What do you think of Mozart s Duet on the Tabletop ?

Most of these pieces are emotionally profound, mostly optimistic and bright, with a kind of confidence and optimism that is characteristic of the Enlightenment period, but there are sometimes sad shadows hanging over the music. The melody is extremely strong. The main theme of Mozart's works is often simple and extremely singable.

When playing, it should be clear and prominent, not hasty, and every note must be played thoroughly but not dry, solid but not hard, and rich in a certain charm. To pop the crystal clear **. In the finger touch, the non legato should be the mainstay, and the fingertip should be used to touch the keys, which is fast and not stiff, and plays a uniform and clear sound particle.

The theme is beautiful Andante, 6 8 beats, A major, dotted rhythm, ** time value is basically one beat and one note, the melody is deliberately simplified, and the repetition of the same note also leaves room for subsequent variations. Of the 4 phrases of the theme, the first half is 8 bars and the second half is 10 bars: the first half of each phrase is melodic and lyrical, and the second half of each phrase is a chordal statement.

Each phrase begins with the characteristic rhythm of Sicilian dance. The presentation and representation of the theme are singing, and the middle part is mainly dance. The whole theme is that singing and dancing interpenetrate each other, each with its own emphasis.

Mozart's piano sonatas cannot compete with Beethoven's 32 piano sonatas, especially with the sorrowful gun, moonlight, and passion. But in today's world, there are thousands of pianos, and the scores of Mozart and Beethoven's piano sonatas will always be put together, and will certainly continue to be in the next century, as long as people are still human beings, and basic humanity is preserved. "Mozart and Beethoven's music always complement each other, just as the sun and the moon, the woods and the birds, the sky and the sea are always complementary.

On our planet, if there is a piano, there must be piano sonata scores by two writers on the piano, which is called immortality.

There are few ups and downs in the contrast between strength and weakness, but almost every sentence has a crescendo curve. There are few strong changes in F-PPP in his works, but there are often before and after between the phrases, and the contrast between strengths and weaknesses. It's like a conversation, with questions and answers.

Sometimes, it's not easy to play two phrases well. First of all, each phrase itself must have a crescendo curve.

Mozart's piano is characterized by beauty, fluency, brightness and optimism. Mozart's extraordinary melodic genius in the opera is also fully displayed in the piano**, such as the piano music is not only the adagio theme atmosphere, broad, melodious, and tactful, just like the arias in the opera, and even those light and beautiful cadenza verses are also sung from the bottom of the heart.

From the perspective of a single tone, the simultaneous (most of the time) vocalization of multiple voices should consider the problem of harmony; Looking at the whole piece, different forms have different structures. It's atmospheric and evil, but the whole piece is very well controlled, and it seems to be walking on the verge of impulsiveness and imbalance from beginning to end.