On the art of Erwang calligraphy and its profound influence on Chinese calligraphy.

Wang Xizhi is in an era of revolution in the art of calligraphy. It is the times that have made Wang Xizhi, and it is also Wang Xizhi who has created a new era.

Wang Xi's appearance. Carry on the humble style of writing at that time. In regular script, on the basis of Mrs. Wei, it is more majestic and heavy. "Huang Tingjing" is one of his representative works in regular script.

His greatest achievement lies in the calligraphy, from the official script of the Han Dynasty and the Three Kingdoms, to the regular script, and further developed the travel script, reaching the peak in Wang Xizhi. It is ever-changing, the same word in the same text, but the word is different. The masterpiece "Orchid Pavilion Preface" needs no more to say.

Later generations of famous artists each took a skill, and became a family of their own, forming a variety of colorful and complex book styles.

Attached: You can take a look at the "Book Review" by Li Yu, the queen of the Southern Tang Dynasty, and the comments are very pertinent.

Book Review" Li Yu [Southern Tang Dynasty].

Those who are good at law books have one body of the right army: if Yu Shinan gets its beautiful rhyme, but loses its handsomeness; Ouyang inquired about his strength, but lost his gentleness; Chu Suiliang got what he wanted, but lost his change; Xue Ji was clear, but lost in embarrassment; Yan Zhenqing gained his strength, but lost his rudeness; Liu Gongquan gained his bones, but lost his life; Xu Hao gained his flesh and lost it to the vulgar; Li Yong gained his anger and lost his physique; Zhang Xu got his way, but lost his madness; Giving everything is gained, and lost in panic, there is no attitude.

Wang Xizhi and Wang Xianzhi.

Wang Xizhi (c. 321-379) was a great calligrapher, frank and informal, and did not admire Rongli since he was a child, and was respected as a sage of calligraphy by later generations. Langya Linyi people of the Eastern Jin Dynasty (now Linyi, Shandong), living in Huiji Shanyin (Shaoxing, Zhejiang), due to the unknown records, there are 303-361 years of birth and death. The official is the general of the right army, and he will check the internal history, and is known as the "right army of the king".

The masterpiece of calligraphy "Orchid Pavilion Preface" has been passed down through the ages and has a far-reaching influence.

Xianzhi, the word Zijing, Han nationality, calligrapher, poet, ancestral home in Linyi, Shandong, born in Huiji (now Shaoxing), the seventh son of Wang Xi. He was forty-three years old at the time of his death. It is famous for its calligraphy and cursive script.

Wang Xianzhi learned calligraphy with his father Xizhi when he was young, and also studied Zhang Zhi. Calligraphy is all fine, especially famous for the grass, dare to innovate, not confined by his father, since the Wei and Jin dynasties, the grass has made outstanding contributions, in the history of calligraphy is known as the "little sage", and his father is called "two kings".

Two kings, descendants will be the Eastern Jin Dynasty calligrapher Wang Xizhi and Wang Xian's father and son called "two kings".

Wang Xizhi and his son Wang Xianzhi.

Wang Xizhi, Wang Xianzhi, your sons.

Wang Xizhi and Wang Xianzhi, both surnamed Wang, hehe.

Wang Xizhi and Wang Xianzhi's father and son

1, Wang Xizhi.

2. Wang Xianzhi (344 386).

The collection of Wang Xian's calligraphy can be compared with Wang Xi's, father and son have their own merits in calligraphy, Xi shows true behavior, and dedication is to line grass as the ability. The most innovative significance and existential value of "Erwang" is its beautiful and elegant cursive writing. Wang Xianzhi is not confined by his father, he is handsome and heroic, and he is a family of his own, which is impressive.

It's a pity that God was jealous of his talent, and he died prematurely at the age of 42.

Wang Xianzhi has a chapter grass "July 2nd Post", its small regular script to "Luo Shen Fu Thirteen Lines" as a representative, with the pen outside the extension, the knot is well-proportioned and neat, such as everyone is beautiful, the posture is charming and graceful. His book is the most famous book "Duck Head Pill Post".

In the history of ancient Chinese calligraphy"Two kings"It refers to the father and son of Wang Xizhi and Wang Xian, the great calligraphers of the Eastern Jin Dynasty.

Wang Xizhi (321-379, or 303-361) character, the word Yi Shao, the number of Zhai, originally from Langya Linyi (now Shandong), later moved to Shanyin (now Shaoxing, Zhejiang), the official to the general of the right army, will be the internal history, is a great calligrapher of the Eastern Jin Dynasty, respected by later generations as a sage. Wang Xizhi was born in the courtyard of a calligraphy family, and his uncle Wang Yi, Wang Dao; Cousins Wang Tian and Wang Qia were all famous calligraphers at that time.

Wang Xianzhi (344-386), the name Zijing, nicknamed official slave, Han nationality, ancestral home in Linyi, Shandong, was born in Huiji Shanyin (now Shaoxing, Zhejiang), the seventh son of the sage Wang Xi. A famous calligrapher, poet and painter of the Eastern Jin Dynasty, and the son-in-law of Sima Yu, Emperor Jianwen of the Jin Dynasty. The official to the middle book order, in order to distinguish it from his brother Wang Min, is called"Grand Order", together with his father Wang Xizhi"Two kings"。

Wang Xianzhi has been smart and studious since he was a child, specializing in cursive calligraphy and painting. He followed his father to practice calligraphy since he was a child, and he had great ambitions. He is known for his calligraphy and cursive script, but he also has a deep knowledge of regular script and official script.

Zhang Yanyuan saw his paintings in "Records of Famous Paintings of the Past Dynasties"."Medium grade"。

Wang Xizhi, Wang Xianzhi (they are father and son).

Hello dear, "Erwang" is the joint name of Wang Duo and Wang Xianzhi, calligraphers of the Ming Dynasty of China, and is a famous calligraphy artist in the history of Chinese calligraphy. Their calligraphy style has the characteristics of soft bones and elegant charm, and is one of the representative figures in Chinese calligraphy art, Wang Duo (1498-1583) was a calligrapher in the late Ming Dynasty. Wang Duo's calligraphy has the characteristics of thin bones and thin and graceful, and the gestures are extremely soft everywhere, without losing the steady and powerful bearing.

His representative works include the volume of "Luo Shen Fu" and the volume of "Mengxi Bi Tan", etc., Oh Wang Xianzhi (344-386) was a calligrapher and calligraphy theorist during the Jin Dynasty. Wang Xianzhi's calligraphy style is eclectic, inheriting the tradition of Wang Xizhi, a master calligrapher of the Eastern Jin Dynasty, and creating his own characteristic style, which is known as "one of the top masters of calligraphy art during the Han and Wei dynasties and the Northern and Southern Dynasties". His representative works, such as the Preface to the Orchid Pavilion Collection and the Manuscript of the Sacrifice of Nephews, are the calligraphy achievements of the "two kings", which are due to their success in the use of calligraphy techniques and their personal style.

Their calligraphy is powerful and powerful, striking a beautiful balance between muscles and softness. At the same time, they pay attention to the incidental emotional color of the strokes, showing the poetry of calligraphy art and emphasizing the artistic aesthetic value of calligraphy works.