Chinese characters are the basis for the survival and development of calligraphy art, and calligraphy is an effective carrier for the dissemination and preservation of Chinese characters. Therefore, the beauty of calligraphy and the beauty of Chinese characters are not only related, but also different.

2. The artistic conception of Chinese calligraphy art.

Artistic conception is an important category of Chinese aesthetic thought, and artistic conception is a significant aesthetic feature of Chinese calligraphy art. Liu Xizai's "Art Defeat Divine Overview" has a cloud: "The sage made "Yi", and the statue was used to observe the rock loss with all his intentions.

Meaning, innate, book also; Elephant, acquired, book also. Liu Xizai believes that the basic dots and lines constitute Chinese characters, that is, "xiang", and calligraphy uses this "image" to express its "meaning". Writing is more practical, while calligraphy is more artistic.

3. The formal beauty of Chinese calligraphy. The structure of Chinese characters and the beauty of dot painting are the main contents of the beauty of calligraphy art form, and the artistic beauty formed by the combination of lines of the calligrapher's pen fully expresses the momentum and power of movement, the balanced and symmetrical structure, and the staggered and virtual and real chapters are the embodiment of the beauty of the calligraphy art form.

The seal script is divided into large seals and small seals, the penmanship is characterized by relatively thin and straight, and the font is characterized by "the font is wide and flat, left and right stretched, balanced and symmetrical, neat and even".

Lishu is characterized by "the glyph is flat and square, the left and right are divided, the silkworm head is raised, the pen is swallowed, the circle is turned into a square, the arc is straight, the painting is changed to a point, the connection is broken, and the thickness is changed". Cursive writing is characterized by its "simple structure and continuous strokes". The characteristics of the book are "neat, clear, and lively".

The characteristics of regular script are "square stool cracks, square fonts, and strict rules".

The practice of calligraphy is to trace, write, memorize, and create. The first thing to practice calligraphy is to trace, that is, to use a relatively thin piece of paper to put on someone else's work to depict it, and after tracing, you can start to write according to the calligraphy you have traced. Writing is a very important part of calligraphy practice, and there are also very important methods and skills for writing on your own, which you should explore slowly during the practice.

After practicing copying, practice memorizing, according to the previous exercises and impressions, write it yourself without referring to the copybook, and practice the previous font. Finally, after these are done, you can add your own creative part to the practice of the base of jujube meditation, form your own style, and find the most suitable font for yourself.

Calligraphy is a special traditional culture in China, which is divided into five types: seal script, official script, cursive script, line script, and regular script.

A little talk about the relationship between calligraphy and painting - calligraphy and painting have the same origin.

"Calligraphy and painting have the same origin" is Chinese painting.